| Photos (see all 43 | slideshow) | Videos (see all 4) |
| Jack Lemmon | ... | Harry Hinkle | |
| Walter Matthau | ... | Willie Gingrich | |
| Ron Rich | ... | Luther 'Boom Boom' Jackson | |
| Judi West | ... | Sandy Hinkle | |
| Cliff Osmond | ... | Purkey | |
| Lurene Tuttle | ... | Mother Hinkle | |
| Harry Holcombe | ... | O'Brien | |
| Les Tremayne | ... | Thompson | |
| Lauren Gilbert | ... | Kincaid | |
| Marge Redmond | ... | Charlotte Gingrich | |
| Noam Pitlik | ... | Max | |
| Harry Davis | ... | Dr. Krugman | |
| Ann Shoemaker | ... | Sister Veronica | |
| Maryesther Denver | ... | Nurse | |
| Ned Glass | ... | Doc Schindler | |
| Sig Ruman | ... | Professor Winterhalter | |
| Archie Moore | ... | Mr. Jackson | |
| Howard McNear | ... | Mr. Cimoli | |
| William Christopher | ... | Intern (as Bill Christopher) | |
| Bartlett Robinson | ... | Specialist #1 | |
| Robert P. Lieb | ... | Specialist #2 | |
| Martin Blaine | ... | Specialist #3 | |
| Ben Wright | ... | Specialist #4 | |
| Dodie Heath | ... | Nun | |
| Herbie Faye | ... | Maury, the Equipment Man | |
| Billy Beck | ... | Maury's Assistant | |
| Judy Pace | ... | Elvira | |
| Helen Kleeb | ... | The Lawyers' Receptionist | |
| Lisa Jill | ... | Ginger Gingrich | |
| John Todd Roberts | ... | Jeffrey Gingrich | |
| Keith Jackson | ... | Football Announcer | |
| Herbert Ellis | ... | TV Director (as Herb Ellis) | |
| Don Reed | ... | Newscaster | |
| Louise Vienna | ... | Girl on TV | |
| Robert DoQui | ... | Man in Bar (as Bob DoQui) | |
| rest of cast listed alphabetically: | |||
| John Anderson | ... | Abraham Lincoln (uncredited) | |
| Jim Brown | ... | Running Back - Number 32 (archive footage) (uncredited) | |
| Leroy Kelly | ... | Running Back #44 (archive footage) (uncredited) | |
| Jon Silo | ... | Tailor (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits(in alphabetical order) | ||
| I.A.L. Diamond | writer | |
| Billy Wilder | writer | |
Produced by | |||
| I.A.L. Diamond | .... | associate producer | |
| Doane Harrison | .... | associate producer | |
| Billy Wilder | .... | producer | |
Original Music by | |||
| André Previn | (as Andre Previn) | ||
Cinematography by | |||
| Joseph LaShelle | (as Joseph La Shelle) | ||
Film Editing by | |||
| Daniel Mandell | |||
Casting by | |||
| Lynn Stalmaster | |||
Art Direction by | |||
| Robert Luthardt | |||
Set Decoration by | |||
| Edward G. Boyle | |||
Makeup Department | |||
| Loren Cosand | .... | makeup artist | |
| Alice Monte | .... | hair stylist | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Production Management | |||
| Patrick J. Palmer | .... | unit manager | |
| Allen K. Wood | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Jack N. Reddish | .... | assistant director | |
Art Department | |||
| Frank Agnone | .... | property master | |
| Duncan A. Spencer | .... | scenic artist | |
Sound Department | |||
| Wayne Fury | .... | sound editor | |
| Robert Martin | .... | sound | |
| Buddy Myers | .... | sound re-recordist | |
Special Effects by | |||
| Sass Bedig | .... | special effects | |
Stunts | |||
| John Moio | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Don Stott | .... | gaffer (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Arrico | .... | wardrobe (as Chuck Arrico) | |
| Paula Giokaris | .... | wardrobe | |
Music Department | |||
| Richard Carruth | .... | music editor | |
Other crew | |||
| Marshall J. Wolins | .... | script supervisor (as Marshall Wolins) | |
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| The Apartment | Start Cheering | The Incredibles | His Girl Friday | The Seven Year Itch |
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Finally caught it on TCM yesterday, and was able to watch it "fresh," compared to "The Odd Couple" or "The Front Page," which one might already know all about.
A fine study in contrasts at work here; Matthau, as the shyster lawyer has something resembling a family life, while Lemmon, ostensibly the nice guy, is shown to be very lonely, still stuck in the apartment his wife left him in (and aren't those exteriors filmed in Cleveland? I don't think those buildings on his street were seen in any other Hollywood backlot, and they looked a touch more shabby than ordinary). So we have "Boom Boom" as the real moral center of the movie. He's racked with guilt over having injured Hinkle (Lemmon), so much so that he sees to Hinkle's recovery, even carrying him around like a wounded puppy, letting his game suffer, and he's the one who's most hurt by the scam.
The movie also shows a hopeful light on race relations in the mid-60's: Ron Rich gets to play a character with some feelings and some ambition beyond the NFL, and it's he and Lemmon's characters who become buddies at the end.