IMDb > The Wild Angels (1966)
The Wild Angels
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The Wild Angels (1966) More at IMDbPro »

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Overview

User Rating:
5.5/10   694 votes
MOVIEmeter: ?
Down 8% in popularity this week. See why on IMDbPro.
Director:
Writer:
Contact:
View company contact information for The Wild Angels on IMDbPro.
Release Date:
20 July 1966 (USA) more
Genre:
Tagline:
Their credo is violence...Their God is hate...and they call themselves 'The Wild Angels' more
Plot:
Peter Fonda plays 'Heavenly Blues', the leader of Hell's Angels chapter from Venice, California while Bruce Dern plays 'Loser'... more | add synopsis
Awards:
1 nomination more
User Reviews:
Classic Motorcycle Western more (38 total)

Cast

  (in credits order) (complete, awaiting verification)

Peter Fonda ... Heavenly Blues

Nancy Sinatra ... Mike aka Monkey
Bruce Dern ... Joe Kearns aka Loser

Diane Ladd ... Gaysh
Buck Taylor ... Dear John
Norman Alden ... Medic

Michael J. Pollard ... Pigmy
Lou Procopio ... Joint
Joan Shawlee ... Momma Monahan
Marc Cavell ... Frankenstein
Coby Denton ... Bull Puckey
Frank Maxwell ... Preacher
Gayle Hunnicutt ... Suzie
Gina Grant
Art Baker ... Thomas - Mortician
Dick Miller ... Rigger
Kim Hamilton ... Nurse
Hal Bokar
Jack Bernardi
Frank Gerstle ... Hospital Policeman
rest of cast listed alphabetically:

Peter Bogdanovich ... Townsman in Fight at 'Loser's' Funeral (uncredited)
Barboura Morris ... Mother (uncredited)
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Directed by
Roger Corman 
 
Writing credits
(in alphabetical order)
Peter Bogdanovich  uncredited
Charles B. Griffith  writer

Produced by
Samuel Z. Arkoff .... executive producer
Roger Corman .... producer
Laurence Cruickshank .... associate producer
James H. Nicholson .... executive producer
 
Original Music by
Mike Curb 
Davie Allan (uncredited)
 
Cinematography by
Richard Moore 
Peter Bogdanovich (uncredited)
 
Film Editing by
Monte Hellman 
Peter Bogdanovich (uncredited)
 
Production Design by
Richard Beck-Meyer  (as Rick Beck-Meyer)
 
Art Direction by
Leon Ericksen 
 
Costume Design by
Polly Platt (uncredited)
 
Makeup Department
Jack Obringer .... makeup artist
 
Production Management
Jack Bohrer .... production manager
 
Second Unit Director or Assistant Director
Paul Rapp .... assistant director
 
Stunts
Gary Littlejohn .... stunts (uncredited)
Polly Platt .... stunt double: Nancy Sinatra (uncredited)
 
Music Department
Joe Leahy .... composer: additional music
 
Other crew
Peter Bogdanovich .... assistant to director
 

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Additional Details

Also Known As:
All the Fallen Angels (USA) (working title)
more
MPAA:
Rated R for drug-related material.
Runtime:
Germany:86 min | USA:93 min | USA:87 min (TCM print)
Country:
Language:
Color:
Color (Pathécolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Finland:(Banned) (uncut) (1973) | Finland:K-16 (cut) (1990) | Finland:K-18 (uncut) (1992) | Finland:K-18 (heavily cut) (1973) | Iceland:16 | Australia:M | West Germany:18 (f) | Netherlands:12 (2008) | UK:15 (video) (2008) (uncut) | UK:18 (video) (1993) (uncut) | UK:X (theatrical release) (1972) (cut) | Canada:R (Canadian Home Video rating) | Norway:18 (1971) | Sweden:15 | USA:R

Fun Stuff

Trivia:
George Chakiris was originally hired by Roger Corman to play "Black Jack" (later changed to "Heavenly Blues" by Peter Fonda), but insisted that a stunt double do his motorcycle riding, so Corman replaced him with Fonda, who was originally cast as "Loser". more
Goofs:
Factual errors: A nurse that is assaulted by a biker wearing wraparound sunglasses is asked to identify him by looking through a book of mugshots. She finds his mugshot and he's wearing the same wraparounds in the photo. No police department would ever allow someone to wear such a disguise while being photographed. more
Quotes:
Heavenly Blues: We wanna be free! We wanna be free to do what we wanna do. We wanna be free to ride. We wanna be free to ride our machines without being hassled by The Man! ... And we wanna get loaded. And we wanna have a good time. And that's what we are gonna do. We are gonna have a good time... We are gonna have a party. more
Movie Connections:
Featured in Edge of Outside (2006) more
Soundtrack:
Wild Angels Chase more

FAQ

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1 out of 1 people found the following review useful.
Classic Motorcycle Western, 6 April 2009
7/10
Author: kellyadmirer from New York City/Colorado Springs

This early Roger Corman (thus, low-budget) biker film is a classic because it was made before all sorts of film-making conventions were established and became calcified and inviolable. It also gives an interesting look at California before urban sprawl destroyed it. But most of all, it is wildly amusing with lines that simply can't be taken with a straight face nowadays.

This movie breaks all the rules. The glorification of Nazi regalia is just plain over the top. Not only does the title actually include a Swastika (!), but the climactic funeral is adorned with quite possibly the largest Nazi flag in the State of California. Forget simple innocuous Iron Crosses, this film goes all the way and practically brings Goering and Himmler back to partake in the festivities. And Peter Fonda, as the leader of the pack, is made to look as Germanic as possible. Why? Well, that must have been the biker standard in 1966.

The dialog is just hilarious. "We have the power," Fonda yells to nobody in particular. "It's the Man," the Bruce Dern character Born Loser warns the others when the cops arrive during a weird gang fight. Every other line of dialog is a classic, lines delivered in completely un-ironic fashion that can't possibly be said with a straight face now. But the best is the impassioned speech the Peter Fonda character gives at the concluding funeral, when he sums up his gang's credo as, "We want the right to be free. Free to go where we want without being hassled by The Man. Free to have fun. And get loaded." And he says this as if he is demanding the right to vote or something! It's hysterical! I realize times have changed, but the film is chock full of treasures like that.

But it doesn't end there. Nowadays, you couldn't possibly have a rape scene where the rapists aren't punished and the social niceties observed. But here, just the opposite happens, and instead of the obligatory they-must-be-punished conclusion, everybody just goes on with their activities, which happen to be a wild orgy in a church. There is early drug use, primarily amyl nitrate, that presaged the more open view put forth in Fonda's later "Easy Rider." If you want to see a film that truly is not politically correct, and not one that pretends to be but actually still observes all the unwritten laws of Hollywood, this one fits the bill.

The story itself is pedestrian, sort of an updating of "The Wild Ones," where the outlaw biker gang goes around terrorizing quiet little towns because, you know, they just want to be free. It could have been filmed with horses and stagecoaches and been just as logical set in the 1880s. And despite all the now-forbidden imagery such as the rape scene, there really isn't anything truly offensive beyond that, no graphic nudity and little swearing.

I know some folks probably revere this film as reflecting the times and such, but modern viewers without any investment in the history of the 1960s will probably find this film a hoot for all sorts of unintentional reasons. And there's nothing wrong with that. It also provides an interesting counterpoint to the much more laid-back "Easy Rider." A great unconventional film for a quiet night.

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