Repulsion (1965)

User Rating:

7.9/10   

Director:

Roman Polanski

Writers:

Roman Polanski (original screenplay) &
Gérard Brach (original screenplay) ...

Release Date:

3 October 1965 (USA)

Genre:

Thriller | Horror | Drama

Tagline:

From the Award-Winning "Knife In the Water"

Plot:

Left alone when her sister goes on vacation, a sexually repressed young beauty goes insane with surreal fantasies of seduction and rape.

Plot Keywords:

Hallucination | Rape | Seduction | Telephone | Banjo

Awards:

Nominated for BAFTA Film Award. Another 2 wins & 1 nomination

Cast

Catherine Deneuve	...	Carole
Ian Hendry	...	Michael
John Fraser	...	Colin
Yvonne Furneaux	...	Helen
Patrick Wymark	...	Landlord
Renee Houston	...	Miss Balch
Valerie Taylor	...	Madame Denise
James Villiers	...	John
Helen Fraser	...	Bridget
Hugh Futcher	...	Reggie
Monica Merlin	...	Mrs. Rendlesham
Imogen Graham	...	Manicurist
Mike Pratt	...	Workman

Runtime:

105 min

Country:

UK

Language:

English

Color:

Black and White

Aspect Ratio:

1.66 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Singapore:PG | Finland:(Banned) (1965) (uncut) | Finland:K-16 (1993) (uncut) | Finland:K-18 (1965) (cut) | UK:15 (2004) | Hungary:16 | Iceland:16 | UK:15 (theatrical re-release) | South Korea:18 | Portugal:M/16 | Australia:M | Norway:16 (original rating) | Norway:18 (video rating) | Sweden:15 | UK:18 (video rating) (1984) | UK:X (original rating) | USA:Unrated

Filming Locations:

Earl's Court, London, England, UK

Company:

Compton Films

Trivia:

This film, along with Rosemary's Baby (1968) and Le locataire (1976), forms a loose trilogy by Roman Polanski about the horrors of apartment/city dwelling.

Goofs:

Audio/visual unsynchronized: During the scene right before the boyfriend is murdered, the old woman's dog can be seen panting, with its tongue hanging out - yet we hear barking.

Quotes:

Hélène Ledoux: Why did you throw Michael's things away?
Carole Ledoux: They don't belong there.

Movie Connections:

Referenced in The Commune (2009/I)

The best film I've seen in a long time

This film, the first Polanski made in English, works so well, and for so many different reasons, that I felt like I had to watch it again as soon as it ended.

From the first moments of the movie, Polanski sets up the key conflict, cutting between shots of Catherine Denuve's gorgeous face and of the things she is seeing, all of which are almost frighteningly ugly by comparison. After fifteen minutes of this, it becomes clear why Denuve's Carol is unable to cope with anything in the world around her, and why she is so dependent on her sister and her attractive female co-worker, who provide the film's only beauty other than Denuve. When her sister leaves her alone, her surroundings decay further into ugliness, sending her deeper into her madness. I loved the way that despite Carol's growing insanity, Polanski keeps going back to closeups of her face, which remains beautiful. So beautiful, in fact, that no one can seem to notice that she is clearly very deranged.

The only question the film left me with is this: How could Carol possibly survived for an entire lifetime up till the point where the film began?