2 ou 3 choses que je sais d'elle (1967)

Director:

Jean-Luc Godard

Writers:

Catherine Vimenet (letter)
Jean-Luc Godard (writer)

Release Date:

17 March 1967 (France)

Genre:

Drama

Plot:

In this film, 'Her' refers to both Paris, the character of Juliette Janson and the actress playing her...

Plot Keywords:

Female Nudity | Prostitution | French Suburb | Number In Title

Cast

Joseph Gehrard	...	Monsieur Gérard
Marina Vlady	...	Juliette Jeanson
Anny Duperey	...	Marianne
Roger Montsoret	...	Robert Jeanson
Raoul Lévy	...	John Bogus, the American
Jean Narboni	...	Roger
rest of cast listed alphabetically:
Yves Beneyton	...	Young man
Juliet Berto	...	Girl talking to Robert
Helena Bielicic	...	Girl in Bath
Christophe Bourseiller	...	Christophe Jeanson
Marie Bourseiller	...	Solange Jeanson
Marie Cardinal
Robert Chevassu	...	Meter reader
Jean-Luc Godard	...	Narrator (voice)
Blandine Jeanson	...	Girl
Benjamin Jules-Rosette	...	Man in basement
Jean-Pierre Laverne	...	Author
Jean-Patrick Lebel	...	Pécuchet
Anna Manga	...	Woman in basement
Claude Miller	...	Bouvard
Hélène Scott	...	Girl playing pinball

Also Known As:

Deux ou trois choses que je sais d'elle (France) (alternative spelling)
Two or Three Things I Know About Her

Runtime:

France:100 min | Argentina:95 min | USA:90 min

Country:

France

Language:

French

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

Australia:M | Argentina:16 | Finland:K-16 | Sweden:15

Filming Locations:

Paris, France

Company:

Argos Films

Trivia:

In the scene where Juliette drops off her daughter at the day care/brothel, there is a painting on the wall of a screen shot of Nana (Anna Karina) in Vivre Sa Vie.

Quotes:

Narrator: Our thoughts are not the substance of reality, but its shadow.

Movie Connections:

References The General (1927)

Soundtrack:

Quartet no. 16

2 or 3 Things Godard Knows About Cinema

"I had a dream last night, you know. I was walking all alone at the edge of a cliff. The path was only wide enough for one person. Suddenly I saw two twins walking toward me. I wondered how they would get past. Suddenly one of the twins went towards the other and they became one person. And then I realized that these two people were North and South Vietnam being united." -- Christophe, Juliette's young son

In the opening moments of the film, Godard introduces us--with his famous whispering narration--to Marina Vlady, the actress who will play our protagonist "in a few frames," to paraphrase. He repeats what he says, only a few frames later, this time introducing her as Juliette. [i]This[/i] is what cinema is. A movie that isn't completely self-conscious, is little more than a book on film. In addition to Godard's ramblings on such topics as Vietnam, Paris life, and philosophy, Juliette often thinks outloud, speaking directly to the audience, while looking at the camera. We even get the privilege to experience her thoughts first-hand a few times.

"Her," is not Juliette nor Paris, as some theories state, but the cinema. In fact, we learn very little about Juliette or about Paris, as they are both lost behind ridiculous questions with no answers and the result of these questions. Commercialism is a mask for some people, and many scenes suggest lifestyle is becoming more important than life. The final shot of the film shows many household products--such as Tide--scattered in a field. Godard is say we must live together with each other and these objects--as they are all together in the field--which, as he states, sadly live on longer than we do. The more primitive we are, the happier we become, but we are to conditioned to use them, so we must make a compromise on both sides.

But what are the two or three things Godard knows about cinema? Everything there is to know about this young artform. Future filmmakers must take a work of art like this and figure out everything else, because right now we only know two or three things about it.

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