| Photos (see all 27 | slideshow) |
| Steve McQueen | ... | Jake Holman | |
| Richard Attenborough | ... | Frenchy Burgoyne | |
| Richard Crenna | ... | Captain Collins | |
| Candice Bergen | ... | Shirley Eckert | |
| Emmanuelle Arsan | ... | Maily (as Marayat Andriane) | |
| Mako | ... | Po-han | |
| Larry Gates | ... | Jameson | |
| Charles Robinson | ... | Ensign Bordelles | |
| Simon Oakland | ... | Stawski | |
| Ford Rainey | ... | Harris | |
| Joe Turkel | ... | Bronson | |
| Gavin MacLeod | ... | Crosley | |
| Joe Di Reda | ... | Shanahan (as Joseph di Reda) | |
| Richard Loo | ... | Major Chin | |
| Barney Phillips | ... | Franks | |
| Gus Trikonis | ... | Restorff | |
| Shepherd Sanders | ... | Perna | |
| James Jeter | ... | Farren | |
| Tom Middleton | ... | Jennings | |
| Paul Chun | ... | Cho-jen (as Paul Chinpae) | |
| Tommy Lee | ... | Chien | |
| Beulah Quo | ... | Mama Chunk | |
| James Hong | ... | Victor Shu | |
| Stephen Jahn | ... | Haythorn | |
| Alan Hopkins | ... | Wilsey (as Jay Allan Hopkins) | |
| Stephen Ferry | ... | Lamb (as Steve Ferry) | |
| Ted Fish | ... | Wellbeck | |
| Loren Janes | ... | Coleman | |
| Glenn R. Wilder | ... | Waldron (as Glenn Wilder) | |
| rest of cast listed alphabetically: | |||
| Frank Coghlan Jr. | ... | Undetermined Role (uncredited) | |
| Larry Duran | ... | (uncredited) | |
| Robert Kelly-Schleyer | ... | Bosun's Mate (uncredited) | |
| Jon Lormer | ... | Hamilton (uncredited) | |
| Gil Perkins | ... | Customer at Red Kettle Bar (uncredited) | |
| Walter Reed | ... | Bidder at Red Kettle Bar (uncredited) | |
| Henry Wang | ... | Lop-eye Shing (uncredited) | |
| Ben Wright | ... | Englishman (uncredited) | |
Directed by | |||
| Robert Wise | |||
Writing credits | ||
| Richard McKenna | (novel) | |
| Robert Anderson | (screenplay) | |
Produced by | |||
| Charles H. Maguire | .... | associate producer (as Charles Maguire) | |
| Robert Wise | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| Joseph MacDonald | |||
Film Editing by | |||
| William Reynolds | |||
Production Design by | |||
| Boris Leven | |||
Set Decoration by | |||
| William Kiernan | |||
| Walter M. Scott | |||
| John Sturtevant | |||
Costume Design by | |||
| Renié | (as Renie) | ||
Makeup Department | |||
| Del Acevedo | .... | makeup artist | |
| Margaret Donovan | .... | hair stylist | |
| Ben Nye | .... | makeup artist | |
| William Turner | .... | makeup artist (as Bill Turner) | |
| Sharleen Rassi | .... | hair stylist (uncredited) | |
| Jay Sebring | .... | hair designer: Steve McQueen (uncredited) | |
Production Management | |||
| Saul Wurtzel | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Ridgeway Callow | .... | assistant director | |
| Charles H. Maguire | .... | second unit director (as Charles Maguire) | |
| Robert F. Liu | .... | first assistant director (uncredited) | |
Art Department | |||
| Herbert Cheek | .... | location construction supervisor | |
| Dong Kingman | .... | watercolor artist (uncredited) | |
| Dennis J. Parrish | .... | assistant property master (uncredited) | |
Sound Department | |||
| Bernard Freericks | .... | sound | |
| Murray Spivack | .... | sound | |
| Douglas O. Williams | .... | sound | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Gerald Endler | .... | special effects (as Jerry Endler) | |
| Emil Kosa Jr. | .... | special photographic effects | |
Visual Effects by | |||
| Travis Dutch | .... | digital restoration scanning (restored version) | |
Stunts | |||
| Larry Duran | .... | stunts (uncredited) | |
| Loren Janes | .... | stunt double: Steve McQueen (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Gil Perkins | .... | stunts (uncredited) | |
| Bill Saito | .... | stunts (uncredited) | |
| Glenn R. Wilder | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dick Johnson | .... | photographer: second unit (as Richard Johnson) | |
| Thomas Del Ruth | .... | second assistant camera (uncredited) | |
| Dave Friedman | .... | assistant camera (uncredited) | |
| Clyde Taylor | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Ed Wynigear | .... | wardrobe | |
Music Department | |||
| Lionel Newman | .... | conductor | |
| David Tamkin | .... | orchestrator | |
Other crew | |||
| Harley Misiner | .... | technical advisor | |
| Irving Schwartz | .... | diversions | |
| Maurice Zuberano | .... | production associate | |
| Alan Callow | .... | production assistant (uncredited) | |
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| Empire of the Sun | Tora! Tora! Tora! | Apocalypse Now | Marie Galante | Gone with the Wind |
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Steve McQueen felt an affinity for the role of Jake Holman in "The Sand Pebbles" like few others in his career. In this unsparing war drama, he plays the consummate loner, bonded to machinery more than people, inarticulate but imbued with a powerful sense of right and wrong. It's a part that plays perfectly to McQueen's strengths as an actor, exemplifying his lifelong quest to hone physical performance into character while jettisoning all but essential dialogue. All his emoting comes subtly: slight shifts of gaze; the way he cocks his head to listen; his complete stillness before action. It also brought him his only Academy Award nomination. (And in retrospect, it's easy to make the case that he should have won over Paul Scofield's showier portrayal in "A Man For All Seasons.")
Scripter Robert Anderson had a tough job distilling Richard McKenna's sprawling novel of conflict set aboard a U.S. Navy gunboat ('San Pablo'; hence her sailors called themselves 'Sand Pebbles') at the start of the revolution that would ultimately tear China asunder, transforming it into the post-WWII behemoth we know today. Luckily he and director Robert Wise knew enough to keep the plot's underpinnings solidly on the compelling, central irony of McKenna's story: that it is Jake's very alienation from his fellows that leads him inevitably to sacrifice and redemption. The ending is shocking and powerful; a reminder of better, more mature days in American film.
Wise directed on locations in Hong Kong and Taiwan with his customary mastery of both intense personal confrontation and epic sweep. In excellent support are Richard Attenborough, Richard Crenna and Mako. The film also features one of Jerry Goldsmith's most memorable scores.
I must again mention McKenna's novel. It is superb; sadly, the only full-length work he finished before his untimely death. It may be out of print but is well worth an online used book search.