| Photos (see all 54 | slideshow) |
| Lee Marvin | ... | Major Reisman | |
| Ernest Borgnine | ... | General Worden | |
| Charles Bronson | ... | Joseph Wladislaw | |
| Jim Brown | ... | Robert Jefferson | |
| John Cassavetes | ... | Victor Franko | |
| Richard Jaeckel | ... | Sergeant Bowren | |
| George Kennedy | ... | Major Max Armbruster | |
| Trini López | ... | Pedro Jiminez (as Trini Lopez) | |
| Ralph Meeker | ... | Captain Stuart Kinder | |
| Robert Ryan | ... | Col. Everett Dasher Breed | |
| Telly Savalas | ... | Archer Maggott | |
| Donald Sutherland | ... | Vernon Pinkley | |
| Clint Walker | ... | Samson Posey | |
| Robert Webber | ... | General Denton | |
| Tom Busby | ... | Milo Vladek | |
| Ben Carruthers | ... | Glenn Gilpin | |
| Stuart Cooper | ... | Roscoe Lever | |
| Robert Phillips | ... | Corporal Morgan | |
| Colin Maitland | ... | Seth Sawyer | |
| Al Mancini | ... | Tassos Bravos | |
| George Roubicek | ... | Pvt. Arthur James Gardner | |
| Thick Wilson | ... | General Worden's Aide | |
| Dora Reisser | ... | German Officer's Girl | |
| rest of cast listed alphabetically: | |||
| Gerard Heinz | ... | Cardplaying german officer (uncredited) | |
| John G. Heller | ... | 2nd German Sentry at Chateau (uncredited) | |
| John Hollis | ... | German porter at chateu (uncredited) | |
| Hildegard Knef | ... | (uncredited) | |
| Richard Marner | ... | German sentry at chateau (uncredited) | |
| Dick Miller | ... | MP At Hanging (uncredited) | |
| Suzanne Owens | ... | Prostitute (uncredited) | |
| Frederick Schiller | ... | Drunken German General (uncredited) | |
Directed by | |||
| Robert Aldrich | |||
Writing credits | ||
| Nunnally Johnson | (screenplay) and | |
| Lukas Heller | (screenplay) | |
| E.M. Nathanson | (novel) | |
Produced by | |||
| Raymond Anzarut | .... | associate producer | |
| Kenneth Hyman | .... | producer | |
Original Music by | |||
| Frank De Vol | (as De Vol) | ||
Cinematography by | |||
| Edward Scaife | (director of photography) | ||
Film Editing by | |||
| Michael Luciano | |||
Art Direction by | |||
| William Hutchinson | (as W.E. Hutchinson) | ||
Makeup Department | |||
| Ernest Gasser | .... | makeup artist | |
| Wally Schneiderman | .... | makeup artist (as Walter Schneiderman) | |
Production Management | |||
| Julian Mackintosh | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Bert Batt | .... | assistant director | |
Art Department | |||
| Tim Hutchinson | .... | set designer (uncredited) | |
| Mickey Lennon | .... | assistant property master (uncredited) | |
Sound Department | |||
| Claude Hitchcock | .... | sound recordist | |
| Franklin Milton | .... | sound recordist | |
| John Poyner | .... | sound editor | |
| Van Allen James | .... | sound editor (uncredited) | |
Special Effects by | |||
| Cliff Richardson | .... | special effects supervisor | |
| Alan Barnard | .... | special effects (uncredited) | |
| Jimmy Harris | .... | special effects (uncredited) | |
| Peter Hutchinson | .... | special effects assistant (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Roy Whybrow | .... | special effects (uncredited) | |
| Jack Woodbridge | .... | special effects (uncredited) | |
Stunts | |||
| Ken Buckle | .... | stunts (uncredited) | |
| Gerry Crampton | .... | stunt coordinator (uncredited) | |
| Gerry Crampton | .... | stunts (uncredited) | |
| Jim Dowdall | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Romo Gorrara | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Mike Reid | .... | stunt driver (uncredited) | |
| Terry Richards | .... | stunts (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
| Paul Weston | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Alan McCabe | .... | camera operator | |
| Tony Spratling | .... | camera operator | |
| Chris Ashbrook | .... | focus puller: second unit (uncredited) | |
| Jim Dawes | .... | grip (uncredited) | |
| Dennis Fraser | .... | grip (uncredited) | |
| Paul Wilson | .... | camera operator (uncredited) | |
| David Wynn-Jones | .... | clapper loader (uncredited) | |
Music Department | |||
| Bob Bain | .... | musician: guitar (uncredited) | |
| Frank De Vol | .... | conductor (uncredited) | |
| Bronislau Kaper | .... | composer: stock music (uncredited) | |
| Miklós Rózsa | .... | composer: stock music (uncredited) | |
Transportation Department | |||
| Walter Lesley Tiley | .... | truck driver (uncredited) | |
Other crew | |||
| Angela Allen | .... | continuity | |
| Walter Blake | .... | title designer: main title | |
| Jim Dowdall | .... | armorer (uncredited) | |
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| The Longest Day | Apocalypse Now | The Dirty Dozen: Next Mission | Where Eagles Dare | Force 10 from Navarone |
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A generally entertaining war film with no real political axe to grind or patriotic flagwaving getting in the way. Its very dangerous trying to humourise war in the movies, because that would be offensive to all those that had served & died in real life. Kelly's Heroes and 1941 probably went a little too far, pretending that war is really fun & cool when you've got people like Clint Eastwood in charge. But then you have other war films that are black in its humour but manage to keep into focus the cruelty & horrors of war at the same time - M*A*S*H and Catch 22 are the best examples. With Dirty Dozen we have something of a go-between; the humour amongst the characters is light & welcoming but never falls into farce or bad-taste; and Aldrich quickly pulls us back into the fold with some tight scripted scenes of drama & mass murder (throwing petrol & grenades into that German bunker to name but one. I often wonder about that scene, and whether it was some kind of metaphor for the gas chambers & concentration camps in Belsen) But unlike MASH & Catch 22, Aldrich resists the temptation to openly politicise the effects of war, after all this film was made in '67 near the height of the Vietnam war/protests. Instead he takes a straight line course of action and lets us be moved & entertained by the convicted GIs doing their duty. Marvin is excellent as the hardnosed but disobediant Major. He plays the anti-hero far better than Eastwood in Kelly's Heroes. Marvin just looks the type who'd give the top brass as well the Germans a real hard time. But special mention must go to Cassavettes as Viktor Franko, the trouble-maker's trouble-maker. His character is so refreshing & wild amongst a relatively mild cast of supporting extras, with the exception of Savalas. Franko is the Joker of the pack but you soon feel an attachment for him in spite of his crimes. Sutherland & Bronson, don't really add much. The former plays a slightly naive man who hasn't really grown up and Bronson just smirks & mumbles a lot. The only other character worthy of a mention is the truly terrifying Savalas, who is a Christian through & through, yet hates all women as much as the Germans; and has a most spine chilling laugh! Difficult to believe this man later became Kojak! The film is a tad overlong; the first & last 40 minutes hold the interest but the middle section (the War Games scene), is far too long and generally detracts. All the same, DD is a very good movie, especially for those who don't want to be politically moralised too. ***/*****