Overview
Release Date:
23 February 1966 (USA)
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Tagline:
This is a different kind of cat named Harper... and excitement clings to him like a dame!
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Plot:
Lew Harper, a cool private investigator, is hired by a wealthy California matron to locate her kidnapped husband.
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Awards:
2 wins
&
2 nominations
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User Comments:
An excellent mystery...
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Crew believed to be complete
Additional Details
Also Known As:
The Moving Target (UK)
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Runtime:
121 min
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1
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Fun Stuff
Trivia:
The opening credits sequence (where Harper makes himself a terrible cup of coffee, among other things) was written and shot after the first cut of the film had already been delivered to the studio.
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Goofs:
Continuity: The front license plate on Harper's Porsche changes locations from above the bumper to below in the middle of the opening scene.
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Quotes:
Miranda Sampson:
Why so fast, Harper? You trying to impress me?
Lew Harper:
You got a way of starting conversations that ends conversation.
Miranda Sampson:
Why is your wife divorcing you?
Lew Harper:
You got a way of starting conversations that ends conversation.
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Soundtrack:
Livin' Alone
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FAQ
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Recommendations
Related Links
While perhaps not as taut as "The Maltese Falcon", but just as intricate as "Chinatown" or "L.A. Confidential", "Harper" is an under-acknowledged gem of a film that's as cool as it's leading man. It's with this film that I began to get a better appreciation of Paul Newman, easily one of the most versatile leading men Hollywood has ever produced. Here, he plays Harper as something of a SOB, always looking at the paycheck as his top priority. Not that the pond he has to swim in is any better; a frigid woman client, a hot-to-trot teen daughter, a duplicitous servant, an attorney who's the closest thing to a friend Harper has, a washed-up nightclub singer, her sinister, Texan husband, and a cult leader aren't exactly what one would call charming dinner company. It also doesn't help that the guy Harper's trying to find isn't even liked by the wife who hired him (thanks to the under-appreciated fire and spirit of Lauren "Betty" Bacall, one of the true originals) or anybody else. The only thing they like is his money.
Like a good boxer, the plot bobs and weaves, never letting the audience know when the next surprise is coming until it's too late. While Chandler is cited when talking about this film, it also makes me think of Hammett's many, many tales of the Continental Op. Not everybody always tells the truth, not everything is what it seems, and the best laid plans of mice and men (to paraphrase Bobby Burns) wind up falling through. Some people may not have the patience for this film in our razzle-dazzle, in-your-face age of entertainment, but for those who prefer their movies with a soft, subtle touch, this is one for you.