Bonnie and Clyde (1967)

Director:

Arthur Penn

Writers:

David Newman (written by) &
Robert Benton (written by)
(more)

Release Date:

13 August 1967 (USA)

Genre:

Biography | Crime | Drama | Romance | Thriller

Tagline:

"The strangest damned gang you ever heard of. They're young. They're in love. They rob banks."

Plot:

A somewhat romantized account of the career of the notoriously violent bank robbing couple and their gang.

Plot Keywords:

Violence | Robbery | Crime Spree | Bonnie And Clyde | Texas

Awards:

Won 2 Oscars. Another 18 wins & 22 nominations

Cast

Warren Beatty	...	Clyde Barrow
Faye Dunaway	...	Bonnie Parker
Michael J. Pollard	...	C.W. Moss
Gene Hackman	...	Buck Barrow
Estelle Parsons	...	Blanche
Denver Pyle	...	Frank Hamer
Dub Taylor	...	Ivan Moss
Evans Evans	...	Velma Davis
Gene Wilder	...	Eugene Grizzard
rest of cast listed alphabetically:
Martha Adcock	...	Bank customer (uncredited)
Harry Appling	...	Bonnie's uncle (uncredited)
Owen Bush	...	Policeman (uncredited)
Mabel Cavitt	...	Bonnie's mother (uncredited)
Patrick Cranshaw	...	Bank teller (uncredited)
Frances Fisher	...	Bonnie's aunt (uncredited)
Sadie French	...	Bank customer (uncredited)
Garry Goodgion	...	Billy (uncredited)
Clyde Howdy	...	Deputy (uncredited)
Russ Marker	...	Bank guard (uncredited)
Ken Mayer	...	Sheriff Smoot (uncredited)
Ken Miller	...	Police officer (uncredited)
Ann Palmer	...	Bonnie's sister (uncredited)
Stuart Spates	...	Boy at bank (uncredited)
James Stiver	...	Grocery store owner (uncredited)
Ada Waugh	...	Bonnie's aunt (uncredited)

Directed by
Arthur Penn

Writing credits
David Newman		(written by) &
Robert Benton		(written by)
Robert Towne		uncredited

Produced by
Warren Beatty	....	producer

Original Music by
Charles Strouse

Cinematography by
Burnett Guffey		(director of photography)

Film Editing by
Dede Allen

Art Direction by
Dean Tavoularis

Set Decoration by
Raymond Paul

Costume Design by
Theadora Van Runkle		(as Theadora van Runkle)

Makeup Department
Robert Jiras	....	makeup designer
Gladys Witten	....	hair stylist

Production Management
Russell Saunders	....	production manager (as Russ Saunders)

Second Unit Director or Assistant Director
Jack N. Reddish	....	assistant director

Art Department
Stuart Spates	....	intern (uncredited)

Sound Department
Francis E. Stahl	....	sound
Dan Wallin	....	sound re-recording mixer (uncredited)

Special Effects by
Danny Lee	....	special effects

Stunts
Steven Burnett	....	stunts (uncredited)
Roydon Clark	....	stunts (uncredited)
Bennie E. Dobbins	....	stunts (uncredited)
Bob Harris	....	stunts (uncredited)
Eddie Hice	....	stunts (uncredited)
Clyde Howdy	....	stunts (uncredited)
Lucky Mosley	....	stunts (uncredited)
Harvey Parry	....	stunts (uncredited)
George Sawaya	....	stunts (uncredited)
Mary Statler	....	stunts (uncredited)
Dale Van Sickel	....	stunts (uncredited)

Camera and Electrical Department
Richard Doran	....	assistant camera (uncredited)

Costume and Wardrobe Department
Norma Brown	....	wardrobe: women
Andy Matyasi	....	wardrobe: men

Music Department
Alan Hawkshaw	....	musician: "The Ballad of Bonnie and Clyde" (uncredited)
Dan Wallin	....	scoring mixer (uncredited)

Other crew
John Dutton	....	script supervisor
Elaine Michea	....	assistant to producer
Robert Towne	....	special consultant
Morgan Fairchild	....	double: Faye Dunaway (uncredited)
Wayne Fitzgerald	....	title designer (uncredited)
Crayton Smith	....	script supervisor: second unit (uncredited)

Production Companies

• Tatira-Hiller Productions
• Warner Brothers/Seven Arts

Distributors

• Warner Brothers/Seven Arts (1967) (USA) (theatrical)
• Warner Bros. (1967) (West Germany) (theatrical)
• Warner-Tonefilm (1967) (Sweden) (theatrical)
• Warner Bros. (1968) (France) (theatrical)
• Warner Bros./Seven Arts (1968) (Japan) (theatrical)
• Columbia Broadcasting System (CBS) (1973) (USA) (TV) (original airing)
• Warner Home Video (1986) (USA) (VHS)
• Warner Home Vídeo (1989) (Brazil) (VHS)
• Warner Home Video (1997) (Sweden) (VHS)
• Warner Home Video (1997) (USA) (DVD)
• Warner Home Video (1998) (Germany) (DVD)
• Warner Home Video (2006) (USA) (DVD)
• Warner Home Video (2008) (Netherlands) (DVD)
• Warner Home Video (2008) (Netherlands) (DVD) (Blu-Ray Disc)
• Warner Brothers/Seven Arts (1969) (USA) (theatrical) (re-release)
• Varus Video
• Warner Home Video (USA) (laserdisc)

Other Companies

• Warner Bros. Cosmetics  miss dunaway's makeup

MPAA:

Rated R for violence.

Runtime:

112 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Canada:A (Nova Scotia) (original rating) | Brazil:14 | Norway:16 (1968) (cut) | Norway:(Banned) (1967 - 1968) | West Germany:16 (re-rating) | West Germany:18 (original rating) | USA:Approved (certificate #21395) (original rating) | USA:M (re-rating) (1969) | USA:R (re-rating) (2007) | Canada:14A (Manitoba) (re-rating) (2008) | Canada:AA (Ontario) | Canada:PG (Manitoba) (original rating) | UK:15 (re-rating: 2008) | New Zealand:M | Canada:14A (Nova Scotia) (re-rating) (2008) | Argentina:13 | Australia:M | Canada:13+ (Quebec) | Finland:K-16 | Ireland:18 | Italy:VM18 | Norway:15 (re-rating) | Portugal:M/16 | Singapore:PG | Sweden:15 | UK:18 (video rating) | UK:X (original rating) | Iceland:16

Filming Locations:

Dallas, Texas, USA

Company:

Tatira-Hiller Productions

Trivia:

The characters Eugene Grizzard and Velma Davis (played by Gene Wilder and Evans Evans) are based on Dillard Darby and Sophia Stone of Ruston, Louisiana. On the night of April 27, 1933, Darby and Stone were briefly kidnapped by the Barrow gang, who had stolen Darby's car. After driving around Ruston for several hours, Darby and Stone were released unharmed. During the drive, when Darby mentioned that he was an undertaker, Bonnie Parker remarked, "Well, maybe you'll work on me someday." A year later, Darby did just that. He was one of the undertakers who worked on Bonnie Parker's body after she and Clyde Barrow were killed in the roadside ambush near Gibsland, Louisiana, in May, 1934.

Goofs:

Continuity: When Clyde enters the Ritts Groceries to make a robbery, Bonnie stays in the middle of the street holding a cooler bottle. But when they run toward the car the bottle disappears.

Quotes:

[after failing to sexually perform with Bonnie]
Clyde Barrow: 'Least I ain't a liar.

Movie Connections:

Referenced in Bobby (2006)

Soundtrack:

No Mother or Dad

The movie that made it okay to sympathize with murderers...

First of all, let me say that I'm appalled by the real life Bonnie and Clyde. They were two psychopathic thrill killers from Dallas who had a special hatred for law enforcement officers. I must admit that I do feel sorry for the way they were killed, but like the old axiom goes, "If you live by the sword, you die by the sword."

That said, the movie "Bonnie and Clyde" was a groundbreaking film. It was the first time that we the audience were allowed inside the killers minds, and could see what made them tick. This is perhaps the first film that takes a somewhat objective look at crime; we the audience don't have "FBI Seal of Approval" morality shoved down our throats, but we still can tell by the actions of the characters that they are evil, whether they know it or not.

The story is of two Texas young adults who, bored with their lives and the prospects of going nowhere in the world, decide to live out their dreams of stardom by going on a crime spree. They fancy themselves a sort of "Romeo and Juliet" couple, and think of their robberies as harmless fun. They start out small by knocking over grocery stores and gas stations, but soon graduate to banks when they need more money to accommodate their lifestyle. Soon they have a simple minded gas clerk named C.W. and Clyde's brother and wife in the gang, and the duo goes down into history.

Then the fun and games are over. With law enforcement officials now looking for Bonnie and Clyde, they become targets of bounty hunters, unethical cops and other greedy persons who wish to make a name for themselves, and they lose a part of their childish innocence as the escalation of their crimes makes them become more and more violent. When death finally comes for Bonnie and Clyde, it comes with a vengeance.

Warren Beatty and Faye Dunaway have never been better. Beatty, who plays Clyde Barrow as an impotent, ne'er do well country boy who seems to be sowing his wild oats, is in top form. He makes Clyde likable, with a goofy smile perpetually pasted on his face, even when sticking up a bank with two guns in his hands. Dunaway is the ultimate femme fatale as Bonnie Parker, a sweet natured Southern belle who likes the feel of a .38 in her hands as she politely asks for all the money. It's absurd, it's unrealistic, but hey, it's Hollywood. And the film works.

But most importantly, Bonnie and Clyde are in love. It's a kind of love that only few films afterward have been able to equal. There is a genuine feeling of giddy romance between the two no matter what the scene, be it a bank robbery or family get-together away from the reaches of society.

Arthur Penn was obviously a man on a mission when he directed this film. You could sense with every frame that he knew of the importance of this movie; a cinematic masterpiece that dares to make its audience evoke pathos for what would have been banned just a few years earlier.

The finale is still to this day a triumph of audience manipulation. The two bandits, finally captured and unable to escape, are dealt with in a fashion that will haunt you days after viewing. It's sad, it's disgusting, but it brings closure to the lives of two individuals whose works and existence could not be tolerated by the powers that be.

The movie "Bonnie and Clyde" inspired a generation of film makers to look at cinema in a different light. Actions movies were allowed to be funny from this point; funny movies could get away with violence. On the negative side, however, the film changed the morals of Hollywood by allowing murder to be dealt with in such a nonchalant fashion.

Sure, Claude is obviously shaken up after his first kill, as are Bonnie and C.W., but from that point on violence against law officials is no longer a problem. The police in this film are rather like the way gangsters used to be portrayed; a collection of stupid, soulless individuals who only want to ruin Bonnie and Clyde's fun.

In the end, this in an excellent film about Depression era gangsters. Most ironically, however, is that it seems dedicated to the two real life robbers who don't deserve such an honor of having a film legacy created in their names.

10 stars. Innovative, fresh, and hey, it helped pave the way for "Dillinger", my favorite movie in the robber-gangster genre.