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Point Blank (1967)
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Overview
User Rating:
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Director:
Writers:
Release Date:
30 August 1967 (USA)
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Tagline:
There are two kinds of people in his up-tight world: his victims and his women. And sometimes you can't tell them apart.
Plot:
Based on the theme of the individual pitted against the large, impersonal organization. Here the central...
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| full synopsis
Plot Keywords:
NewsDesk:
(35 articles)
Universal Thinking 3D Jaws Remake
(From Dread Central. 8 February 2010, 7:58 PM, PST)
Hot Tub Time Machine Poster
(From FilmShaft.com. 29 January 2010, 4:56 AM, PST)
(From Dread Central. 8 February 2010, 7:58 PM, PST)
Hot Tub Time Machine Poster
(From FilmShaft.com. 29 January 2010, 4:56 AM, PST)
User Reviews:
Raw, Lyrical, and Bullets
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Cast
(Cast overview, first billed only)| Lee Marvin | ... | Walker | |
| Angie Dickinson | ... | Chris | |
| Keenan Wynn | ... | Yost | |
| Carroll O'Connor | ... | Brewster | |
| Lloyd Bochner | ... | Frederick Carter | |
| Michael Strong | ... | Stegman | |
| John Vernon | ... | Mal Reese | |
| Sharon Acker | ... | Lynne | |
| James Sikking | ... | Hired Gun | |
| Sandra Warner | ... | Waitress | |
| Roberta Haynes | ... | Mrs. Carter | |
| Kathleen Freeman | ... | First Citizen | |
| Victor Creatore | ... | Carter's Man | |
| Lawrence Hauben | ... | Car Salesman | |
| Susan Holloway | ... | Girl Customer |
Additional Details
Parents Guide:
Runtime:
92 min
Country:
Language:
Color:
Color (Metrocolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Germany:16 (re-rating) |
West Germany:18 (original rating) |
Australia:M |
Portugal:17 (original rating) |
Portugal:M/12 |
Argentina:16 |
Finland:K-16 |
Norway:16 (cut) |
Norway:18 |
Sweden:15 |
UK:15 (re-rating) (1998) |
UK:18 (video rating) (1993) |
UK:X (original rating) |
USA:Approved
Filming Locations:
Company:
Fun Stuff
Trivia:
Lee Marvin faked the recoil from the .44 Magnum when he shoots in Lynne's bed. These were in fact blanks, but afterward when shooting in Alcatraz they tried with real bullets and there was no recoil at all. Marvin said to director John Boorman, "Fiction overtakes reality".
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Quotes:
Brewster:
You're a very bad man, Walker, a very destructive man! Why do you run around doing things like this?
Walker: I want my money. I want my $93,000.
Brewster: $93,000? You threaten a financial structure like this for $93,000? No, Walker, I don't believe you. What do you really want?
Walker: I - I really want my money.
Brewster: Well, I'm not going to give you any money and nobody else is. Don't you understand that?
Walker: Who runs things?
Brewster: Carter and I run things. I run things.
Walker: What about Fairfax? Will he pay me?
Brewster: Fairfax is a man who signs checks.
Walker: No, cash.
[...]
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Walker: I want my money. I want my $93,000.
Brewster: $93,000? You threaten a financial structure like this for $93,000? No, Walker, I don't believe you. What do you really want?
Walker: I - I really want my money.
Brewster: Well, I'm not going to give you any money and nobody else is. Don't you understand that?
Walker: Who runs things?
Brewster: Carter and I run things. I run things.
Walker: What about Fairfax? Will he pay me?
Brewster: Fairfax is a man who signs checks.
Walker: No, cash.
[...]
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Soundtrack:
Mighty Good Times
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FAQ
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Point Blank kind of came and went in theaters but I can't imagine anyone who saw it in 1967 left forgetting John Boorman's tough and beautiful film. A simple story told in a very stylish and, at times, surreal manner. Though the storyline is a variation on "revenge" themes, it is Boorman's images that open it up and find pay-dirt. Images of Lee Marvin emptying his pistol in slow motion, the sound of footsteps over a string of pictures that curdle the mind, and the seemingly limitless use of rawness perfectly realized in the action and performance by Marvin and,interestingly, Angie Dickinson. There is a wonderful conflict between the primal Marvin and the Corporate Crime world which he cannot understand. Marvin knows survival of the fittest- not the richest. It's hypnotic and aggressive. Boorman balances perfectly on the line between the two.