| Photos (see all 26 | slideshow) |
| Frank Sinatra | ... | Colonel Joseph L. Ryan | |
| Trevor Howard | ... | Major Eric Fincham | |
| Raffaella Carrà | ... | Gabriella (as Raffaella Carra) | |
| Brad Dexter | ... | Sergeant Bostick | |
| Sergio Fantoni | ... | Captain Oriani | |
| John Leyton | ... | Orde | |
| Edward Mulhare | ... | Captain Costanzo | |
| Wolfgang Preiss | ... | Major Von Klemment | |
| James Brolin | ... | Private Ames | |
| John Van Dreelen | ... | Colonel Gortz (as John van Dreelen) | |
| Adolfo Celi | ... | Battaglia | |
| Vito Scotti | ... | Italian Train Engineer | |
| Richard Bakalyan | ... | Corporal Giannini | |
| Michael Goodliffe | ... | Captain Stein | |
| Michael St. Clair | ... | Sergeant Major Dunbar | |
| Ivan Triesault | ... | Von Kleist | |
| Robert 'Buzz' Henry | ... | American soldier (as Buzz Henry) | |
| Jacques Stany | ... | Gortz's Aide (as Jacques Stanislavski) | |
| rest of cast listed alphabetically: | |||
| John Daheim | ... | American soldier (as John Day) | |
| Ian Abercrombie | ... | English POW (uncredited) | |
| William Berger | ... | Man from the Gestapo (uncredited) | |
| Arthur Brauss | ... | Lt. Gertel, German Mess Officer (uncredited) | |
| Domenick Delgarde | ... | Italian soldier (uncredited) | |
| Horst Ebersberg | ... | German Pilot (uncredited) | |
| Barry Ford | ... | Ransom's batman (uncredited) | |
| Brian Gaffikin | ... | English voices (voice) (uncredited) | |
| Donald F. Glut | ... | Extra (uncredited) | |
| Gino Gottarelli | ... | Gotrz's Aide #2 (uncredited) | |
| Joe Gray | ... | Prisoner (uncredited) | |
| Peter Hellman | ... | Pilot (uncredited) | |
| Walter Linden | ... | German Captain (uncredited) | |
| Eric Micklewood | ... | Ransom (uncredited) | |
| John Mitory | ... | Oriani's Aide (uncredited) | |
| Ernesto Molinari | ... | Italian tailor (uncredited) | |
| Paul Muller | ... | Hauptmann Josef Sonneberg (uncredited) | |
| Benito Prezia | ... | Italian Corporal (uncredited) | |
| Christopher Riordan | ... | Nude POW (uncredited) | |
| Michael Romanoff | ... | Italian nobleman (uncredited) | |
| Bob Rosen | ... | POW who opens sweat box (uncredited) | |
| James Sikking | ... | American soldier (uncredited) | |
| Lee Stanley | ... | English prisoner (uncredited) | |
| Brad Stevens | ... | German Sergeant (uncredited) | |
| Max Turilli | ... | German Officer at Plane Crash Site (uncredited) | |
| Al Wyatt Sr. | ... | American soldier (uncredited) | |
Directed by | |||
| Mark Robson | |||
Writing credits | ||
| David Westheimer | (novel) | |
| Wendell Mayes | (screenplay) and | |
| Joseph Landon | (screenplay) | |
Produced by | |||
| Saul David | .... | producer | |
| Mark Robson | .... | producer | |
Original Music by | |||
| Jerry Goldsmith | |||
Cinematography by | |||
| William H. Daniels | (director of photography) | ||
Film Editing by | |||
| Dorothy Spencer | |||
Art Direction by | |||
| Hilyard M. Brown | (as Hilyard Brown) | ||
| Jack Martin Smith | |||
Set Decoration by | |||
| Raphael Bretton | (as Raphael G. Bretton) | ||
| Walter M. Scott | |||
Makeup Department | |||
| Margaret Donovan | .... | hair stylist | |
| Ben Nye | .... | makeup artist | |
| José Luis Pérez | .... | assistant makeup artist | |
Production Management | |||
| Harry Caplan | .... | unit production manager (as Harry A. Caplan) | |
| Eduardo García Maroto | .... | unit production manager: Spain | |
| Mark Robson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Eli Dunn | .... | assistant director | |
| William Kaplan | .... | second unit director | |
Art Department | |||
| José Algueró | .... | assistant art director | |
| Ed Graves | .... | assistant art director | |
| Lou Korn | .... | assistant art director | |
Sound Department | |||
| Carlton W. Faulkner | .... | sound | |
| Elmer Raguse | .... | sound | |
| Don Stern | .... | sound editor | |
| Walter Rossi | .... | sound effects (uncredited) | |
Special Effects by | |||
| L.B. Abbott | .... | special photographic effects | |
| Emil Kosa Jr. | .... | special photographic effects | |
Stunts | |||
| John Daheim | .... | stunts (uncredited) | |
| Joe Gray | .... | stunts (uncredited) | |
| Robert 'Buzz' Henry | .... | stunts (uncredited) | |
| Al Wyatt Sr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bill Johnson | .... | camera operator | |
| Harold Lipstein | .... | photographer: second unit | |
| Ramiro Sabell | .... | second assistant camera | |
Music Department | |||
| Arthur Morton | .... | orchestrator | |
| Tommy Tedesco | .... | musician: guitar | |
Transportation Department | |||
| Chris Haynes | .... | driver (uncredited) | |
Other crew | |||
| Julio Parra | .... | production supervisor | |
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| The Great Escape | Roma, città aperta | Hart's War | L'armée des ombres | GoldenEye |
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*** Warning ***: I make a few references to this film's plot in the comments below.
I think if I was living during 1943 and was involved in World War II then being with Frank, Trevor and the rest of the boys as portrayed in this film is where I'd want to be. Racing up Italy in a captured POW train, honorable American and British soldiers fighting pesky Nazis, and just trying to make it to beautiful Switzerland. Who could ask for more? You have adventure, killing in self-defense (well mostly), outsmarting the enemy, and a gorgeous young Italian woman on the train with you! Sure beats being a German soldier stuck in Stalingrad in 1942!
And let's face it, if you're looking for a WW II film with historical accuracy about specific WWII events or a "war is heck, here's why" kind of film then this is not the kind of film you're going to like.
But to me this film offers something many others don't by how it relates to everyday life and its struggles. So what am I saying, escaping from a German POW camp and fighting Nazis is a daily life struggle for anyone nowadays ?? No, of course not. But I like the way misfortune then opportunity seem to go hand in hand in this movie. A misfortune is turned into another opportunity simply by trying or moving forward. The following two lines best sum up this film: Captured German Major: "But still you have NO choice!" British Major: "And nothing to lose by trying to make one!"
Nothing is mapped out they way they want it and each misfortune has its cost in lives lost, but they push on. Each loss looks like it is rewarded with something positive... British physician (who up 'till now has been supportive of Colonel Ryan): "Roll, roll where?...Maybe this is the end of the line". Italian Captain (just running in): "Colonel Ryan, the conductor has a plan, he thinks he can get us all to Switzerland!" British Major: "Switzerland?...You're mad!" (The Italian major explains the conductor's plan) British Major: "You know it may just work" Colonel Ryan: "Let's move!"
Sometimes we are all fighting those "Nazis/demons" in our life and we are all just trying to escape to "Switzerland" and like the end of the film says: "I once told you Ryan, if only one gets out it's a victory".
I read in another review of this film where it was said Frank Sinatra looked like he was sleep walking through it -- well then way to go Frank! No award grabbing performance from "ol' blue eyes" here, just a man who acts and feels like he's just been in a POW camp (the Rat Pack must've just broken up or a gig in Vegas got canceled or something). I think this is one of Frank S.'s best movies, yes much better than that depressing "Manchurian Candidate" (1962).
And give this film credit for one thing: Here at least the Germans speak German and the Italians speak Italian. There's none of that English with a heavy German or Italian accent stuff here. And filming outside when possible with picturesque Italian and Switzerland scenery are an added bonus.
I know there are several other WWII films made during the 1960s that get mentioned a lot, but off-hand I think there are only two or three made during the '60s that offer or have any value: "The Train" (1965) and "Closely Observed Trains" (1966) are the only two I can think of (hmmm...that's odd, but all three involve trains).
If you liked "Von Ryan's Express" then please recommend other war films from any decade. I'm always on the look out for a good war film. And if you didn't care for this film, well then when you're through picking this one apart tell me of one you did like. Thanks.