Camelot (1967)

User Rating:

6.4/10   

Director:

Joshua Logan

Writers:

Alan Jay Lerner (play)
Alan Jay Lerner (screenplay)

Release Date:

25 October 1967 (USA)

Genre:

Comedy | Drama | Fantasy | Musical | Romance

Tagline:

The Most Beautiful Love Story Ever!

Plot:

The story of the marriage of England's King Arthur to Guinevere is played out amid the pagentry of Camelot...

Plot Keywords:

Knight | Camelot | Adultery | Based On Musical | Historical Fiction

Awards:

Won 3 Oscars. Another 4 wins & 6 nominations

Cast

Richard Harris	...	King Arthur
Vanessa Redgrave	...	Guenevere
Franco Nero	...	Lancelot Du Lac
David Hemmings	...	Mordred
Lionel Jeffries	...	King Pellinore
Laurence Naismith	...	Merlyn
Pierre Olaf	...	Dap
Estelle Winwood	...	Lady Clarinda
Gary Marshal	...	Sir Lionel
Anthony Rogers	...	Sir Dinadan
Peter Bromilow	...	Sir Sagramore
Sue Casey	...	Lady Sybil
Gary Marsh	...	Tom of Warwick
Nicolas Beauvy	...	King Arthur as a Boy

Runtime:

179 min | Canada:175 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

4-Track Stereo (35 mm prints) | 70 mm 6-Track (70 mm prints)

Certification:

UK:U | Finland:K-8 | Sweden:11 | USA:G | Singapore:PG | Australia:G | Canada:G

Filming Locations:

Alcázar de Segovia, Segovia, Segovia, Castilla y León, Spain

Company:

Warner Brothers/Seven Arts

Trivia:

Simon Oates, Michael Latimer, Robert Morris and Nicholas Pennell were interviewed for various knights.

Goofs:

Continuity: When King Arthur proclaims the establishment of the Round Table, heralds ride throughout the countryside to recruit the knights, all of which are seen in a montage of shots. At the conclusion of the montage; when those knights other than Lancelot are collectively dubbed by King Arthur in the castle courtyard, King Pellinor is seen standing to the right of King Arthur. King Pellinore does not enter the story until after Lancelot's arrival and on the May Day Festivities, well after the knights in the montage had been assembled.

Quotes:

[first lines]
A Knight: The rules of battle are not for Lancelot Du Lac, Your Majesty! Let us attack now while they sleep!
King Arthur: [firmly] We will attack when I give the command - at dawn.
[the knight leaves, and Arthur begins to talk to himself]
King Arthur: Oh, Merlyn, Merlyn, why is Ginny in that castle, behind walls I cannot enter? How did I blunder into this agonizing absurdity? Where did I stumble? How did I go wrong? Should I not have loved her?
[sighs]
King Arthur: Then I should not have been born! Oh, Merlyn, I haven't got much time. Within an inch of sunlight, the arrows begin to fly. If I am to die in battle, please, please do not let me die bewildered!
[...]

Movie Connections:

Referenced in The Spaghetti West (2005) (V)

Soundtrack:

Camelot

Begging for a remake, but...

Now that movie musicals are in vogue again, maybe somebody at Warner Brothers will give the green light to remake this Lerner & Loewe spectacle that was poorly filmed in 1967.

This version is really a shame, considering how beloved the original 1960 Broadway musical is. Lerner & Loewe wrote some of their best songs for this show: "If Ever I Would Leave You", "Camelot", "What do the Simple Folk Do?" and "Fie on Goodness". But when making the film, producer Jack Warner chose tone-deaf actors, one of the worst directors in the medium, and had Alan J. Lerner rewrite his script, stressing the drama over the comedy (to the narrative's detriment) as well as throwing out half the score (including, sob, the show-stopping "Fie on Goodness"). Richard Harris and Vanessa Redgrave ARE great actors, and in their dramatic scenes, they are quite effective, but they most certainly are NOT singers, especially poor Ms. Redgrave (although, her orgasmic rendition of "The Lusty Month of May" has to be seen to be believed). Franco Nero, a beautiful, beautiful man, has a great opening with "C'est Moi", but then goes downhill from there. David Hemmings manages to bring some mirth to the film, but he's only in the last third, and by that time it's nearly too late (plus, they cut his only song!).

On the plus side, the film DID deserve the 3 Oscars it won: Best Scoring (if you take the voices out, the music sounds magnificent), Best Art Direction/Set Decoration, and Best Costume Design (the flick IS sumptuous). And the cinematography is rather breathtaking at times. (If you do watch it, try to see it on DVD, where it's letterboxed.)

So, if anybody from Warner Brothers, or any other studio for that matter, is reading this, give it another go: go back to T.H. White's original source novel and Lerner's original B'way script, keep ALL the songs intact, and hire actors who are proven singers, say, Ewan McGregor (he demonstrated his pipes in Moulin Rouge!) as Arthur, Kate Winslet (who scored a British top 10 hit last year) as Guinevere, and Hugh Jackman (who got his start in a West End production of Oklahoma!) as Lancelot. Please....