| Photos (see all 13 | slideshow) |
| Harry H. Corbett | ... | Detective Sergeant Sidney Bung | |
| Kenneth Williams | ... | Doctor Orlando Watt | |
| Jim Dale | ... | Albert Potter | |
| Charles Hawtrey | ... | Dan Dann | |
| Fenella Fielding | ... | Valeria Watt | |
| Joan Sims | ... | Emily Bung | |
| Angela Douglas | ... | Doris Mann | |
| Bernard Bresslaw | ... | Sockett | |
| Peter Butterworth | ... | Detective Constable Slobotham | |
| Jon Pertwee | ... | Doctor Fettle | |
| Michael Ward | ... | Mr. Vivian | |
| Tom Clegg | ... | Oddbod | |
| Billy Cornelius | ... | Oddbod Junior | |
| Norman Mitchell | ... | Cabby | |
| Frank Thornton | ... | Mr. Jones | |
| Frank Forsyth | ... | Desk Sergeant | |
| Anthony Sagar | ... | Policeman | |
| Sally Douglas | ... | Girl | |
| Marianne Stone | ... | Mrs. Parker | |
| Denis Blake | ... | Rubbatiti | |
| rest of cast listed alphabetically: | |||
| Gerald Thomas | ... | Oddbod Junior (voice) (uncredited) | |
Directed by | |||
| Gerald Thomas | |||
Writing credits | ||
| Talbot Rothwell | (screenplay) | |
Produced by | |||
| Frank Bevis | .... | associate producer | |
| Peter Rogers | .... | producer | |
Original Music by | |||
| Eric Rogers | |||
Cinematography by | |||
| Alan Hume | (director of photography) | ||
Film Editing by | |||
| Rod Nelson-Keys | (as Rod Keys) | ||
Casting by | |||
| Weston Drury Jr. | (uncredited) | ||
Art Direction by | |||
| Bert Davey | |||
Costume Design by | |||
| Emma Selby-Walker | |||
Makeup Department | |||
| Stella Rivers | .... | hairdressing | |
| Geoffrey Rodway | .... | makeup artist (as Geoff Rodway) | |
Production Management | |||
| Ron Jackson | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Peter Bolton | .... | assistant director | |
Art Department | |||
| Ted Ambrose | .... | draughtsman (uncredited) | |
| George Noonan | .... | prop buyer (uncredited) | |
| Helen Thomas | .... | set dresser (uncredited) | |
Sound Department | |||
| Ken Barker | .... | sound recordist | |
| Arthur Ridout | .... | sound editor | |
| C.C. Stevens | .... | sound recordist | |
| Paul Smith | .... | assistant sound editor (uncredited) | |
| Vivian Temple-Smith | .... | sound camera operator (uncredited) | |
Camera and Electrical Department | |||
| Godfrey A. Godar | .... | camera operator (as Godfrey Godar) | |
| John Crawford | .... | focus puller (uncredited) | |
Editorial Department | |||
| Selwyn Petterson | .... | assistant editor (uncredited) | |
Music Department | |||
| Eric Rogers | .... | conductor | |
Other crew | |||
| Penny Daniels | .... | continuity | |
| Joy Bayley | .... | production secretary (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| I love Carry Ons, but not this one | johnl244 |
| Dan Dan | milliefan |
| Who Sung the Theme Song? | david-879 |
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| 'Carry on Constable' | Bride of Frankenstein | Dr. Phibes Rises Again | Carry on Cabby | Phantom Patrol |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section | Add this title to MyMovies |
This one was my favourite Carry On when a kid, it's one of a few I can force myself to watch nowadays. I think I could stick with Khyber and Cleo but the rest forget it. Throughout the series from '58 to '70 there were some good moments, some ace smart-ass one-liners but a lot of swamp to crawl through, the humour eventually ending up in the gutter from '70 on. I left them all to it there and then.
Harry Corbett and Kenneth Williams have some great lines, in this version of Frankenstein - stealing women to "vitrify" into shop dummies. Williams: "I wish I was dead"; Fielding: "Don't you remember, you are"; Williams: "Oh yes. What a life!" And on and on, knockabout Music Hall and Variety stuff, some original but plenty borrowed from all sources from Abbott and Costello, the Addams Family, Will Hay etc. But in COS it generally works: therefore I admit I must still like it. I wish that Sid James had been in it as well, but I'm glad Barbara Windsor wasn't.
Maybe it's my rose-tinted spectacles kicking in with this one, but why on Earth do the Carry On films generally seem more popular now in the Noughties UK than 30 years ago?