| Photos (see all 7 | slideshow) |
| Lee Marvin | ... | Walker | |
| Angie Dickinson | ... | Chris | |
| Keenan Wynn | ... | Yost | |
| Carroll O'Connor | ... | Brewster | |
| Lloyd Bochner | ... | Frederick Carter | |
| Michael Strong | ... | Stegman | |
| John Vernon | ... | Mal Reese | |
| Sharon Acker | ... | Lynne | |
| James Sikking | ... | Hired Gun | |
| Sandra Warner | ... | Waitress | |
| Roberta Haynes | ... | Mrs. Carter | |
| Kathleen Freeman | ... | First Citizen | |
| Victor Creatore | ... | Carter's Man | |
| Lawrence Hauben | ... | Car Salesman | |
| Susan Holloway | ... | Girl Customer | |
| Sid Haig | ... | First Penthouse Lobby Guard | |
| Michael Bell | ... | Second Penthouse Lobby Guard | |
| Priscilla Boyd | ... | Receptionist | |
| John McMurtry | ... | Messenger | |
| Ron Walters | ... | Young Man in Apartment | |
| George Strattan | ... | Young Man in Apartment | |
| Nicole Rogell | ... | Carter's secretary | |
| Rico Cattani | ... | Reese's guard | |
| Roland La Starza | ... | Reese's guard (as Roland LaStarza) | |
| rest of cast listed alphabetically: | |||
| Casey Brandon | ... | Dancer (uncredited) | |
| Jerry Catron | ... | Man (uncredited) | |
| Bonnie Dewberry | ... | Dancer (uncredited) | |
| Carey Foster | ... | Dancer (uncredited) | |
| Bill Hickman | ... | Guard (uncredited) | |
| Chuck Hicks | ... | Guard (uncredited) | |
| Karen Lee | ... | Waitress (uncredited) | |
| Joseph Mell | ... | Man (uncredited) | |
| Andrew Orapeza | ... | Desk clerk (uncredited) | |
| Felix Silla | ... | Bellhop (uncredited) | |
| Guy Way | ... | Mob chauffer (uncredited) | |
| Louis Whitehill | ... | Policeman (uncredited) | |
| Ted White | ... | Football player (uncredited) | |
| Roseann Williams | ... | Dancer (uncredited) | |
Directed by | |||
| John Boorman | |||
Writing credits | ||
| Donald E. Westlake | (novel "The Hunter") (as Richard Stark) | |
| Alexander Jacobs | (writer) and | |
| David Newhouse | (writer) & | |
| Rafe Newhouse | (writer) | |
Produced by | |||
| Judd Bernard | .... | producer | |
| Robert Chartoff | .... | producer | |
Original Music by | |||
| Johnny Mandel | |||
Cinematography by | |||
| Philip H. Lathrop | (director of photography) | ||
Film Editing by | |||
| Henry Berman | |||
Art Direction by | |||
| Albert Brenner | |||
| George W. Davis | |||
Set Decoration by | |||
| F. Keogh Gleason | (as Keogh Gleason) | ||
| Henry Grace | |||
Costume Design by | |||
| Margo Weintz | (uncredited) | ||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup artist | |
Production Management | |||
| Edward Woehler | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
| Christopher Seitz | .... | assistant director (uncredited) | |
Sound Department | |||
| Franklin Milton | .... | recording supervisor | |
| Van Allen James | .... | sound editor (uncredited) | |
Visual Effects by | |||
| J. McMillan Johnson | .... | special visual effects | |
Stunts | |||
| Boyd Cabeen | .... | stunt double (uncredited) | |
| Jerry Catron | .... | stunts (uncredited) | |
| Bill Hickman | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
| Carey Loftin | .... | stunts (uncredited) | |
| Ted White | .... | stunts (uncredited) | |
Editorial Department | |||
| William Stair | .... | color consultant | |
Other crew | |||
| Patricia Casey | .... | production associate | |
| Rafe Newhouse | .... | assistant to producer | |
| David Steen | .... | special photographs for production | |
| Norman Stuart | .... | dialogue coach | |
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| News articles | IMDb Action section | IMDb USA section |
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Tough and brutal, that best describes Boorman's excellent direction. Lee Marvin is perfect as a man who is out for revenge. The story is quite raw, it features flashbacks which haunt the character. The ending sums up the character, but you'll need to see it to find out for yourself. The supporting cast is very good, but this Marvin's baby and he is terrific.
Boorman makes full use of the widescreen frame. Watching in full frame ruins the entire picture. You have only truly seen Point Blank if you've viewed in widescreen.