The Ipcress File (1965)

Director:

Sidney J. Furie

Writers:

Len Deighton (novel)
Bill Canaway (screenplay) ...

Release Date:

2 August 1965 (USA)

Genre:

Thriller

Plot:

In London, a counter espionage agent deals with his own bureaucracy while investigating the kidnapping and brainwashing of British scientists.

Plot Keywords:

Double Agent | Dead Body | Cockney Accent | Attic | Parking Meter

Awards:

Won 3 BAFTA Film Awards. Another 2 wins & 4 nominations

Cast

Michael Caine	...	Harry Palmer
Nigel Green	...	Major Dalby
Guy Doleman	...	Colonel Ross
Sue Lloyd	...	Jean Courtney
Gordon Jackson	...	Carswell
Aubrey Richards	...	Dr. Radcliffe
Frank Gatliff	...	Bluejay
Thomas Baptiste	...	Barney
Oliver MacGreevy	...	Housemartin (as Oliver Macgreevy)
Freda Bamford	...	Alice
Pauline Winter	...	Charlady
Anthony Blackshaw	...	Edwards
Barry Raymond	...	Gray
David Glover	...	Chilcott-Oakes
Stanley Meadows	...	Inspector Keightley

Also Known As:

Len Deighton's The Ipcress File (UK) (complete title)

Runtime:

109 min

Country:

UK

Language:

English | Albanian

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Iceland:16 | Germany:12 | Australia:PG (original rating) | Australia:G (TV rating) | Finland:K-16 | Spain:18 | Sweden:15 | West Germany:12 | UK:PG (video rating) | UK:A (original rating)

Filming Locations:

Birdcage Walk, St. James's Park, St. James's, London, England, UK

Company:

Rank Organisation, The

Trivia:

Michael Caine's Harry Palmer character is depicted as an accomplished cook, but when you see Palmer skillfully break a couple of eggs, the hands in the close-up belong to Len Deighton, author of the book on which the movie is based. Deighton himself was an accomplished cook and also wrote a comic strip about cooking for The Observer. The walls of Palmer's kitchen are full of these strips.

Goofs:

Continuity: When Harry Palmer returns to his apartment to find the dead CIA agent sprawled on his living room floor, the dead man's mouth is open. When the camera cuts from Palmer back to the dead man, the dead man's mouth is now closed.

Quotes:

Bluejay: [to a guard] See that there's padding on those straps next time.
Palmer: You want to make it easy for me?
Bluejay: No. For *me*.

Movie Connections:

Referenced in The Killing Zone (1999)

Best of the series, and one of the best British spy films.

Although this film is obviously made on something of a shoestring, there is nothing "kitchen sink about it". The scenes are shot on location in London (I came out of my house one morning, and saw them shooting the film across the road. A friend told me that Michael Caine was in the film, and this turns out to be the film.) This film was made in the wake of the Philby, McLean et al scandal, and the film enters the British class warfare with all guns blazing. You see, these bunch of traitors were not the undependable working class, these were "decent Oxbridge chaps" who had had the finest education and privilege. And it was THEY who had sided with the commies. Similarly, the Profumo affair, where a minister of the Conservative government had been sharing a mistress with a Soviet diplomat, had been a nail in the coffin for the "old British order." If the chaps at the top couldn't be relied on to stay loyal. How about the rabble beneath?

Harry Palmer represents the new kind of British hero, just as Michael Caine represents the new kind of British film actor. Whereas in British action films hitherto, the elite were shown as efficient and brave with their "OK, chaps, in you go. I'll be right behind you;" here they are displayed as duplicitous, inept, and resistant to change. (Listen to the comments made about supermarkets by Col. Ross.) The new order of things is being swept away, as evinced by Major Dalby swinging away to the military band in the park, in a sparsely filled auditorium.

Again and again this theme of "it's the upper classes that are subversive comes up - from the very beginning, when Palmer leaves his lowly flat in Maida Vale's Formosa Street to head for a stakeout in Hamilton Terrace, one of the most exclusive streets in London. When the traitor is revealed at the end, it is a member of the establishment, who apparently believes in the system - not the insubordinate Palmer who continually cocks a snook at the system.

Plenty of interesting imagery here. Notice that it is the "working class" Palmer who is living the most sophisticated life, from the moment he first appears in the memorable scene. Yes, the working class with their regional accents, and studying the racing pages of the newspapers have now got electric kettles, electric coffee grinders, and make their coffee in cafetieres. Another harbinger of the social change to come is the CIA agent, portrayed by a well-dressed Negro who smokes a pipe.

Then there is the irony. The establishment, who hold the lower orders in utter contempt are the ones who embrace communism, a system that is supposed to be on the side of the worker, while it is lower orders, as represented by Palmer, who are trying to stop them.

The spy mystery is just the tip of this iceberg, the interesting things are the changes in society that are going on underneath.