The Sons of Katie Elder (1965)

Director:

Henry Hathaway

Writers:

Talbot Jennings (story)
William H. Wright (screenplay) ...
(more)

Release Date:

1 July 1965 (USA)

Genre:

Western

Tagline:

If Texas coundn't tame 'em ...could she?

Plot:

Ranch owner Katie Elder's four sons determine to avenge the murder of their father and the swindling of their mother.

Plot Keywords:

Texas | Murder | Swindle | Family Relationships | Gunfight

Awards:

1 win

Cast

John Wayne	...	John Elder
Dean Martin	...	Tom Elder
Martha Hyer	...	Mary Gordon
Michael Anderson Jr.	...	Bud Elder
Earl Holliman	...	Matt Elder
Jeremy Slate	...	Ben Latta
James Gregory	...	Morgan Hastings
Paul Fix	...	Sheriff Billy Wilson
George Kennedy	...	Curley
Dennis Hopper	...	Dave Hastings
Sheldon Allman	...	Harry Evers
John Litel	...	Minister
John Doucette	...	Hyselman
James Westerfield	...	Mr. Vennar
Rhys Williams	...	Charlie Striker
John Qualen	...	Charlie Biller
Rodolfo Acosta	...	Bondie Adams
Strother Martin	...	Jeb Ross
Percy Helton	...	Mr. Peevey
Karl Swenson	...	Doc Isdell
rest of cast listed alphabetically:
Glen Anderson	...	(uncredited)
Jerry Gatlin	...	Amboy (uncredited)
Harvey Grant	...	Jeb (uncredited)
Loren Janes	...	Ned Reese (uncredited)
Boyd 'Red' Morgan	...	Burr Sandeman (uncredited)
Chuck Roberson	...	Townsman (uncredited)
Ralph Volkie	...	Bit part (uncredited)
Paul Whitson	...	(uncredited)
Jack Williams	...	Andy Sharp (uncredited)
Henry Wills	...	Gus Dolly (uncredited)
Joe Yrigoyen	...	Buck Mason (uncredited)

Directed by
Henry Hathaway

Writing credits
Talbot Jennings		(story)
William H. Wright		(screenplay) and
Allan Weiss		(screenplay) and
Harry Essex		(screenplay)

Produced by
Paul Nathan	....	associate producer
Hal B. Wallis	....	producer
Joseph H. Hazen	....	executive producer (uncredited)

Original Music by
Elmer Bernstein

Cinematography by
Lucien Ballard

Art Direction by
Hal Pereira
Walter H. Tyler		(as Walter Tyler)

Set Decoration by
Sam Comer
Ray Moyer

Costume Design by
Edith Head

Makeup Department
Loren Cosand	....	makeup artist (as Loren Cossand)
Web Overlander	....	makeup artist (as Webb Overlander)
Dorothy White	....	hair stylist

Production Management
William W. Gray	....	unit production manager

Second Unit Director or Assistant Director
Michael D. Moore	....	assistant director (as D. Michael Moore)
Joselito Rodríguez	....	second unit director (uncredited)

Sound Department
Charles Grenzbach	....	sound recordist
Harold Lewis	....	sound recordist
Bill Wistrom	....	sound editor (uncredited)

Stunts
Bill Babcock	....	stunts (uncredited)
Jerry Gatlin	....	stunts (uncredited)
Chuck Hayward	....	stunts (uncredited)
Loren Janes	....	stunts (uncredited)
Boyd 'Red' Morgan	....	stunts (uncredited)
Chuck Roberson	....	stunts (uncredited)
Jack Williams	....	stunts (uncredited)
Henry Wills	....	stunts (uncredited)
Joe Yrigoyen	....	stunts (uncredited)

Costume and Wardrobe Department
Edith Head	....	costumes

Editorial Department
Warren Low	....	editorial supervisor

Other crew
'Chema' Hernandez	....	head wrangler: Mexico (uncredited)

Production Companies

• Hal Wallis Productions
• Paramount Pictures (presents)

Distributors

• Paramount Pictures (1965) (USA) (theatrical)
• Les Films Paramount (1965) (France) (theatrical)
• Paramount Pictures (1965) (Finland) (theatrical)
• Paramount (1966) (West Germany) (theatrical)
• American Broadcasting Company (ABC) (1968) (USA) (TV) (original airing)
• Finnkino (2002) (Finland) (DVD)
• Hallmark Channel, The (2006) (USA) (TV)
• Paramount Home Video (1998) (USA) (VHS)
• Paramount Home Video (USA) (DVD)
• TV3 (1990) (Finland) (TV)
• Yleisradio (YLE) (2005) (Finland) (TV) (TV2)

Runtime:

122 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

USA:Approved (PCA #20933) | USA:Not Rated (video release) | Australia:PG | West Germany:12 (re-rating) | West Germany:16 (f) (original rating) | Canada:G (Quebec) | Canada:PG (Ontario) | Finland:K-16 | Norway:16 | South Korea:12 | Sweden:15 | UK:U

Filming Locations:

Casa Blanca, Durango, Mexico

Company:

Hal Wallis Productions

Trivia:

Tommy Kirk is quoted as saying he was fired from this production for a drug bust. He was at a party that was raided for marijuana and a picture of Tommy in handcuffs made the paper. Even Tommy never said his release had anything to do with his being gay.

Goofs:

Revealing mistakes: The man who John Wayne hits in the face with a stick is obviously not George Kennedy.

Quotes:

Bud Elder: I'm going with you. I can draw pretty fast. We can be famous -- like the Dalton Brothers!
John Elder: They're famous -- but they're just a little bit dead. They were hung!

Movie Connections:

Featured in Edith Head: The Paramount Years (2002) (V)

Learning to late of their mother's love...

John Wayne as the weathered, weary gunslinger determined to give his mother a better legacy; Dean Martin as the lovable, harmless con artist; Earl Holliman as the wild west version of the middle child; Michael Anderson, Jr. as the baby whose full of p**s, vinegar and gunfighter worship and tired of living by everyone's rules. Watching these four "express their opinions" is enough to make anyone want front row seats to the next reunion.

James Gregory as Hastings, the new man determined to have the town in his pocket; Dennis Hopper as his son; George Kennedy as the hired gun who really, really enjoys his work. Martha Hyer as the mother's friend who's tired of the violence. All wonderfully written characters and fleshed out believably.

While I do agree that this movie has a varied pace that drags at times and the music is distractingly close to "The Magnificent Seven" I still see the story of four sons who never realized the value of their own mother until her death.

The opening scene at the railroad depot sets the underlying tension and up until the cattle drive, all the supporting characters are walking on eggshells. Whether the townsfolk refuse to speak of the father's death or they berate the sons for their treatment of, or lack of, their mother, the sons receive no breaks throughout the film.

Regardless of the music, the direction and writing are at times both sufficient and excellent. With the town's protection of the deceased mother and scornfull arguments to the sons, as well as the relationships of the brothers themselves, this entire story is fleshed out no better than our own actual lives. Since when do brothers need an excuse to wrestle? Also, who would you rather spend ten years away from if not your family?

All told, the movie and story reflects the family dynamic and its affect on its surrounding, how the family extends to include neighbors as well. Basically, I'm glad I bought it.