| Photos (see all 3 | slideshow) |
| Alain Delon | ... | Pierre Lagrange a.k.a. Georges Campo | |
| Senta Berger | ... | Christiane | |
| Peter Mosbacher | ... | Kim | |
| Claude Piéplu | ... | Le décorateur | |
| Albert Augier | |||
| Renate Birgo | ... | L'infirmière | |
| Georges Montant | ... | Le brigadier | |
| Sergio Fantoni | ... | Freddie | |
| rest of cast listed alphabetically: | |||
| Albert Daumergue | ... | (uncredited) | |
| Marcel Gassouk | ... | (uncredited) | |
| Guy Stranger | ... | L'Arabe (uncredited) | |
Directed by | |||
| Julien Duvivier | |||
Writing credits | ||
| Louis C. Thomas | (book "Manie de la persécution") | |
| Roland Girard | (adaptation) and | |
| Jean Bolvary | (adaptation) & | |
| Julien Duvivier | (adaptation) | |
| Paul Gégauff | (dialogue) uncredited | |
Produced by | |||
| Raymond Danon | .... | delegate producer | |
Original Music by | |||
| François de Roubaix | |||
Cinematography by | |||
| Henri Decaë | (director of photography) | ||
Film Editing by | |||
| Paul Cayatte | |||
Production Design by | |||
| Léon Barsacq | |||
Costume Design by | |||
| Georgette Fillon | |||
Makeup Department | |||
| Michel Deruelle | .... | makeup artist | |
| Renée Guidet | .... | hair stylist | |
Production Management | |||
| Ralph Baum | .... | production manager | |
| Paul Dufour | .... | unit manager | |
| Roger Pera | .... | assistant unit manager | |
Second Unit Director or Assistant Director | |||
| Michel Romanoff | .... | first assistant director | |
Art Department | |||
| Eric Simon | .... | set dresser | |
| Maurice Terrasse | .... | property master | |
| Jean Vergne | .... | props | |
Sound Department | |||
| Paul Pauwels | .... | boom operator | |
| René Sarazin | .... | sound | |
Costume and Wardrobe Department | |||
| Jeanne Vergne | .... | costumer (as Janine Vergne) | |
Music Department | |||
| Éric Demarsan | .... | orchestrator | |
Other crew | |||
| Betty Elvira | .... | script supervisor | |
| Jean Fouchet | .... | title designer | |
| Maurice Otte | .... | production administrator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb Italy section | Add this title to MyMovies |
The movie begins with a car crash.Soon after,Duvivier would die in a car crash too.It was the second time he 'd experimented color and
directed Alain Delon (who was part of the cast of "le devil and the ten commandments",a film made up of sketches ,Duvivier's forte.) Julien Duvivier is my all-time French favorite director .His career encompasses the silent era,the glorious thirties when he produced one masterpiece a year ,an American era in the forties.In the fifties he 's best remembered for his "Don Camillo" saga but one should not forget his films noirs extraordinaire ("Sous le ciel de Paris" and "Voici le temps des assassins").Then there was the nouvelle vague which was always putting him down.Delon reportedly said he'd suffered from their contempt.He shouldn't have bothered:he's better than any of them.And Claude Chabrol is certainly his psychic son as he is Hitchcock's or Clouzot's.
"Diaboliquement votre" is a poor swansong though.Duvivier's indomitable pessimism can be felt when he denies (and it's not the first time:almost all Duvivier works have a bitter end)the audience the de rigueur happy end ,but his magic touch is almost absent here.Delon portrays a framed man :a distant relative of George Peppard in Jack Smight's "the third day" (1966) and Tom Berenger in "shattered",his wife (Senta Berger)refuses to give herself to him after a car crash.But is she really his wife?And what about these strange voices he can hear at night?This shady doctor who calls him his friend?This Chinese servant?This kind of screenplay needs talented writers ,like Boileau-Narcejac ("Diabolique" "Vertigo" ) ,Frédéric Dard ("Toi le venin") or John Dickson Carr whose " burning court" Duvivier had transferred to the screen in 1962.Louis Thomas whose book I've not read is not in the same league.His tricks are roughly done:the tape recorder,the dog,the trap door..All the plot seems to sink into the pool of the desirable mansion.
Delon's presence,Berger's beauty and a nice cinematography make the movie watchable.But Duvivier had done so much so much better that I urge French movies buffs to see his finest works,which Orson Welles himself admired.