Doctor Zhivago (1965)

Director:

David Lean

Writers:

Boris Pasternak (novel)
Robert Bolt (screenplay)

Release Date:

22 December 1965 (USA)

Genre:

Drama | Romance | War

Tagline:

The entertainment event of the year!

Plot:

Life of a Russian doctor/poet who, although married, falls for a political activist's wife and experiences hardships during the Bolshevik Revolution.

Plot Keywords:

Russia | Bolshevik | Epic | Russian Revolution | Poetry

Awards:

Won 5 Oscars. Another 15 wins & 10 nominations

Cast

Omar Sharif	...	Dr. Yuri Zhivago
Julie Christie	...	Lara
Geraldine Chaplin	...	Tonya
Rod Steiger	...	Komarovsky
Alec Guinness	...	Gen. Yevgraf Zhivago
Tom Courtenay	...	Pasha
Siobhan McKenna	...	Anna
Ralph Richardson	...	Alexander
Rita Tushingham	...	The Girl
Jeffrey Rockland	...	Sasha
Tarek Sharif	...	Yuri at 8 years old
Bernard Kay	...	The Bolshevik
Klaus Kinski	...	Kostoyed
Gérard Tichy	...	Liberius (as Gerard Tichy)
Noel Willman	...	Razin

MPAA:

Rated PG-13 for mature themes.

Runtime:

197 min | UK:192 min (1999 re-release) | UK:193 min | UK:200 min (1992 re-release)

Country:

USA

Language:

English | Russian

Color:

Color (Metrocolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | 70 mm 6-Track (Westrex Recording System) (70 mm prints) | DTS (re-release) (35 mm prints) | Mono (35 mm optical prints)

Certification:

Canada:A (Nova Scotia) | Canada:PG (Manitoba/Ontario) | Iceland:12 | South Korea:12 | Brazil:Livre | West Germany:12 (f) | USA:Approved (original rating) | USA:GP (re-rating) (1971) | Canada:PG (video rating) | USA:PG-13 (re-rating) (1995) | UK:15 (1987) | UK:A (1966) | UK:PG (1992) | Argentina:13 | Australia:PG | Chile:14 | Finland:K-16 | Norway:16 | Spain:13 | Sweden:11

Filming Locations:

Alberta, Canada

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Screenwriter Robert Bolt recommended Albert Finney for the role of Pasha, and wrote Finney a long letter to convince him to accept. David Lean , however, refused, largely because Finney had turned down the title role in Lawrence of Arabia (1962).

Goofs:

Factual errors: When a near-frozen Zhivago gets back to civilization after deserting the Red Partisans, he is almost run over by a train. After jumping out of the way, he asks a man in front of the train station where he is. The sign in Cyrillic on the station reads (due to transposed letters) "Yuryaitin", not "Yuriyatin".

Quotes:

Engineer: If they were to give me two more excavators, I'd be a year ahead of the plan by now.
Gen. Yevgraf Zhivago: You're an impatient generation.
Engineer: Weren't you?
Gen. Yevgraf Zhivago: Yes, we were, very. Oh, don't be so impatient, Comrade Engineer. We've come very far, very fast.
Engineer: Yes, I know that, Comrade General.
Gen. Yevgraf Zhivago: Yes, but do you know what it cost? There were children in those days who lived off human flesh. Did you know that?

Movie Connections:

Featured in AFI's 100 Years... 100 Movies (1998) (TV)

Soundtrack:

Prelude in G minor, Op.23-5

Flawless beauty - the fact that it's not Lean's best is beside the point

David Lean had just directed two of the greatest films ever made ("The Bridge on the River Kwai" and "Lawrence of Arabia"), the more recent of which was easily the greater. As you'd expect "Doctor Zhivago" isn't as good. But this isn't to say that it's flawed in any way; there is, in fact, NOTHING wrong with it.

Of course, the previous two films had exceptionally strong stories; this one, while rich in incident, has almost no story - which would not be interpreted as a defect. The point of the film is to sketch a historical epoch by showing us the thin life-lines of a handful of people who lived through it. It's like looking at a stretch of a vast river and seeing the illuminated pathways of half a dozen or so minute particles. If there seems to be an undue amount of coincidence in the way these pathways repeatedly intersect ... well, we had the whole river to choose from.

It was fashionable to criticise Maurice Jarre's score at the time, but, in addition to being undeniably attractive and catchy, it comes across as a model of intelligent and tasteful scoring today. Bolt's script is based on less promising material than "Lawrence of Arabia" so is less inspired, but still flawlessly crafted. Particularly good are the gaps in the narrative. Some things we simply don't see: anything of Yevgraf's life before he enters the story, anything that happens to Pasha when he isn't in the vicinity of Zhivago ... but we have the material available to infer, and as it happens, it's the fact that we infer rather than see that makes the story feel so convincingly large.

Most of all, this is a beautiful film, with some of the most breathtaking location footage (it doesn't matter that it's Spain and Finland standing in for Russia) ever shot. As always, the real test is whether the characters look like they're really there (Moscow, the distant Russian countryside), their feet really touching the ground and leaving footprints. If "Doctor Zhivago" had done nothing but convey this impression so well it would still be a masterpiece.