Cool Hand Luke (1967)

User Rating:

8.3/10   

Director:

Stuart Rosenberg

Writers:

Donn Pearce (screenplay) and
Frank Pierson (screenplay) ...

Release Date:

1 November 1967 (USA)

Genre:

Crime | Drama

Tagline:

"What we've got here is failure to communicate."

Plot:

A man refuses to conform to life in a rural prison.

Plot Keywords:

Prison | Prisoner | Escape | Mother | Chain

Awards:

Won Oscar. Another 4 wins & 6 nominations

Cast

Paul Newman	...	Luke
George Kennedy	...	Dragline
J.D. Cannon	...	Society Red
Lou Antonio	...	Koko
Robert Drivas	...	Loudmouth Steve
Strother Martin	...	Captain
Jo Van Fleet	...	Arletta
Clifton James	...	Carr
Morgan Woodward	...	Boss Godfrey
Luke Askew	...	Boss Paul
Marc Cavell	...	Rabbitt
Richard Davalos	...	Blind Dick
Robert Donner	...	Boss Shorty
Warren Finnerty	...	Tattoo
Dennis Hopper	...	Babalugats

Runtime:

126 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Norway:16 | Canada:A (Nova Scotia) | Australia:M | Spain:7 | Portugal:M/12 | USA:Approved (certificate #21450) | Sweden:15 | France:-12 | New Zealand:PG | Finland:K-16 | UK:15 | Singapore:PG | USA:GP (re-rating) (1970)

Filming Locations:

Jacksonville, Florida, USA

Company:

Jalem Productions

Trivia:

The movie's line "What we've got here is failure to communicate." was voted as the #11 movie quote by the American Film Institute

Goofs:

Continuity: When Carr gives his famous "Night in the box" speech, just after he tells Luke he hopes he won't be any trouble, he drops the spoons with a clattering sound. In that instant, the camera cuts from a close-up to a long shot, and the cigar stump clenched in his mouth is suddenly now in his left hand.

Quotes:

Dragline: He was smiling... That's right. You know, that, that Luke smile of his. He had it on his face right to the very end. Hell, if they didn't know it 'fore, they could tell right then that they weren't a-gonna beat him. That old Luke smile. Oh, Luke. He was some boy. Cool Hand Luke. Hell, he's a natural-born world-shaker.

Movie Connections:

Referenced in "CSI: Crime Scene Investigation: Two and a Half Deaths (#8.16)" (2008)

Soundtrack:

Cotton Fields

real cool

Now that it has become sort of fashionable to speak or write badly about the films of the 60s and 70s, saying that people stopped going to the movie theatres during that fruitful period (which is not true), we must -more than ever-rate a flick as "Cool Hand Luke" as it really deserves. The rebel spirit of the lead character (played to perfection by the excellent Paul Newman) against that brutal and -most of the times- unfair "establishment" represented by the prison guards is a subject that remains as topical as ever. If this picture had been made today, it could also probably be good, but it would undoubtedly be much more unpleasant and filled with four-letter words. Besides, who could match the performances of Newman, George Kennedy (the deservedly Oscar-winner who has kept on making a brilliant career -do you remember him as "The Blue Knight"?), Strother Martin, J.D.Cannon, etc.? Jo Van Fleet´s character as Luke´s mother seems a sort of slightly-aged version of her role as James Dean´s mum in "East Of Eden", and it is really worthwhile. The scene of the hard-boiled eggs is a classic and a gem, but my favourite scene in the movie is that of the car-washing girl so wonderfully played by Joy Harmon (who is really a Joy for any man´s eyes); that character truly says a lot of things without speaking -her gorgeous body speaks for her! I must say that it´s not only one of the sexiest scenes I´ve ever seen in a film but also a very significative one: there is an enormous contrast between the image of the lass moving and shaking in complete and absolute freedom (even in her way of dressing) and the imprisoned men-at-work who watch her as something extremely desirable but, alas, completely out of reach. (The viewer can really feel like a prisoner too!). All in all, this is a fine film of the 60s, but also of the 70s, the 80s, the 90s, the 21st century and whatever God wants it to come.