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Rekopis znaleziony w Saragossie (1965)
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Overview
User Rating:
Release Date:
9 February 1965 (Poland) morePlot:
In the Napoleonic wars, an officer finds an old book that relates his grandfather's story, Alfons van Worden... more | add synopsisAwards:
1 win moreUser Comments:
Keys to understanding the film... and the DVD moreCast
(Cast overview, first billed only)| Zbigniew Cybulski | ... | Alfonse Van Worden | |
| Iga Cembrzynska | ... | Princess Emina | |
| Elzbieta Czyzewska | ... | Donna Frasquetta Salero | |
| Gustaw Holoubek | ... | Don Pedro Velasquez | |
| Stanislaw Igar | ... | Don Gaspar Soarez | |
| Joanna Jedryka | ... | Zibelda | |
| Janusz Klosinski | ... | Don Diego Salero | |
| Bogumil Kobiela | ... | Senor Toledo | |
| Barbara Krafftówna | ... | Camilla de Tormez | |
| Jadwiga Krawczyk | ... | Donna Inez Moro | |
| Slawomir Lindner | ... | Van Worden's father | |
| Krzysztof Litwin | ... | Don Lopez Soarez | |
| Miroslawa Lombardo | ... | Van Worden's mother | |
| Jan Machulski | ... | Count Pena Flor | |
| Zdzislaw Maklakiewicz | ... | Don Roque Busqueros |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
124 min | France:175 min (director's cut) | 182 minCountry:
PolandLanguage:
PolishColor:
Black and WhiteAspect Ratio:
2.35 : 1 moreSound Mix:
MonoFun Stuff
Quotes:
Don Pedro Velasquez: We are like blind men lost in the streets of a big city. The streets lead to a goal, but we often return to the same places to get to where we want to be. I can see a few little streets here which, as it is now, are going nowhere. New combinations have to be arranged, then the whole will be clear, because one man cannot invent something that another cannot solve.Alfonse Van Worden: I no longer follow.
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"The Saragossa Manuscript" is a very entertaining film that two or three viewings will eventually allow you to understand fully. Its style mixes an easy congeniality and libertine spirit à la "Tom Jones" (1963) with elements of sophisticated comedy and slapstick commedia dell'arte, all delivered by an expert cast and imbued with a tangible sense of fun and mystery.
Its story centers around the efforts by a brave officer in mid-XVIIIth Century Spain to distance himself from ghosts or evil spirits that visit him every night and take the form of two charming Muslim sisters who want to be his lovers and bear his children, even in succubi form, and insist that he convert to Islam. Those erotic (and heretic) reveries also have something to do with devilry and all things forbidden and his encounters with those women are encouraged by the mysterious figure of the Cabalist (another forbidden science) and his sister Rebecca and severely repressed by roaming members of the Catholic Inquisition. This framing story is the pretext for a series of very involving and amusing moral tales told in flashback by several participants, who all echo each other and whose moral seems to be that all religious and social prohibitions and ghost stories should be taken with a grain of salt. In this ocean of mystery and gothicism stands the figure of Don Pedro Velasquez, a mathematician who befriends the hero and who seems the only character to believe in the cold light of reason (foreshadowings of Polanski's "The Fearless Vampire Hunters").
After several viewings, the only point in the film which remains mysterious is why Frasqueta's lover (Pena Flor) should appear with a bloodied face when he climbs in her bedroom through a window, a fact the viewer has to provide his own backstory for and which could be evidence that the original film was even longer than the 182 minutes at which it clocks in on the restored DVD edition. (Personal theory: Pena Flor really was Frasqueta's lover and the band of thugs Frasqueta hired to deceive her husband into believing he had paid to have his wife's lover killed really did attempt to kill him before he paid them to kill her husband instead.) Well, that and the fact that Jerry Garcia of the Grateful Dead, an early fan of the film and one the persons responsible for its restoration, was fond of quoting a scene from the film that doesn't seem to exist anymore (a character's confrontation with Death at the foot of his bed, which, according to DVD Savant, could come from the 1960 Mexican film "Macario")...
A WORD ABOUT THE DVD: This film was restored thanks to the efforts and money of Martin Scorsese, Francis Ford Coppola and the above-mentioned Jerry Garcia, and the collaboration of the director. It was shot in Dyaliscope, the French CinemaScope equivalent, which is always projected at a standard 2.35:1 ratio. This "enhanced for widescreen TVs" DVD shows an image with a ratio of 2:1, which means that the picture information is still squeezed by a ratio of 15 % in relation to the way it should be shown normally. In this presentation, the picture is "fish-eyed" and the characters and animals appear too slim. There is no way around this problem if you watch it on a 4:3 television set. However, if you own a widescreen TV, you can set-up your DVD player as for a standard 4:3 TV monitor and gently unsqueeze the resulting picture with any one of the "cheater" modes provided by your TV model to approximate a 2:35 presentation. There is no way of knowing if this drawback is the result of simple ignorance (mistaking the 2:1 squeeze of Dyaliscope with a 2:1 projection ratio) or of a compromise allowing to use the greater part of the TV screen in both 4:3 and 1.77:1 TV sets. It took me along time to figure out this problem and I am glad to share this little trick with you.