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C'mon, Let's Live a Little (1967)
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Overview
User Rating:
Director:
Writer:
June Starr (writer)
Tagline:
Let's Sing! Let's Rock! Let's Make The Scene!
Plot:
Standard boy-girl malt shoppe doings, with a free speech on campus sub-plot dropped in. | add synopsis
User Comments:
"American corn"; utterly horrible must-see; portends today's "retro" US society more (5 total)
Cast
(Cast overview, first billed only) | Bobby Vee | ... | Jesse Crawford |
| Jackie DeShannon | ... | Judy Grant |
| Eddie Hodges | ... | Eddie Stewart |
| Suzie Kaye | ... | Bee Bee Vendemeer |
| Patsy Kelly | ... | Mrs. Fitts |
| John Ireland | ... | Rego (as John Ireland Jr.) |
| Mark Evans | ... | Tim Grant |
| Russ Conway | ... | John W. Grant |
| Jill Banner | ... | Wendy |
| Kim Carnes | ... | Melinda |
| Joy Tobin | ... | Joy |
 | Frank Alesia | ... | Balta |
| Ken Osmond | ... | The Beard |
| Don Crawford | ... | Jeb Crawford |
| Tiger Joe Marsh | ... | Spuko |
Additional Details
Parents Guide:
Runtime:
84 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Company:
Fun Stuff
Soundtrack:
Way Back Home more
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Related Links
| Full cast and crew | Company credits | IMDb Comedy section |
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This corny 1967 film could yet earn itself a serious camp following. I stumbled onto seeing it and thought it must date from the late '50s. Boy was I wrong. It was shocking that someone in Hollywood actually made something like this in 1967. It comes off like they were still trying to save "mainstream" (read white) American youth from the dangers of soul and r&b music and such. Much in this movie seems to fit in well with today's full throttle attempts to throw (not turn) back the clock. Jackie De Shannon, Bobby Vee (whom I don't remember except the name), and also singer Kim Carnes who made this one film appearance. As an American in and from the Upper South I did not find that this film offends the South. It offends everyone in it. Actually one has to brace oneself for its backasswards gender attitudes expressed by some of the guys. Without giving everything away I'm left guessing that (stereotypically) the tail-end of this film (the cinematic equivalent of "the back of the bus") seems to advocate nonverbally the existence of Equal Opportunity Corniness. Some critics have dismissed this poor film as a bomb. They're right. But there's much more to it than that which makes it worth seeing. ... a jaw-dropping, side-splitting, cautionary reality check on today's societal resurrection of the whitebread past.