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| Wed. July 22 | 3:15 AM | AMC |
Directed by | |||
| Ken Annakin | |||
Writing credits | ||
| Philip Yordan | (written by) & | |
| Milton Sperling | (written by) & | |
| John Melson | (written by) | |
Produced by | |||
| Sidney Harmon | .... | executive producer | |
| Milton Sperling | .... | producer | |
| Philip Yordan | .... | producer | |
| Dino De Laurentiis | .... | executive producer (uncredited) | |
Original Music by | |||
| Benjamin Frankel | |||
Cinematography by | |||
| Jack Hildyard | (director of photography) | ||
Art Direction by | |||
| Eugène Lourié | (as Eugene Lourie) | ||
Costume Design by | |||
| Laure Lourie | (as Laure DeZarate) | ||
Makeup Department | |||
| Trevor Crole-Rees | .... | makeup artist | |
| José María Sánchez | .... | makeup artist (as Jose Maria Sanchez) | |
Production Management | |||
| Leon Chooluck | .... | unit manager | |
| Juan Estelrich | .... | unit manager | |
| Bernard Glasser | .... | production supervisor | |
| Miguel Pérez Marián | .... | unit manager (as Miguel Perez) | |
| Tíbor Reves | .... | production manager (as Tibor Reves) | |
| Gregorio Sacristán | .... | production manager (as Gregorio Sacristan) | |
Second Unit Director or Assistant Director | |||
| Luis García | .... | assistant director (as Luis Garcia) | |
| José López Rodero | .... | assistant director (as Jose Lopez Rodero) | |
| Martín Sacristán | .... | assistant director (as Martin Sacristan) | |
Sound Department | |||
| Kurt Hernfeld | .... | sound editor (as Kurt Herrnfeld) | |
| David Hildyard | .... | sound recordist | |
| Gordon K. McCallum | .... | sound recordist (as Gordon McCallum) | |
| Otto Snel | .... | sound re-recording mixer (uncredited) | |
| Alban Streeter | .... | sound (uncredited) | |
Special Effects by | |||
| Charles-Henri Assola | .... | miniature construction (as Henri Assola) | |
| Basilio Cortijo | .... | special effectsman | |
| Richard Parker | .... | special effectsman | |
| Alex Weldon | .... | chief of special effects | |
| Kit West | .... | special effectsman | |
Stunts | |||
| Ken Buckle | .... | stunts (uncredited) | |
| Jack Cooper | .... | stunt double (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Ronald Anscombe | .... | assistant camera | |
| John Cabrera | .... | camera operator: second unit | |
| Dudley Lovell | .... | camera operator | |
| Jack Willoughby | .... | aerial photographer | |
Costume and Wardrobe Department | |||
| Charles Simminger | .... | wardrobe | |
Editorial Department | |||
| Derek Parsons | .... | supervising editor | |
| Lester A. Sansom | .... | post-production executive | |
Music Department | |||
| Benjamin Frankel | .... | conductor | |
Other crew | |||
| Janet Brandt | .... | dialogue coach | |
| Louis Brandt | .... | production coordinator (as Lou Brandt) | |
| Colonel Sherman Joffe | .... | military advisor (as Lt. Col. Sherman Joffe) | |
| Joy Mercer | .... | script supervisor | |
| Luis Martín Pozuelo | .... | military advisor (as Lt. Col. Luis Martin DePozuelo) | |
| Meinrad von Lauchert | .... | military advisor (as Maj. Gen. 'a.D.' Meinrad Von Lauchert) | |
| Marie Wachsman | .... | script supervisor | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| Major Edward King | .... | technical advisor (uncredited) | |
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| All Quiet on the Western Front | Battleground | A Bridge Too Far | The Longest Day | Valkyrie |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb War section | IMDb USA section |
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After 20th Century Fox had put out The Longest Day to such critical and popular success, you might have thought that Warner Brothers would have learned and copied that formula. They even hired Ken Annakin who was one of the directors for The Longest Day.
But if you are looking for the names of Eisenhower, Bradley, Patton, Hodges, and Montgomery on the Allied side and Von Rundstedt and Model among the Germans you will be disappointed. All the names of the principals are changed. Folks like Henry Fonda, Robert Ryan, and Dana Andrews are playing fictionalized characters.
A couple of things are brought in mainly because they are part of the legend of the Bulge, the Malmedy Massacre and the famous reply of General McAuliffe to the German inquiry about surrendering the besieged town of Bastogne. In fact the latter is just dropped into the story without any of the principal players involved. I guess the producers had a thought that no film about the Bulge would be accepted without it, no matter how forced.
It would have been nice if a straight dramatic narrative approach had been used like The Longest Day. With of course the names of the real people. Part of the Bulge story was told in MGM's Battleground and in Patton.
In this film the best performances are that of Robert Shaw as the fanatical Nazi Panzer commander and his war weary aide Hans Christian Blech. Honorable mention should also go to George Montgomery as a tough American sergeant and his lieutenant James MacArthur who grows in stature thanks to Montgomery's example.
For a film that is more than two and a half hours in length, I'd have liked to have seen the real deal though.