| Photos (see all 15 | slideshow) | Videos (see all 2) |
| Gregory Peck | ... | Prof. David Pollock | |
| Sophia Loren | ... | Yasmin Azir | |
| Alan Badel | ... | Beshraavi | |
| Kieron Moore | ... | Yussef Kasim | |
| Carl Duering | ... | Hassan Jena | |
| John Merivale | ... | Maj. Sylvester Pennington Sloane | |
| Duncan Lamont | ... | Webster | |
| George Coulouris | ... | Ragheeb | |
| Ernest Clark | ... | Beauchamp | |
| Harold Kasket | ... | Mohammed Lufti | |
| rest of cast listed alphabetically: | |||
| Michael Bilton | ... | Camera Shop Owner (uncredited) | |
| Windsor Davies | ... | Policeman in Car Crash (uncredited) | |
| Gordon Griffin | ... | Fanshaw (uncredited) | |
| Harry Locke | ... | (uncredited) | |
| Malya Nappi | ... | Ragheeb's wife (uncredited) | |
| James Payne | ... | Driving the kidnap lorry (uncredited) | |
| Robert Rowland | ... | Taxi Driver (uncredited) | |
| Larry Taylor | ... | Beshraavi's Henchman (uncredited) | |
Directed by | |||
| Stanley Donen | |||
Writing credits | ||
| Gordon Cotler | (novel "The Cypher") | |
| Julian Mitchell | (screenplay) & | |
| Stanley Price | (screenplay) & | |
| Peter Stone | (screenplay) (as Pierre Marton) | |
Produced by | |||
| Stanley Donen | .... | producer | |
| Denis Holt | .... | associate producer | |
Original Music by | |||
| Henry Mancini | |||
Cinematography by | |||
| Christopher Challis | |||
Film Editing by | |||
| Frederick Wilson | |||
Art Direction by | |||
| Reece Pemberton | |||
Makeup Department | |||
| W.T. Partleton | .... | makeup artist | |
Production Management | |||
| David W. Orton | .... | production manager | |
Second Unit Director or Assistant Director | |||
| John Jordan | .... | second unit director (as John M. Jordan) | |
| Eric Rattray | .... | assistant director | |
| Stuart Black | .... | third assistant director (uncredited) | |
| Terence A. Clegg | .... | second assistant director (uncredited) | |
Art Department | |||
| Bill Dennison | .... | draughtsman (uncredited) | |
| Roy Dorman | .... | draughtsman (uncredited) | |
Sound Department | |||
| C. Le Mesurier | .... | sound mixer (as C. Le Messurier) | |
| John W. Mitchell | .... | sound mixer | |
| Don Sharpe | .... | dubbing editor | |
| Archie Ludski | .... | additional dubbing editor (uncredited) | |
Visual Effects by | |||
| Charles Staffell | .... | back projection (uncredited) | |
Stunts | |||
| Vic Armstrong | .... | horse stunt double: Gregory Peck (uncredited) | |
| Vic Armstrong | .... | stunts (uncredited) | |
| Jimmy Lodge | .... | stunt coordinator (uncredited) | |
| Jimmy Lodge | .... | stunt double: Gregory Peck (uncredited) | |
| Jack Silk | .... | stunt driver (uncredited) | |
Camera and Electrical Department | |||
| Austin Dempster | .... | camera operator | |
| Colin Corby | .... | focus puller (uncredited) | |
| Norman Gryspeerdt | .... | still photographer (uncredited) | |
Editorial Department | |||
| Thom Noble | .... | assistant editor (uncredited) | |
Music Department | |||
| Douglas Gamley | .... | orchestrator (uncredited) | |
Other crew | |||
| Maurice Binder | .... | title designer: main titles | |
| Arthur Carroll | .... | production executive | |
| Constance Willis | .... | continuity | |
| Jean Hall | .... | production secretary (uncredited) | |
| Maurice Landsberger | .... | production accountant (uncredited) | |
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| On Her Majesty's Secret Service | Thunderball | The 39 Steps | Marie Galante | National Treasure: Book of Secrets |
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| Full cast and crew | Company credits | External reviews |
| IMDb Adventure section | IMDb USA section | Add this title to MyMovies |
Not only is the whole cinematography clever (love those shots with actors in the mirrors) but this is one of those hidden gems from the '60s. The whole look and feel just oozes what you imagine the '60s to be--intrigue, mysterious/swarthy foreign spies, a totally cool/hot babe (Sophia Loren could not be any more gorgeous) and a handsome yet bumbling professor (Gregory Peck out harrison Ford-ing Harrison Ford years ahead of the curve). The dialog also sparkles with that old sort of Kate Hepburn--Cary Grant type interplay albeit at a much more languid and sexier pace. There are also hints of Hitchcock and Orson Welles in the story telling and directorial style.