| Photos (see all 16 | slideshow) |
| Laurence Harvey | ... | Miles Brand | |
| Dirk Bogarde | ... | Robert Gold | |
| Julie Christie | ... | Diana Scott | |
| José Luis de Villalonga | ... | Prince Cesare della Romita (as Jose Luis De Villalonga) | |
| Roland Curram | ... | Malcolm | |
| Basil Henson | ... | Alec Prosser-Jones | |
| Helen Lindsay | ... | Felicity Prosser-Jones | |
| Carlo Palmucci | ... | Curzio della Romita | |
| Dante Posani | ... | Gino | |
| Umberto Raho | ... | Palucci | |
| Marika Rivera | ... | Woman | |
| Alex Scott | ... | Sean Martin | |
| Ernest Walder | ... | Kurt | |
| Brian Wilde | ... | Willett | |
| Pauline Yates | ... | Estelle Gold | |
| Peter Bayliss | ... | Lord Grant | |
| Richard Bidlake | ... | Rupert Crabtree | |
| T.R. Bowen | ... | Tony Bridges (as Trevor Bowen) | |
| Annette Carell | ... | Billie Castiglione | |
| Jean Claudio | ... | Raoul Maxim | |
| Georgina Cookson | ... | Carlotta Hale | |
| James Cossins | ... | Basildon | |
| Jane Downs | ... | Julie (as Jane Downes) | |
| rest of cast listed alphabetically: | |||
| Derek Aylward | ... | Party Guest (uncredited) | |
| Sidonie Bond | ... | Gillian (uncredited) | |
| Tyler Butterworth | ... | William Prosser-Jones (uncredited) | |
| Vernon Dobtcheff | ... | Art critic at Ralph Riggs exposure (uncredited) | |
| Hugo Dyson | ... | Matthew Southgate (uncredited) | |
| Ann Firbank | ... | Sybil (uncredited) | |
| Sheila Gish | ... | Cameo (uncredited) | |
| David Harrison | ... | Charles Glass (uncredited) | |
| Zakes Mokae | ... | Black man at French party (uncredited) | |
| Frank Shelley | ... | Father Norton (uncredited) | |
| Lydia Sherwood | ... | Lady Brentwood (uncredited) | |
| Lucille Soong | ... | Allie (uncredited) | |
| Helen Stirling | ... | Governess (uncredited) | |
| John Woodvine | ... | Customs Officer (uncredited) | |
Directed by | |||
| John Schlesinger | |||
Writing credits | ||
| Frederic Raphael | (screenplay) | |
| Frederic Raphael | (idea) and | |
| John Schlesinger | (idea) and | |
| Joseph Janni | (idea) | |
Produced by | |||
| Joseph Janni | .... | producer | |
| Victor Lyndon | .... | associate producer | |
| Joseph E. Levine | .... | executive producer (uncredited) | |
Original Music by | |||
| John Dankworth | |||
Cinematography by | |||
| Kenneth Higgins | (as Ken Higgins) | ||
Film Editing by | |||
| Jim Clark | (as James Clark) | ||
Casting by | |||
| Miriam Brickman | |||
Art Direction by | |||
| Ray Simm | |||
Set Decoration by | |||
| David Ffolkes | |||
Costume Design by | |||
| Julie Harris | |||
Makeup Department | |||
| Joyce James | .... | hair stylist | |
| Bob Lawrance | .... | makeup artist | |
Production Management | |||
| Ed Harper | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Kip Gowans | .... | assistant director | |
| Stuart Black | .... | second assistant director (uncredited) | |
Art Department | |||
| Ted Southcott | .... | graphic designer | |
Sound Department | |||
| John Aldred | .... | sound recordist | |
| Malcolm Cooke | .... | sound editor | |
| Peter Handford | .... | sound recordist | |
Camera and Electrical Department | |||
| Bernard Ford | .... | assistant camera | |
| John Harris | .... | camera operator | |
Costume and Wardrobe Department | |||
| Jackie Breed | .... | wardrobe mistress | |
Music Department | |||
| John Dankworth | .... | conductor | |
| David Lindup | .... | orchestrator (uncredited) | |
Other crew | |||
| Mara Blasetti | .... | location manager | |
| Ann Skinner | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Use of the f-word | Brunswick84 |
| Two Scenes | kaelfan |
| Diana Scott = Grace Kelly | ellichar |
| Academy Award Mix-Up | StarrySky123Inf |
| Prurient question | Belphunga |
| Is Diana really a Man? | lexnlido2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
To see this 60's landmark film is quite something. In many ways could be considered a period piece and at the same time it could have been conceived yesterday. Julie Christie's performance is the insurance "Darling" has to ensure its powerful sailing through the years into the forever ever. She is extraordinary! Schlesinger lets himself be guided by something other than his British restrain and fear of sentimentality here. He is tough and poetic telling us the story of Diana Scott (could had been Lady Diana Spencer to a T) with understanding and compassion but without trying to make her a sympathetic character. Julie Christie takes care of that in what, time will tell, in fact is already telling us, one of the best performances on film, ever.