| Photos (see all 12 | slideshow) | Videos |
| André Morell | ... | Sir Basil Walden | |
| John Phillips | ... | Stanley Preston | |
| David Buck | ... | Paul Preston | |
| Elizabeth Sellars | ... | Barbara Preston | |
| Maggie Kimberly | ... | Claire de Sangre | |
| Michael Ripper | ... | Longbarrow | |
| Tim Barrett | ... | Harry Newton | |
| Richard Warner | ... | Inspector Barrani | |
| Roger Delgado | ... | Hasmid | |
| Catherine Lacey | ... | Haiti | |
| Dickie Owen | ... | Prem | |
| Bruno Barnabe | ... | Pharaoh | |
| Toni Gilpin | ... | Pharaoh's Wife | |
| Toolsie Persaud | ... | Kah-to-Bey | |
| Eddie Powell | ... | The Mummy | |
| Andreas Malandrinos | ... | The Curator | |
| rest of cast listed alphabetically: | |||
| Peter Cushing | ... | Narrator (unconfirmed) | |
| John Garrie | ... | Arab Cleaner (uncredited) | |
| Pat Gorman | ... | Reporter (uncredited) | |
| Darroll Richards | ... | Sage (uncredited) | |
| Michael Rothwell | ... | Reporter (uncredited) | |
| Terence Sewards | ... | Reporter (uncredited) | |
| Roy Stephens | ... | Reporter (uncredited) | |
| George Zenios | ... | Arab Reporter (uncredited) | |
Directed by | |||
| John Gilling | |||
Writing credits(in alphabetical order) | ||
| John Gilling | writer | |
| Anthony Hinds | story (as John Elder) | |
Produced by | |||
| Anthony Nelson Keys | .... | producer | |
Original Music by | |||
| Don Banks | |||
Cinematography by | |||
| Arthur Grant | |||
Film Editing by | |||
| Chris Barnes | |||
Casting by | |||
| Irene Lamb | |||
Production Design by | |||
| Bernard Robinson | |||
Art Direction by | |||
| Don Mingaye | |||
Makeup Department | |||
| George Partleton | .... | makeup artist | |
| Frieda Steiger | .... | hair stylist | |
Production Management | |||
| Ed Harper | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Bluey Hill | .... | assistant director | |
Sound Department | |||
| Roy Hyde | .... | sound editor | |
| Ken Rawkins | .... | sound recordist | |
Special Effects by | |||
| Les Bowie | .... | special effects | |
| Ian Scoones | .... | special effects assistant (uncredited) | |
Camera and Electrical Department | |||
| Moray Grant | .... | camera operator | |
Costume and Wardrobe Department | |||
| Molly Arbuthnot | .... | wardrobe mistress | |
| Larry Stewart | .... | wardrobe master | |
Editorial Department | |||
| James Needs | .... | supervising editor | |
Music Department | |||
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Eileen Head | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| What do other people think of this movie? | onnanob2 |
| Michael Ripper's Best Performance | jedraven |
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| Charlie Chan in Egypt | Federal Agents vs. Underworld, Inc. | The Curse of King Tut's Tomb | The Mummy's Hand | The Ghoul |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
The biggest problem with 'The Mummy's Shroud' is that with 'The Mummy' in 1959, Hammer made the definitive 'mummy movie' and so 'The Mummy's Shroud' which basically tells the same story with only minor differences, comes across as being redundant.
John Gilling does his best with the material (there are a lot of great shots in this movie) but is unable to over-come the basic familiarity of the story. The cast is mixed, with the best actor, Andre Morell, wasted in a minor role. There are compensations, however, as Hammer veteran Michael Ripper (dubbed by Christopher Lee as 'face of Hammer') is given is best role as Longbarrow, his death is perhaps the dramatic highlight of the movie.
In addition, 'The Mummy's Shroud' is superior to Hammer's last movie in the series, 'The Curse Of The Mummy's Tomb', having a faster pace and sticks better in the memory (mainly due to the talents of Gilling). While not vintage Hammer by a long chalk, it's a solid Hammer movie which suffers from the 'seen it all before' factor.
Oh, by the way, if you're a Peter Cushing fan you will be disappointed, as despite being credited to Cushing in some sources, the narrator does not sound remotely like him.