| Photos (see all 7 | slideshow) |
| Peter Sellers | ... | Aldo Vanucci / Federico Fabrizi | |
| Victor Mature | ... | Tony Powell | |
| Britt Ekland | ... | Gina Vanucci aka "Gina Romantica" | |
| Martin Balsam | ... | Harry | |
| Akim Tamiroff | ... | Okra | |
| Paolo Stoppa | ... | Polio | |
| Tino Buazzelli | ... | Siepi | |
| Mac Ronay | ... | Carlo | |
| Lydia Brazzi | ... | Mama Vanucci | |
| Lando Buzzanca | ... | Police Chief | |
| Maria Grazia Buccella | ... | Miss Okra, the bikini trap. | |
| Maurice Denham | ... | Chief of Interpol | |
| Tiberio Murgia | ... | 1st Detective | |
| Francesco De Leone | ... | 2nd Detective | |
| Carlo Croccolo | ... | Cafe Owner | |
| Nino Musco | ... | Mayor | |
| Pier Luigi Pizzi | ... | Doctor | |
| Lino Mattera | ... | Singer | |
| Piero Gerlini | ... | 1st Jailer | |
| Daniele Vargas | ... | Public prosecutor | |
| Franco Sportelli | ... | Judge | |
| Giustino Durano | ... | Critic | |
| Mimmo Poli | ... | Fat Actor | |
| Enzo Fiermonte | ... | Raymond | |
| Roberto De Simone | ... | Marcel Vignon (as Roberto De Simoni) | |
| Angelo Spaggiari | ... | Felix Kessler | |
| Mario Del Vago | ... | Manuel Ortega | |
| Timothy Bateson | ... | Michael O'Reilly | |
| rest of cast listed alphabetically: | |||
| Carlo Delle Piane | ... | (uncredited) | |
| Vittorio De Sica | ... | Himself (uncredited) | |
| Daniela Igliozzi | ... | (uncredited) | |
| David Lodge | ... | Police officer (uncredited) | |
| Enrico Luzi | ... | Movie Director on Via Veneto (uncredited) | |
| Carlo Pisacane | ... | 2nd Judge (uncredited) | |
| Marcella Rovena | ... | Salvatore's Wife (uncredited) | |
| Lizabeth Scott | ... | Actress in Tony Powell movie (archive footage) (uncredited) | |
| Nino Vingelli | ... | 3d Judge (uncredited) | |
Directed by | |||
| Vittorio De Sica | |||
Writing credits | ||
| Neil Simon | (play "After the Fox") | |
| Neil Simon | (screenplay) and | |
| Cesare Zavattini | (screenplay) | |
Produced by | |||
| John Bryan | .... | producer | |
| Maurizio Lodi-Fe | .... | associate producer | |
Original Music by | |||
| Piero Piccioni | (Italian version) | ||
Cinematography by | |||
| Leonida Barboni | |||
Film Editing by | |||
| Russell Lloyd | |||
Production Design by | |||
| Mario Garbuglia | |||
Costume Design by | |||
| Piero Tosi | |||
Makeup Department | |||
| Stuart Freeborn | .... | makeup artist | |
| Amato Garbini | .... | makeup artist | |
Production Management | |||
| Angelo Binarelli | .... | production supervisor | |
| Maurizio Lodi-Fe | .... | production manager (as Maurizio Lodi-Fè) | |
| Orazio Tassara | .... | production manager | |
Sound Department | |||
| Malcolm Cooke | .... | sound editor | |
| Roberto Cuomo | .... | sound engineer | |
| Sash Fisher | .... | sound | |
| Norman B. Schwartz | .... | sound editor | |
Special Effects by | |||
| Joseph Nathanson | .... | special effects coordinator | |
Camera and Electrical Department | |||
| Roberto D'Ettorre Piazzoli | .... | assistant camera | |
| Claudio Ragona | .... | camera operator | |
| Arturo Zavattini | .... | camera operator | |
Editorial Department | |||
| Adriana Novelli | .... | editor: Italian language version | |
Music Department | |||
| Burt Bacharach | .... | conductor (English language version) | |
| Charles Blackwell | .... | orchestrator: Burt Bacharach | |
| Ralph Ferraro | .... | conductor (Italian language version) | |
| The Hollies | .... | performers: title song | |
Other crew | |||
| Maurice Binder | .... | title designer | |
| Elvira D'Amico | .... | script supervisor | |
| Valerio De Paolis | .... | production secretary | |
| Dick Horn | .... | assistant title designer | |
| Harriet Medin | .... | dialogue coach (uncredited) | |
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| IMDb Comedy section | IMDb Italy section | Add this title to MyMovies |
While certainly not one of his greatest works, Peter Sellers nonetheless shines as Aldo Vanucci, aka "The Fox". He underplays the role in his early scenes, as the scheming criminal, but pulls out all the stops when the character hits upon the idea to masquerade as "Fredrico Fabrizi" the great neo-realist. Much like the scheme inspires Vanucci, the disguise inspires Sellers, and his wildly inventive genius kicks into high gear.
Equally funny is Victor Mature as aging, past-his-prime movie idol Tony Powell. It's a well-written part (by Neil Simon), but Mature really brings him to life, and rather than merely making him a buffoon, which would have been easy to do, he gives him a quality of sympathy; deep down, despite all his posturing and pompousness, Powell probably knows he's on the decline.
All-in-all, a very funny film, with a truly inspired Sellers performance, even if it's not his best. Even a little really good Sellers goes a long way. He's sadly missed.