Cul-de-sac (1966)

Director:

Roman Polanski

Writers:

Gérard Brach (writer)
Roman Polanski (writer)

Release Date:

7 November 1966 (USA)

Genre:

Comedy | Drama | Thriller

Plot:

A wounded criminal and his dying partner take refuge at a beachfront castle. The owners of the castle...

Plot Keywords:

Castle | Partner | Coward | Chicken | Eccentric

Awards:

Nominated for BAFTA Film Award. Another 1 win

Cast

Donald Pleasence	...	George
Françoise Dorléac	...	Teresa
Lionel Stander	...	Richard
Jack MacGowran	...	Albie
Iain Quarrier	...	Christopher
Geoffrey Sumner	...	Christopher's Father
Renee Houston	...	Christopher's Mother
Robert Dorning	...	Philip Fairweather
Marie Kean	...	Marion Fairweather
William Franklyn	...	Cecil
Jacqueline Bisset	...	Jacqueline (as Jackie Bisset)
Trevor Delaney	...	Nicholas

Directed by
Roman Polanski

Writing credits (in alphabetical order)
Gérard Brach		writer (as Gerard Brach)
Roman Polanski		writer

Produced by
Gene Gutowski	....	producer
Michael Klinger	....	producer
Tony Tenser	....	producer
Sam Waynberg	....	executive producer

Original Music by
Krzysztof Komeda		(as Komeda)

Cinematography by
Gilbert Taylor

Film Editing by
Alastair McIntyre

Casting by
Maude Spector

Production Design by
Voytek

Art Direction by
George Lack

Makeup Department
Alan Brownie	....	makeup artist
Joyce James	....	hair stylist

Production Management
Robert Sterne	....	production supervisor
Don Weeks	....	production manager

Second Unit Director or Assistant Director
Roger Simons	....	first assistant director
Ted Sturgis	....	first assistant director
Stuart Black	....	second assistant director (uncredited)

Art Department
Alf Pegley	....	props
Gilbert Wood	....	scenic artist (uncredited)

Sound Department
David Campling	....	sound editor
Stephen Dalby	....	sound supervisor
Gerry Humphreys	....	dubbing mixer
George Stephenson	....	sound mixer
Ken Reynolds	....	boom operator (uncredited)

Special Effects by
Les Bowie	....	special effects (uncredited)

Camera and Electrical Department
Roy Ford	....	camera operator
Jeff Seaholme	....	camera operator (as Geoffrey Seaholme)
Laurie Turner	....	still photographer

Costume and Wardrobe Department
Bridget Sellers	....	wardrober

Editorial Department
Maxine Julius	....	assistant editor (uncredited)

Other crew
Terry Glinwood	....	production controller
Michael Klinger	....	presenter
John Sutro	....	translator
Tony Tenser	....	presenter
Dee Vaughan	....	continuity

Production Companies

• Compton Films
• Tekli British Productions

Distributors

• Lii-Filmi (1966) (Finland) (theatrical)
• Globo Vídeo (Brazil) (VHS)
• International Film Distributors (1967) (Canada)
• Nightmare Video (video)
• Sigma III Corp.
• Transmission Films Ltd. (2002) (worldwide) (internet)
• Zima Entertainment (2005) (Mexico) (DVD)

Special Effects

• Bowie Films

Runtime:

113 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:12 | Portugal:M/12 | Norway:16 | Argentina:16 | Australia:M | Finland:K-16 | Sweden:15 | Switzerland:16 (re-release) | UK:15 | West Germany:16 (bw)

Filming Locations:

Holy Island of Lindisfarne, Northumberland, England, UK

Company:

Compton Films

Trivia:

Set on an island in the north-east of England called Holy Island.

Quotes:

George: Get the hell outta my fortress!

Movie Connections:

Referenced in Chinatown: The Beginning and the End (2007) (V)

Excellent black comedy thriller

This film is incredible. Polanski's best film behind Knife in the Water and Rosemary's Baby.

The plot revolves around a gangster (Lionel Stander) and his partner that seek refuge in a castle on a small island in England. The couple that inhabit the castle are played by the sublime Donald Pleasance and the beautiful Françoise Dorléac. The movie plays out like a three way triangle of hatred; we have the contempt between the couple and the gangster, who is invading their home; the gangster's mean streak is inflicted on the couple and the lady obviously holds her husband in low regard when he takes on the role of a wimp in front of the gun toting criminal. However, it is not as simple as that as in several points in the movie, the characters let their guard down and start to communicate with each other in an almost friendly way. This is the real beauty of this film; it is a character study, studying the relationship between a couple and a third party in their home. Three is a crowd, and the effects of that true to life phrase are felt by each of the three characters.

The three main players in Cul-De-Sac are fantastic, Lional Stander in particular who was surely born to play his role in this movie. He has the voice and the persona of a not very bright gangster spot on; his comic timing for some of his more obviously funny lines is also noteworthy. Donald Pleasance has never been better than he was here either; his portrayal as the 'lord of the manor' is both believable and intriguing. Last but not least, Françoise Dorléac, in undoubtedly the most overlooked role in the piece, although no less important than the other two, is also on time and believable in her role; making up a perfect cast.

From a relatively simple plot line and few characters, through excellent dialogue, restrained plotting and interesting scenarios, Roman Polanksi has managed to weave a story that is interesting and entertaining. Roman Polanski has a great flair for human relationships in his movies, the best example of this was in his best movie, Knife in the Water, and that element is abundant here too. The scenes in which all three characters are on screen interacting with each other are this movie's finest moments.

Cul-De-Sac is an excellent black comedy thriller that fans of the genre and fans of the excellent Roman Polanski will not want to miss. Recommended viewing