| Photos (see all 8 | slideshow) |
| Yves Montand | ... | Diego Mora | |
| Ingrid Thulin | ... | Marianne | |
| Geneviève Bujold | ... | Nadine Sallanches | |
| Jean Dasté | ... | Le chef du réseau clandestin / Chief | |
| Dominique Rozan | ... | Jude | |
| Jean-François Rémi | ... | Juan | |
| Marie Mergey | ... | Madame Lopez | |
| Jacques Wallet | ... | Un CRS / CRS Policeman | |
| Michel Piccoli | ... | L'inspecteur des douanes / First Customs Inspector | |
| Anouk Ferjac | ... | Marie Jude | |
| Roland Monod | ... | Antoine | |
| Pierre Decazes | ... | L'employé SNCF / Station Employee | |
| Paul Crauchet | ... | Roberto | |
| Claire Duhamel | ... | La femme du wagon-restaurant / Traveller | |
| Antoine Bourseiller | ... | L'homme du wagon-restaurant / Traveller | |
| Laurence Badie | ... | Bernadette Pluvier | |
| Françoise Bertin | ... | Carmen | |
| Yvette Etiévant | ... | Yvette, la femme de Ramon | |
| Jean Bouise | ... | Ramon | |
| Annie Fargue | ... | Agnès | |
| Gérard Séty | ... | Bill | |
| Catherine de Seynes | ... | Janine | |
| Jacques Rispal | ... | Manolo | |
| Fylgia Zadig | ... | L'hôtesse de la réunion clandestine / Wife of member of the revolutionary group | |
| Pierre Leproux | ... | Le fabricant de faux papiers / Man with White Coat | |
| Roger Pelletier | ... | Un inspecteur / Second Inspector | |
| René-Jean Chauffard | ... | Le clochard / Tramp (as R.J. Chauffar) | |
| Josep Maria Flotats | ... | Miguel (as José-Maria Flotats) | |
| Sissi Kaiser | ... | Une militante espagnole / Lola, Marianne's housemaid | |
| Jean Bolo | ... | Un agent de police / Policeman | |
| Pierre Barbaud | ... | Un client du café | |
| Gérard Lartigau | ... | Le chef du groupe d'action révolutionnaire / Leader of the Revolutionary Group | |
| Jean Laroquette | ... | Un membre du groupe / Member of the Revolutionary Group | |
| Martine Vatel | ... | Une étudiante membre du groupe | |
| Laure Paillette | ... | La vieille dame dans l'escalier (as Paillette) | |
| Jacques Robnard | ... | Pierrot | |
| Marcel Cuvelier | ... | Un inspecteur / Fourth Inspector | |
| Bernard Fresson | ... | André Sarlat | |
| Antoine Vitez | ... | Un employé Pan-am / Pan-Am Employee | |
| rest of cast listed alphabetically: | |||
| Lyne Chardonnet | ... | (uncredited) | |
| Jorge Semprún | ... | Récitant / Narrator (uncredited) | |
Directed by | |||
| Alain Resnais | |||
Writing credits(in alphabetical order) | ||
| Jorge Semprún | writer | |
Produced by | |||
| Anatole Dauman | .... | producer | |
| Gisèle Rebillon | .... | producer | |
| Catherine Winter | .... | producer | |
Original Music by | |||
| Giovanni Fusco | |||
Cinematography by | |||
| Sacha Vierny | |||
Film Editing by | |||
| Eric Pluet | |||
| Ziva Postec | |||
Production Design by | |||
| Jacques Saulnier | |||
Costume Design by | |||
| Madeleine Lafon | |||
| Marie Martine | |||
Makeup Department | |||
| Alexandre Marcus | .... | makeup artist | |
| Elaine Marcus | .... | makeup artist | |
Production Management | |||
| Alain Quefféléan | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Jacques Leon | .... | assistant director | |
| Florence Malraux | .... | assistant director | |
Art Department | |||
| Jean-Jacques Caziot | .... | assistant set designer | |
| Louis Charpeaux | .... | props | |
| Charles Merangel | .... | set designer | |
Sound Department | |||
| Antoine Bonfanti | .... | sound | |
| Robert Cambourakis | .... | assistant sound | |
| Urbain Loiseau | .... | assistant sound | |
| Jean Nény | .... | sound mixer | |
Camera and Electrical Department | |||
| Robert Alliel | .... | assistant camera | |
| Philippe Brun | .... | camera operator | |
| Yves Laurent | .... | chief electrician | |
| Pierre Li | .... | assistant camera | |
Editorial Department | |||
| Hadassa Misrahi | .... | assistant editor | |
Other crew | |||
| Blanche Cochet | .... | production secretary | |
| Odette Hainsselin | .... | accountant | |
| Georges Houssage | .... | exterior production | |
| Louis Lliberia | .... | production department | |
| Jean Pieuchot | .... | production department | |
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| El diputado | La meglio gioventù | Die Blechtrommel | La battaglia di Algeri | Novecento |
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Alain Resnais was almost a god of cinema in the 60's. That people actually discussed the meaning of Last Year at Marienbad at parties seems unbelievable today (yet check the posts for Mulholland Drive), but it was a cultural object just as real as a Picasso painting. If I say that La Guerre est finie has aged badly, that's not to say that it didn't hold the attention of liberals 40 years ago.
The politics of the main (male) characters are fossilized. The old Bolshevik ideals have become more and more detached from reality. Diego knows that there will be no general strike in Spain on May 1st, no matter how hard they will it to happen. Pamphlets smuggled by car into the country in false compartments are not being translated into actions. Diego's lack of authenticity is his real problem: he's spent most of his life in France, speaks better French than Spanish, and is watching people 20 years younger than himself taking more radical steps to end Franco's rule.
Marianne has a greater grasp of reality than her lover. After nine years with Diego, she just wants to settle down and have kids, and put an end to the endless coded conversations with her friends (who are ignorant of Diego's revolutionary activities). She watches as Diego gets sloppy--driving with lights out while there's a suitcase full of plastic explosives in the car, as a cop stops them for questioning.
Semprun's script makes Montand into a sexual magnet; has any 20-year-old girl taken off her clothes faster for a tired 45-year-old man? The star system dictates that the male lead be a stud, but there are limits.