7 out of 8 people found the following comment useful :- Early Merchant-Ivory is Diamond in the Rough, 24 April 2000
Author:
Tim O'Grady (t_o_grady@hotmail.com) from Madison, Wisconsin
This early (if not first) Merchant-Ivory collaboration anticipates what
the
team was later able to do with larger budgets and color cinematography.
Set
in post-independence India, it tells the story of a small, though
thoroughly
professional traveling Shakespeare company fallen on hard times. The
troop,
built on the talents of the three Buckingham family members, including the
young and fetching daughter Lizzie, is slowly dissolving in a culture
increasingly hostile to their art and readier to worship the queens of the
silly Indian pop cinema.
The main thread of the plot concerns a rather thin romance between Lizzie
and a young Indian playboy quite under the thumb of a local movie vixen
named Manula. Meanwhile we are given snippets from various Shakespeare
plays: Hamlet, Othello, Twelfth Night, Romeo and Juliet, Antony and
Cleopatra.
Fine B&W photography, though much in this film seems dated now.
3 out of 5 people found the following comment useful :- humble beginnings, 23 March 2007
Author:
george karpouzas
I have watched Merchant-Ivory productions in the cinemas of my native
country and was impressed by the fine evocations of the times they
presented added obviously by a considerable budget for costumes and
technical apparatuses. This situation does not exist in this movie
which is poorer but still very fine. The relationship between English
and Indians as well the antithesis between the quality theatre and the
emerging native movie industry exemplified in the the feud between the
English girl and the Indian movie star vying for the heart of the male
character was impressive, although being neither English or Indian I
could not escape the conclusion that the English were associated with
quality theatre while the Indians with popular movies and this equation
obviously had a qualitative element in it. The version I saw did not
contain subtitles therefore I had some difficulty apprehending the
Shakeaspearian performances which are interspersed in the movie.
Nevertheless it is a movie I recommend since what I like most was the
general impression it conveyed.
2 out of 4 people found the following comment useful :- English Shakespearean company tours India; Love sputters, 27 December 2006
Author:
Vortrek from United States
Frankly, I caught this early Merchant-Ivory flic to see Felicity Kendal
in her debut movie. I was disappointed-- her cuteness works much better
as a nearly 60 year old detective in the Rosemary and Thyme BBC series,
than as a teen-aged actress, where it makes her just too unserious.
The movie concerns a small troupe of Shakepearean actors, some English
and some Indian, but anchored by the Buckingham family, touring India
to ever diminishing audiences. An Indian playboy, already involved with
a Bollywood actress, sees young Lizzie Buckingham, and the usual
romantic conflicts arise.
The movie has the normal pacing of a Merchant-Ivory. Black and white.
For me the background bits of Indian and ex-pat life were more
interesting than the movie itself. The actors playing Felicity Kendal's
character's parents were her real life parents.
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Shakespeare-Wallah (1965)
7 out of 8 people found the following comment useful :-

Early Merchant-Ivory is Diamond in the Rough, 24 April 2000
Author: Tim O'Grady (t_o_grady@hotmail.com) from Madison, Wisconsin
This early (if not first) Merchant-Ivory collaboration anticipates what the team was later able to do with larger budgets and color cinematography. Set in post-independence India, it tells the story of a small, though thoroughly professional traveling Shakespeare company fallen on hard times. The troop, built on the talents of the three Buckingham family members, including the young and fetching daughter Lizzie, is slowly dissolving in a culture increasingly hostile to their art and readier to worship the queens of the silly Indian pop cinema.
The main thread of the plot concerns a rather thin romance between Lizzie and a young Indian playboy quite under the thumb of a local movie vixen named Manula. Meanwhile we are given snippets from various Shakespeare plays: Hamlet, Othello, Twelfth Night, Romeo and Juliet, Antony and Cleopatra.
Fine B&W photography, though much in this film seems dated now.
3 out of 5 people found the following comment useful :-

humble beginnings, 23 March 2007
Author: george karpouzas
I have watched Merchant-Ivory productions in the cinemas of my native country and was impressed by the fine evocations of the times they presented added obviously by a considerable budget for costumes and technical apparatuses. This situation does not exist in this movie which is poorer but still very fine. The relationship between English and Indians as well the antithesis between the quality theatre and the emerging native movie industry exemplified in the the feud between the English girl and the Indian movie star vying for the heart of the male character was impressive, although being neither English or Indian I could not escape the conclusion that the English were associated with quality theatre while the Indians with popular movies and this equation obviously had a qualitative element in it. The version I saw did not contain subtitles therefore I had some difficulty apprehending the Shakeaspearian performances which are interspersed in the movie. Nevertheless it is a movie I recommend since what I like most was the general impression it conveyed.
2 out of 4 people found the following comment useful :-

English Shakespearean company tours India; Love sputters, 27 December 2006
Author: Vortrek from United States
Frankly, I caught this early Merchant-Ivory flic to see Felicity Kendal in her debut movie. I was disappointed-- her cuteness works much better as a nearly 60 year old detective in the Rosemary and Thyme BBC series, than as a teen-aged actress, where it makes her just too unserious.
The movie concerns a small troupe of Shakepearean actors, some English and some Indian, but anchored by the Buckingham family, touring India to ever diminishing audiences. An Indian playboy, already involved with a Bollywood actress, sees young Lizzie Buckingham, and the usual romantic conflicts arise.
The movie has the normal pacing of a Merchant-Ivory. Black and white. For me the background bits of Indian and ex-pat life were more interesting than the movie itself. The actors playing Felicity Kendal's character's parents were her real life parents.
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