1 out of 1 people found the following comment useful :- One of the seven Eurospy classics, 13 January 2003
Author:
vjetorix from Seattle
Berlin in winter. The days are wet and dark, the deeds darker. Thus the
scene is set for one of the genre's most enjoyable serious entries. Yes,
it's a simple story; there are no madmen with visions of world
domination,
no fancy gadgets to distract but it's a story told with flair and the
swift
pace is that of the petty thief on the run, drawn into a high-stakes game
of
espionage.
Christian-Jaque, director of one of the segments of The Dirty Game, pulls
all the elements together this time; a first rate score by Gerard Calvi,
a
great and varied cast, an excellent script, and appealing locations
result
in a minor gem. Dutch camera angles abound as we chase the European
winter
in Berlin, Lucerne, Paris, and Vienna. The look of the film manages to
stay
just this side of drab, the natural light is weak but the feeling isn't
one
of hopelessness, rather it's a sort of dignified gloom.
If you're looking for a well-crafted piece of espionage drama that treads
the fine line between humor and bleakness, and features a stellar cast at
their best, you just found it. As Georges Geret remarks halfway through
the
film `Spying is no job, it's a profession,' and this is a very
professional
look at it indeed.
2 out of 3 people found the following comment useful :- clever, witty French spy film with Peter Lawford, 14 September 2003
Author:
django-1 from south Texas USA
I certainly would NOT include this,the English-language title of
which
is DEAD RUN, among any top list of Eurospy
classics; however, its witty tone, nice locations and interesting
camera work, and impressive acting from Georges Gerret (as
a
small-time pickpocket who steals some secret papers more
important
than he could imagine), Peter Lawford (using his old charm and
wit
once again, as a CIA agent so informal that I doubt the REAL
CIA
would ever employ him!), and familiar German faces such as
Horst
Frank (chilling!), Wolfgang Preiss, and Werner Peters make it
worth
watching and above average.
Director Christian-Jacque had a diverse career--directing
the
odd but fun LEGEND OF FRENCHIE KING with Bardot and Michael J.
Pollard,
doing uncredited direction on the bloated but entertaining MARCO THE
MAGNIFICENT with Horst Bucholz
and Orson Welles (and the unnerving angular composition of so
many
shots in DEAD RUN shows that Mr. Jacque is a BIG Welles
fan!!),
directing BABETTE GOES TO WAR, the film that proved Bardot was
more
than just a cheesecake star,
and helming one of the segments of the war anthology THE DIRTY
GAME.
He also made a few excellent films with Jean Marais in the
mid-60s.
Much of what is good about DEAD RUN comes from Jacque's
interesting
and stylish direction, as the story is cliche-ridden and not
really
memorable.
Overall, though, if you like an espionage drama with the sense
of
class and visual style that only the French bring to a film,
with
a number of strong performances, you might want to find DEAD
RUN.
0 out of 3 people found the following comment useful :- Christian-Jaque was...., 14 July 2006
Author:
dbdumonteil
....a man of the past in 1967.All his best works (and there are plenty
of them)were behind him:"Les Disparus de Saint-Agil" "L'Assassinat du
Père Noel" "Boule de Suif" "Un Revenant" "Fanfan la Tulipe" ,to name
but five ...
In the sixties (and seventies) there were two commendable works "La
Tulipe Noire" and "Le Repas des Fauves" ,both featuring Henri Jeanson's
incomparable lines.
After 1965,he had no idea what he was doing:poor suspense films ("la
Seconde Verite" ),dismal remakes ("Les Amours de Lady Hamilton"
),coarse comedies ("les Petroleuses" ) and of course spy thrillers("The
Saint" well before the Val Kilmer version,"Doctor Justice " and the
movie I'm writing about)
"Deux Billets Pour Mexico" (French title)has an international cast
:Peter Lawford (US),Georges Guéret and Jean Tissier (France) ,Ira
Furstenberg and Horst Frank (Germany),Maria Bucella (Spain)....It's
pleasant at best (notably the scene with the antique dealer ),trite at
worst.It's essentially a chase movie but it displays nothing of what
French people liked in Christian-Jaque's best films:his pacifism,his
faith in Man and in a better world .
Own the rights?

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1 out of 1 people found the following comment useful :-
One of the seven Eurospy classics, 13 January 2003
Author: vjetorix from Seattle
Berlin in winter. The days are wet and dark, the deeds darker. Thus the scene is set for one of the genre's most enjoyable serious entries. Yes, it's a simple story; there are no madmen with visions of world domination, no fancy gadgets to distract but it's a story told with flair and the swift pace is that of the petty thief on the run, drawn into a high-stakes game of espionage.
Christian-Jaque, director of one of the segments of The Dirty Game, pulls all the elements together this time; a first rate score by Gerard Calvi, a great and varied cast, an excellent script, and appealing locations result in a minor gem. Dutch camera angles abound as we chase the European winter in Berlin, Lucerne, Paris, and Vienna. The look of the film manages to stay just this side of drab, the natural light is weak but the feeling isn't one of hopelessness, rather it's a sort of dignified gloom.
If you're looking for a well-crafted piece of espionage drama that treads the fine line between humor and bleakness, and features a stellar cast at their best, you just found it. As Georges Geret remarks halfway through the film `Spying is no job, it's a profession,' and this is a very professional look at it indeed.
2 out of 3 people found the following comment useful :-

clever, witty French spy film with Peter Lawford, 14 September 2003
Author: django-1 from south Texas USA
I certainly would NOT include this,the English-language title of which is DEAD RUN, among any top list of Eurospy classics; however, its witty tone, nice locations and interesting camera work, and impressive acting from Georges Gerret (as a small-time pickpocket who steals some secret papers more important than he could imagine), Peter Lawford (using his old charm and wit once again, as a CIA agent so informal that I doubt the REAL CIA would ever employ him!), and familiar German faces such as Horst Frank (chilling!), Wolfgang Preiss, and Werner Peters make it worth watching and above average. Director Christian-Jacque had a diverse career--directing the odd but fun LEGEND OF FRENCHIE KING with Bardot and Michael J. Pollard, doing uncredited direction on the bloated but entertaining MARCO THE MAGNIFICENT with Horst Bucholz and Orson Welles (and the unnerving angular composition of so many shots in DEAD RUN shows that Mr. Jacque is a BIG Welles fan!!), directing BABETTE GOES TO WAR, the film that proved Bardot was more than just a cheesecake star, and helming one of the segments of the war anthology THE DIRTY GAME. He also made a few excellent films with Jean Marais in the mid-60s. Much of what is good about DEAD RUN comes from Jacque's interesting and stylish direction, as the story is cliche-ridden and not really memorable. Overall, though, if you like an espionage drama with the sense of class and visual style that only the French bring to a film, with a number of strong performances, you might want to find DEAD RUN.
0 out of 3 people found the following comment useful :-
Christian-Jaque was...., 14 July 2006
Author: dbdumonteil
....a man of the past in 1967.All his best works (and there are plenty of them)were behind him:"Les Disparus de Saint-Agil" "L'Assassinat du Père Noel" "Boule de Suif" "Un Revenant" "Fanfan la Tulipe" ,to name but five ...
In the sixties (and seventies) there were two commendable works "La Tulipe Noire" and "Le Repas des Fauves" ,both featuring Henri Jeanson's incomparable lines.
After 1965,he had no idea what he was doing:poor suspense films ("la Seconde Verite" ),dismal remakes ("Les Amours de Lady Hamilton" ),coarse comedies ("les Petroleuses" ) and of course spy thrillers("The Saint" well before the Val Kilmer version,"Doctor Justice " and the movie I'm writing about)
"Deux Billets Pour Mexico" (French title)has an international cast :Peter Lawford (US),Georges Guéret and Jean Tissier (France) ,Ira Furstenberg and Horst Frank (Germany),Maria Bucella (Spain)....It's pleasant at best (notably the scene with the antique dealer ),trite at worst.It's essentially a chase movie but it displays nothing of what French people liked in Christian-Jaque's best films:his pacifism,his faith in Man and in a better world .
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