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Il buono, il brutto, il cattivo. (1966)
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Overview
User Rating:
Director:
Writers:
Release Date:
29 December 1967 (USA)
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Tagline:
The Man with No Name Returns ! more
Plot:
A bounty hunting scam joins two men in an uneasy alliance against a third in a race to find a fortune in gold buried in a remote cemetery. full summary | full synopsis
Awards:
1 win
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NewsDesk:
(7 articles)
DVD Playhouse--June 2009
(From The Hollywood Interview. 3 June 2009, 12:41 PM, PDT)
Eastwood Retires From Acting
(From WENN. 23 November 2008, 6:16 AM, PST)
(From The Hollywood Interview. 3 June 2009, 12:41 PM, PDT)
Eastwood Retires From Acting
(From WENN. 23 November 2008, 6:16 AM, PST)
User Comments:
Brutal, brilliant, and one of the best Westerns ever made
more (510 total)
Cast
(Cast overview, first billed only)| Eli Wallach | ... | Tuco | |
| Clint Eastwood | ... | Blondie | |
| Lee Van Cleef | ... | Sentenza / Angel Eyes | |
| Aldo Giuffrè | ... | Alcoholic Union Captain | |
| Luigi Pistilli | ... | Father Pablo Ramirez | |
| Rada Rassimov | ... | Maria | |
| Enzo Petito | ... | Storekeeper | |
| Claudio Scarchilli | ... | Mexican peon | |
| John Bartha | ... | Sheriff (as John Bartho) | |
| Livio Lorenzon | ... | Baker | |
| Antonio Casale | ... | Jackson / Bill Carson | |
| Sandro Scarchilli | ... | Mexican peon | |
| Benito Stefanelli | ... | Member of Angel Eyes' Gang | |
| Angelo Novi | ... | Monk | |
| Antonio Casas | ... | Stevens |
Additional Details
Also Known As:
The Good, the Bad and the Ugly (UK) (USA)
El bo, el lleig i el dolent (Spain: Catalan title)
El bueno, el feo y el malo (Spain)
I due magnifici straccioni (Italy) (working title)
The Good, the Ugly, the Bad (USA) (literal English title)
The Magnificent Rogues (UK)
Zwei glorreiche Halunken (West Germany)
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El bo, el lleig i el dolent (Spain: Catalan title)
El bueno, el feo y el malo (Spain)
I due magnifici straccioni (Italy) (working title)
The Good, the Ugly, the Bad (USA) (literal English title)
The Magnificent Rogues (UK)
Zwei glorreiche Halunken (West Germany)
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Parents Guide:
Runtime:
161 min | France:186 min (dubbed version) | Spain:182 min | 179 min (2005 DVD Special Edition) | Finland:142 min (1984) (cut version)
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
USA:Approved (PCA #21520) |
Canada:18 (Nova Scotia) (extended version) (2003) |
Canada:A (Nova Scotia) (original rating) |
Italy:VM14 |
Spain:13 |
Finland:K-16 (cut) (1968) |
Norway:16 (1982) |
Australia:MA (re-rating) (2003) |
South Korea:12 |
Brazil:14 |
West Germany:16 (nf) (re-rating) |
Germany:16 (DVD release) |
West Germany:18 (nf) (original rating) |
Portugal:M/12 (DVD rating) |
UK:15 (2008) |
USA:TV-14 (cable rating) |
France:-12 (DVD rating) |
Argentina:16 |
Australia:R (original rating) |
Canada:14+ (Quebec) (original rating) |
Canada:G (Quebec) (re-rating) (2003) |
Canada:PG (Manitoba/Ontario) |
Chile:18 |
France:U (orginal rating) |
France:U (re-rating) |
Iceland:16 |
Ireland:15 (re-rating) |
Ireland:18 (original rating) |
New Zealand:M (video rating) |
New Zealand:R13 (Special Edition DVD) |
Norway:15 |
Singapore:PG |
Sweden:15 |
UK:18 (video rating) (1986) |
UK:X (original rating) (cut) |
USA:M (re-rating) (1969) |
USA:R (re-rating) (1989) |
Netherlands:12 (DVD rating)
Filming Locations:
Fun Stuff
Trivia:
The prison camp "Betterville" was inspired by the actual Confederate prison camp of Andersonville, where thousands of Union prisoners died, and based on steel engravings of Andersonville from August 1864.
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Goofs:
Anachronisms: In the prison camp scene where the musicians are playing while Tuco is being beaten by Angle Eyes, the fiddle has fine tuning adjusters on the tail-piece. These fine tune adjusters were designed for metal strings used many decades later.
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Quotes:
[first lines]
Stevens: You're... from Baker... Tell Baker that I told him all that I know already. Tell him I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins. Now that gold has disappeared, but if he'd listened, we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more. I can't tell Baker what happened to the money; go back and tell him that!
more
Stevens: You're... from Baker... Tell Baker that I told him all that I know already. Tell him I want to live in peace, understand? That it's no use to go on tormenting me! I know nothing at all about that case of coins. Now that gold has disappeared, but if he'd listened, we could have avoided this altogether. I went to the Army court; there were no witnesses. They couldn't uncover any more. I can't tell Baker what happened to the money; go back and tell him that!
more
Movie Connections:
Referenced in "Ladykracher: (#4.3)" (2008)
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FAQ
Is the cemetery of Sad Hill a real location?A Note Regarding Spoilers
Does the Man With No Name actually have a name?
more
more (510 total)
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A sprawling Western epic that follows the adventures of three gunfighters looking for $200,000 in stolen gold, Sergio Leone's `The Good, the Bad, and the Ugly' is a masterpiece, one that continues to get better and better with each viewing. In a way, it's a morality play, weighing the consequences of good and evil, but it does so in a realistic manner. Sometimes, crime does pay, at least in the short term, and sometimes good does go unrewarded. This film probably signaled the death knell of the traditional John Wayne `White Hat/Black Hat' Western.
The three main characters make the film. Lee Van Cleef (`The Bad') is evil personified. Totally ruthless, he'll do whatever it takes to get what he wants. Clint Eastwood (`The Good') is the Man With No Name, not really `good' in a traditional sense . . . but he has a certain sense of honor and tries to do the right thing. (Watch the scene when he gives a dying Confederate soldier a puff of his cigar - powerful, and it sums up everything that the Man With No Name is all about, without saying a single word.) Eli Wallach (`The Ugly') is Tuco, and he's easily the most complex - if not the best - character in the film. All impulse and rage, Tuco spins wildly throughout the movie, stealing, lying, pretending to be Clint Eastwood's best friend in one scene, trying to kill him in another - Tuco truly represents `the ugly' side of people.
The movie is long, but there's not a wasted scene in the film. Each one slowly lets the film unfold with a certain style and grace, revealing more about each character and what's going on. The pacing is incredible, as is the direction - Sergio Leone manages to build a lot of uncomfortable tension in the film, keeping the film from ever getting predictable. Any typical Western cliché that you can possibly think of is either given a unique twist or utterly destroyed by Leone's masterful storytelling. Of special mention is Ennio Morricone's score, which is absolutely perfect. Two scenes - one in a Union prison camp, one in the climatic gunfight in the cemetery at the end of the film - are amazing on their own, but they become absolutely astonishing with combined with Morricone's powerful score.
This movie is absolutely brilliant. If you haven't seen it yet, I strongly urge to do so. Immediately. (And then, go watch `Unforgiven' . . . in a way, I think that `Unforgiven' is the sequel to `The Good, the Bad, and the Ugly - it's the story of what eventually happened to the Man With No Name.) `The Good, the Bad, and the Ugly' is easily one of the best Westerns ever made. A++