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| Paul Newman | ... | Luke | |
| George Kennedy | ... | Dragline | |
| J.D. Cannon | ... | Society Red | |
| Lou Antonio | ... | Koko | |
| Robert Drivas | ... | Loudmouth Steve | |
| Strother Martin | ... | Captain | |
| Jo Van Fleet | ... | Arletta | |
| Clifton James | ... | Carr | |
| Morgan Woodward | ... | Boss Godfrey | |
| Luke Askew | ... | Boss Paul | |
| Marc Cavell | ... | Rabbitt | |
| Richard Davalos | ... | Blind Dick | |
| Robert Donner | ... | Boss Shorty | |
| Warren Finnerty | ... | Tattoo | |
| Dennis Hopper | ... | Babalugats | |
| John McLiam | ... | Boss Keen | |
| Wayne Rogers | ... | Gambler | |
| Harry Dean Stanton | ... | Tramp (as Dean Stanton) | |
| Charles Tyner | ... | Boss Higgins | |
| Ralph Waite | ... | Alibi | |
| Anthony Zerbe | ... | Dog Boy | |
| Buck Kartalian | ... | Dynamite | |
| Joy Harmon | ... | The Girl | |
| rest of cast listed alphabetically: | |||
| Joe Don Baker | ... | Fixer (uncredited) | |
| James Bradley | ... | (uncredited) | |
| James Gammon | ... | Sleepy (uncredited) | |
| Norman Goodwins | ... | Stupid blonde (uncredited) | |
| Chuck Hicks | ... | Chief (uncredited) | |
| Rance Howard | ... | Sheriff (uncredited) | |
| James Jeter | ... | Wickerman (uncredited) | |
| Kim Kahana | ... | Convict (uncredited) | |
| Robert Luster | ... | Jabo (uncredited) | |
| Donn Pearce | ... | Sailor (uncredited) | |
| John Pearce | ... | John (uncredited) | |
| Cyril 'Chips' Robinson | ... | Ben (uncredited) | |
| Eddie Rosson | ... | Luke's Nephew (uncredited) | |
| Rush Williams | ... | Patrolman (uncredited) | |
Directed by | |||
| Stuart Rosenberg | |||
Writing credits | ||
| Donn Pearce | (screenplay) and | |
| Frank Pierson | (screenplay) (as Frank R. Pierson) | |
| Donn Pearce | (novel) | |
Produced by | |||
| Gordon Carroll | .... | producer | |
| Carter De Haven Jr. | .... | associate producer | |
Original Music by | |||
| Lalo Schifrin | |||
Cinematography by | |||
| Conrad L. Hall | (director of photography) (as Conrad Hall) | ||
Film Editing by | |||
| Sam O'Steen | |||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| Fred Price | |||
Costume Design by | |||
| Howard Shoup | |||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
| Jean Burt Reilly | .... | supervising hair stylist | |
Production Management | |||
| Arthur S. Newman Jr. | .... | unit manager (as Arthur Newman) | |
Second Unit Director or Assistant Director | |||
| Hank Moonjean | .... | assistant director | |
Art Department | |||
| Craig Binkley | .... | set dresser (uncredited) | |
| Wes Webb | .... | carpenter (uncredited) | |
Sound Department | |||
| Larry Jost | .... | sound | |
| Dan Wallin | .... | sound re-recording mixer (uncredited) | |
Stunts | |||
| M. James Arnett | .... | stunts (uncredited) | |
| Chuck Hicks | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Michael A. Jones | .... | assistant chief lighting technician (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
| Harry Sundby | .... | chief electrician (uncredited) | |
Music Department | |||
| Barney Kessel | .... | musician: guitar, soundtrack (uncredited) | |
| Dan Wallin | .... | scoring mixer (uncredited) | |
Other crew | |||
| Wayne Fitzgerald | .... | title designer (uncredited) | |
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| Black Mama, White Mama | The Liberation of L.B. Jones | Gone with the Wind | Escape from Alcatraz | Deliverance |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
Truly a memorable movie, and more than just a documentary about southern road gangs. It's a study on the theme of the indomitability of the human spirit in the face of oppression. I was about to name this as Newman's finest performance until I thought of Eddy Felsen in "The Hustler" and Frank Galvin in "The Verdict"; it's impossible to choose among such a cornucopia of acting achievements, but Luke is right up there (the analogy to Luke as Christ becomes a tad heavy-handed when we see him, at the close of the egg-eating scene, stretched out, arms outward, feet crossed, as if crucified; none the less, it's a powerful image). There is no doubt, however, about George Kennedy as Dragline; it is his finest achievement, and fully deserves the Oscar he got for Best Supporting Actor. It is also fascinating to find so many familiar faces among the inmates - actors such as Dennis Hopper, Harry Dean Stanton, Joe Don Baker, Ralph Waite. and Wayne Rogers - who would go on to fame in their own right. This movie can unquestionably be called a classic. American Movie Classics just started (11/2000) showing a beautifully restored letterbox version which shows it in all its glory.