| Photos (see all 2 | slideshow) |
| Giacomo Rossi-Stuart | ... | Cmdr. Rod Jackson (as Jack Stuart) | |
| Ombretta Colli | ... | Lt. Terry Sanchez (as Amber Collins) | |
| Enzo Fiermonte | ... | General Norton | |
| Halina Zalewska | ... | Janet Norton (as Alina Zalewska) | |
| Goffredo Unger | ... | Perkinson (as Freddy Unger) | |
| Pietro Martellanza | ... | Dubrowski (as Peter Martell) | |
| John Bartha | ... | Dr. Smith | |
| Marco Bogliani | |||
| Vera Dolen | |||
| Renato Montalbano | |||
| Giuliano Raffaelli | |||
| Franco Ressel | |||
| Nino Vingelli | |||
| Piero Pastore | |||
| Maria Pia Conte | |||
| rest of cast listed alphabetically: | |||
| Les Tremayne | ... | Gen. Norton (voice: English version) (uncredited) | |
Directed by | |||
| Antonio Margheriti | (as Anthony M. Dawson) | ||
Writing credits | ||
| Ivan Reiner | (story) & | |
| Renato Moretti | (story) (as Ralph Moody) | |
| Ivan Reiner | (screenplay) & | |
| Renato Moretti | (screenplay) (as Ralph Moody) | |
Produced by | |||
| Joseph Fryd | .... | producer | |
| Walter Manley | .... | associate producer | |
| Antonio Margheriti | .... | producer | |
| Ivan Reiner | .... | associate producer | |
Original Music by | |||
| Angelo Francesco Lavagnino | |||
Cinematography by | |||
| Riccardo Pallottini | |||
Film Editing by | |||
| Otello Colangeli | |||
Production Design by | |||
| Piero Poletto | |||
Costume Design by | |||
| Berenice Sparano | |||
Makeup Department | |||
| Italia Cambi | .... | hair stylist | |
| Euclide Santoli | .... | makeup artist | |
Production Management | |||
| Renato De Pasqualis | .... | production supervisor | |
| John Masin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ruggero Deodato | .... | first assistant director | |
| Nino Fruscella | .... | second assistant director | |
Sound Department | |||
| Fausto Achilli | .... | sound mixer | |
| Vittorio Massi | .... | sound engineer | |
| Sandro Occhetti | .... | sound mixer (as Sandro Ochetti) | |
Camera and Electrical Department | |||
| Gastone Di Giovanni | .... | camera operator | |
| Angelo Pennoni | .... | still photographer | |
| Giovanni Raffaldi | .... | camera operator | |
Editorial Department | |||
| Maria Napoleoni | .... | assistant editor (as Maria Napoleone) | |
Other crew | |||
| Eva Koltay | .... | script supervisor | |
| Rodolfo Mecacci | .... | production secretary | |
| Archie Savage | .... | choreographer | |
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| Morte viene dallo spazio, La | Morte viene dal pianeta Aytin, La | Ronzio delle mosche, Il | Pianeta degli uomini spenti, Il | 317 |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb Italy section | Add this title to MyMovies |
The plot as listed in the description is inaccurate. It's really about energy beings (well, green lights and smoke) trying to take over the Earth's space patrol on New Year's Eve. After some space stations and their zombified crews disappear, an emissary zombie invites the hero and his men back to their base on Mars for no apparent reason. Once there, the aliens give the humans every opportunity to defeat them, which they eventually do by breaking a window and running away. The whole place goes up like a model with gasoline poured on it, which is exactly what it is. Our heroes make it back to a posh hotel lobby to laugh about it all over drinks. Phew! Stinkaroonie!
That brief description leaves out some of the funnier details: the actors' endless knob-twiddling on the goofy sets, attempts to suggest weightlessness by walking funny, and demonstrating high-G forces by grimacing or merely sinking a bit lower in their chairs. Oh, and don't miss the New Year's Eve TV special featuring space dancing in the first few minutes!
The model special effects are sparse but passable by the standards of the time - at least there aren't any visible wires on the spaceships. The actors appear to be speaking English but are dubbed, presumably due to their Italian accents. Even then the dialogue seems to have been written with a flawed understanding of English ("Retro! Retro! Retro!"). If you watch this in the right frame of mind (i.e. MST3K) with friends, you may extract some enjoyment from it. Otherwise, this makes "The Green Slime" look like "Lawrence of Arabia"!
Interesting note: The stated goal of the aliens to take everyone over "For the good of the whole" is a fore-runner of the Star Trek's Borg "You will be assimilated" threat.