IMDb > La collectionneuse (1967)

La collectionneuse (1967) More at IMDbPro »


Overview

User Rating:
7.1/10   1,090 votes
MOVIEmeter: ?
Up 17% in popularity this week. See why on IMDbPro.
Director:
Eric Rohmer
Writers:
Patrick Bauchau (dialogue)
Haydée Politoff (dialogue)
(more)
Contact:
View company contact information for La collectionneuse on IMDbPro.
Release Date:
2 March 1967 (France) more
Genre:
Drama | Comedy | Romance more
Plot:
Adrien goes to a villa on the Mediterranean. He is in vacation, and wants to do absolutely nothing. He has to share the villa with a friend... more | add synopsis
Awards:
2 wins & 1 nomination more
User Comments:
Charm and Guile between the Sexes more (9 total)

Cast

  (in credits order) (verified as complete)

Patrick Bauchau ... Adrien
Haydée Politoff ... Haydee
Daniel Pommereulle ... Daniel
Alain Jouffroy ... Writer
Mijanou Bardot ... Carole (as Mijanou)
Annik Morice ... Amie de Carole
Dennis Berry ... Charlie
Seymour Hertzberg
Néstor Almendros
Patrice De Bailliencourt ... Homme dans l'auto
László Benkö
Anne Dubot
rest of cast listed alphabetically:
Eugène Archer ... Sam (uncredited)
Brian Belshaw ... Amant de Haydee (uncredited)
Pierre-Richard Bré ... Homme dans l'auto (uncredited)
Donald Cammell ... Garçon à St-Tropez (uncredited)
Alfred de Graff ... Touriste perdu (uncredited)
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Directed by
Eric Rohmer 
 
Writing credits
(in alphabetical order)
Patrick Bauchau  dialogue
Haydée Politoff  dialogue
Daniel Pommereulle  dialogue
Eric Rohmer  writer

Produced by
Georges de Beauregard .... producer
Alfred de Graff .... associate producer
Barbet Schroeder .... producer
 
Original Music by
Blossom Toes 
Giorgio Gomelsky 
 
Cinematography by
Néstor Almendros 
 
Film Editing by
Jackie Raynal 
 
Second Unit Director or Assistant Director
László Benkö .... assistant director
Patrice De Bailliencourt .... assistant director
 
Other crew
François Bogard .... technical advisor
 
Crew believed to be complete


Production CompaniesDistributors
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Additional Details

Also Known As:
Six contes moraux IV: La Collectionneuse
The Collector
more
Runtime:
89 min
Country:
France
Language:
French | English
Color:
Color (Eastmancolor)
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono
Certification:
Finland:K-16
Filming Locations:
Saint-Tropez, Var, France

Fun Stuff

Movie Connections:
Referenced in De fem benspænd (2003) more

FAQ

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18 out of 21 people found the following comment useful.
Charm and Guile between the Sexes, 17 April 2004
9/10
Author: ilpositionokb (silverlion03@yahoo.com) from Central California

"La Collectionneuse", the third film in Eric Rohmer's six moral tales, is packed with lacerating observations on life, love, and the nature of man. It is a sensitive conversation piece with elegant people commenting poetically on their lives and of those around them. Attractive men and women who reflect openly about the conflicts of intellect and impulse; inclination and action, solitude and companionship. Rohmer characteristically paces this eloquent tale of sexual temptation with long, fluid takes. "La Collectionneuse(Collector Girl) centers around a young, hedonistic girl(Haydee) who saunters laconically around the provincial environs of a large vacation home, seemingly indifferent to the two older men's(Adrian and Danele) existence. Haydee exudes a casual independence and an unflappable reserve. Her cursory dealings with her young lovers prompts Danele to cast her as 'the atrocious ingenue'. Though they find her unexpectedly alluring, both men regard 'the idea of collecting boyfriends opposite of purity'. Rohmer, the director of "Chloe in the Afternoon" and "A Tale of Springtime", enjoys revealing which individual can best cast their charm and guile to their best advantage. This 'game' between the sexes only leads to unwanted desires for the men and a resumption of her search by Haydee. Rohmer handles the material with a light touch throughout and concludes his story by offering a tenuous solution to the prevailing tension in the movie between one's solitude and fraternity. Adrian privately confesses that 'I was overwhelmed by a feeling of delightful independence, of total self-determination. But in the emptiness and silence of the house, I was overcome with anguish'. A universal truth clearly-rendered by one of cinema's most ingenious and graceful filmmakers.

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