| Tetsuya Watari | ... | Tetsuya 'Phoenix Tetsu' Hondo | |
| Chieko Matsubara | ... | Chiharu | |
| Hideaki Nitani | ... | Kenji Aizawa | |
| Ryuji Kita | ... | Kurata | |
| Tsuyoshi Yoshida | ... | Keiichi | |
| Hideaki Esumi | ... | Otsuka | |
| Tamio Kawaji | ... | Tatsuzo, The Viper | |
| Eiji Go | ... | Tanaka | |
| Tochiko Hamakawa | ... | Mutsuko | |
| Isao Tamagawa | ... | Umetani | |
| Michio Hino | ... | Yoshii | |
| Shuntaro Tamamura | ... | Koyanagi | |
| Hiroshi Midorigawa | |||
| Hiroshi Chô | ... | Kumamoto | |
| Kosuke Hisamatsu | |||
| Shinzo Shibata | ... | Otoyoshi | |
| Yuzo Kiura | ... | Fujimura | |
| Yu Izumi | ... | Detective Sakai | |
| Ikuo Nikaido | |||
| Masaaki Honmoku | |||
| Shiro Toba | |||
| Wataru Kobayashi | |||
| Mitsuru Sawa | |||
| Iwae Arai | |||
| Yoko Yokota | |||
| Hiroshi Takao | |||
| Kiyoshi Oba | |||
| Tessen Nakahira | |||
| Ken Mizoguchi | |||
| Tadayuki Kitakami | |||
| Masatoshi Takase |
Directed by | |||
| Seijun Suzuki | |||
Writing credits(in alphabetical order) | ||
| Kôhan Kawauchi | writer | |
Produced by | |||
| Tetsuro Nakagawa | .... | producer | |
Original Music by | |||
| Hajime Kaburagi | |||
Cinematography by | |||
| Shigeyoshi Mine | |||
Film Editing by | |||
| Shinya Inoue | |||
Production Design by | |||
| Takeo Kimura | |||
Second Unit Director or Assistant Director | |||
| Masami Kuzuu | .... | assistant director | |
Sound Department | |||
| Tadonobu Akino | .... | sound | |
Camera and Electrical Department | |||
| Hideo Kumagai | .... | gaffer | |
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| Yoidore tenshi | Shopping | Zatôichi | King of New York | I Was a Convict |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Japan section |
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Having previously seen Branded to Kill on its Criterion release, and having found it to be utterly brilliant, I had to buy the Criterion release of Tokyo Drifter. It is not as good as Branded to Kill (heck, nothing can be), but it is still great. The color composition is particularly masterful. So what if the story is difficult to follow? It is still entertaining. I really wish more of Sezuki Seijun's films would be released by Criterion, or anyone else, for that matter. He's an extraordinarily interesting and gifted filmmaker who is very underappreciated in cinema history.