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John Sturges created this film with tongue planted firmly in cheek. It's best enjoyed in its "letterbox' format, as it was shot in Ultra-Panavision, which at the time was being touted as the "new, improved" CINERAMA. Robert Surtees' photography is wide and wonderful and Elmer Bernstein's jaunty score highlights the film perfectly. Also, it's an opportunity to see four greats who have now passed on, Lancaster, Hutton, Remick, and Pleasance at the top of their craft.
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