| Photos (see all 9 | slideshow) | Videos |
| Vivien Leigh | ... | Mary Treadwell | |
| Simone Signoret | ... | La Condesa | |
| José Ferrer | ... | Rieber (as Jose Ferrer) | |
| Lee Marvin | ... | Tenny | |
| Oskar Werner | ... | Dr. Schumann | |
| Elizabeth Ashley | ... | Jenny | |
| George Segal | ... | David | |
| José Greco | ... | Pepe (as Jose Greco) | |
| Michael Dunn | ... | Glocken | |
| Charles Korvin | ... | Capt. Thiele | |
| Heinz Rühmann | ... | Lowenthal (as Heinz Ruehmann) | |
| Lilia Skala | ... | Frau Hutten | |
| Barbara Luna | ... | Amparo | |
| Alf Kjellin | ... | Freytag | |
| Christiane Schmidtmer | ... | Lizzi | |
| Werner Klemperer | ... | Lt. Huebner | |
| John Wengraf | ... | Graf | |
| Olga Fabian | ... | Frau Schmitt | |
| Gila Golan | ... | Elsa | |
| Oscar Beregi Jr. | ... | Lutz (as Oscar Beregi) | |
| Stanley Adams | ... | Professor Hutten | |
| Kaaren Verne | ... | Frau Lutz (as Karen Verne) | |
| Charles De Vries | ... | Johann (as Charles de Vries) | |
| Henry Calvin | ... | Fat Man | |
| Peter Mamakos | ... | Religious Man | |
| Paul Daniel | ... | Carlos | |
| David Renard | ... | Woodcarver | |
| Lydia Torea | ... | Pastora | |
| Rudy Carrela | ... | Ric (as Rudy Carrella) | |
| Silvia Marino | ... | Rac | |
| Anthony Brand | ... | Guitarist | |
| rest of cast listed alphabetically: | |||
| John Alvar | ... | Student (uncredited) | |
| Eddie Baker | ... | Prizak (uncredited) | |
| Vicki Cos | ... | Flamenco dance troupe child (uncredited) | |
| Walter Friedel | ... | Waiter (uncredited) | |
| Steven Geray | ... | Steward aboard Vera (uncredited) | |
| Charles H. Radilak | ... | Headwaiter (uncredited) | |
| Bert Rumsey | ... | Second Officer (uncredited) | |
Directed by | |||
| Stanley Kramer | |||
Writing credits | ||
| Katherine Anne Porter | (novel) | |
| Abby Mann | (screenplay) | |
Produced by | |||
| Stanley Kramer | .... | producer | |
Original Music by | |||
| Ernest Gold | |||
Cinematography by | |||
| Ernest Laszlo | |||
Film Editing by | |||
| Robert C. Jones | |||
Production Design by | |||
| Robert Clatworthy | |||
Set Decoration by | |||
| Joseph Kish | |||
Costume Design by | |||
| Bill Thomas | |||
Makeup Department | |||
| Virginia Jones | .... | hair stylist | |
| Ben Lane | .... | makeup supervisor | |
Production Management | |||
| Ivan Volkman | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| John Veitch | .... | assistant director | |
Art Department | |||
| Ernest Graber | .... | property master | |
| Bud Pine | .... | construction coordinator | |
| Harold Michelson | .... | illustrator (uncredited) | |
Sound Department | |||
| James Z. Flaster | .... | sound | |
| Clem Portman | .... | sound re-recordist | |
| Charles J. Rice | .... | sound supervisor | |
| James Richard | .... | sound effects | |
Special Effects by | |||
| John Burke | .... | special effects | |
Visual Effects by | |||
| Farciot Edouart | .... | process photography | |
| Albert Whitlock | .... | special photographic effects | |
Stunts | |||
| Bob Herron | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Dick Johnson | .... | camera operator (as Richard Johnson) | |
| Martin Kashuk | .... | company grip (as Marty Kaschuk) | |
| Seldon White | .... | chief electrician | |
Costume and Wardrobe Department | |||
| Joe King | .... | costume supervisor | |
| Jean Louis | .... | designer: Ms. Leigh's clothes | |
Music Department | |||
| Maury Winetrobe | .... | music editor | |
Other crew | |||
| Marshall Schlom | .... | script supervisor | |
| Boyd Cabeen | .... | stand-in (uncredited) | |
| Michelle Triola | .... | stand-in (uncredited) | |
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Ship of Fools (1965) directed by Stanley Kramer, is based on the novel by Katherine Anne Porter. The film is a reasonably faithful cinematic adaptation, although it lacks the novel's subtlety and complexity. Director Kramer assembled an all-star cast--including Vivien Leigh (her last film), Simone Signoret, José Ferrer, Lee Marvin, Oskar Werner, José Greco, and George Segal.
The film takes place entirely on shipboard, except for the final scene. Naturally, the close confines of the ship and the lack of privacy bring about forced interactions, as would have been the case in reality. These interactions form the basic plot of both the book and the film.
The time is 1933, so the passengers don't know what we know--things are changing rapidly in Germany and everything will be different in just a year or two. In fact, that's the basic weakness of the plot--it's easy in retrospect to know just how wrong the Jewish salesman is when he assures people that the current unpleasantness will blow over and all will be well.
Some features of the novel were unfortunately omitted from the film, especially the roles of the Spanish twins, Ric and Rac. In the novel, they are the embodiments of senseless evil, and every chapter in which they appear is laden with foreboding. In the film, the children commit one evil act, but it makes no sense because we haven't been prepared for it.
Director Kramer made one choice I consider foolish. In the novel, a young woman named Elsa Lutz is realistically unhappy. She is unattractive, not very intelligent, not gifted or graceful, and her prospects for marriage are bleak. In the film, she is portrayed as a stunning ingénue, who will blossom into an even more stunning woman. No dramatic tension there. Porter had it right, Kramer had it wrong.
All in all, "Ship of Fools" is a classic movie by an excellent director and it's loaded with stars. It's not an essential film, but it's entertaining enough and worth renting.