| Toshirô Mifune | ... | Dr. Kyojio Niide, 'Akahige' ['Red Beard'] | |
| Yûzô Kayama | ... | Dr. Noboru Yasumoto | |
| Tsutomu Yamazaki | ... | Sahachi | |
| Reiko Dan | ... | Osugi | |
| Miyuki Kuwano | ... | Onaka | |
| Kyôko Kagawa | ... | Madwoman | |
| Tatsuyoshi Ehara | ... | Genzo Tsugawa (as Tatsuya Ebara) | |
| Terumi Niki | ... | Otoyo | |
| Akemi Negishi | ... | Okuni, the mistress | |
| Yoshio Tsuchiya | ... | Dr. Handayu Mori | |
| Eijirô Tôno | ... | Goheiji | |
| Chishû Ryû | ... | Mr. Yasumoto | |
| Takashi Shimura | ... | Tokubei Izumiya | |
| Haruko Sugimura | ... | Kin, the madam | |
| Kinuyo Tanaka | ... | Madame Yasumoto, Noboru's mother | |
| Eijirô Yanagi | ... | Madwoman's father | |
| Koji Mitsui | ... | Heikichi | |
| Nobuo Chiba | ... | Matsudaira | |
| Kamatari Fujiwara | ... | Rokusuke | |
| Ken Mitsuda | ... | Genpaku Amano, Masae's father | |
| Yôko Fujiyama | ... | Chigusa, Masae's sister | |
| Kô Nishimura | |||
| Yôko Naito | ... | Masae | |
| Reiko Nanao | ... | Otoku | |
| Imari Tsuji | ... | Okatsu | |
| Akiko Nomura | ... | Ofuku | |
| Sue Mitobe | ... | Otake | |
| Yoshitaka Zushi | ... | Choji | |
| Kin Sugai | ... | Choji's mother | |
| Michiko Araki | ... | Brothel owner | |
| Bokuzen Hidari | ... | Patient A | |
| Atsushi Watanabe | ... | Patient B | |
| Yasuzo Ogawa | ... | Businessman | |
| Yutaka Sada | ... | Resident | |
| Ikio Sawamura | ... | Resident | |
| Fumiko Honma | ... | Resident | |
| Miyoko Nakamura | ... | Okoto | |
| Akiko Kazami | ... | Masae's mother | |
| Chisato Aoki | ... | Prostitute | |
| Kyoko Kurisu | ... | Prostitute | |
| Yukiko Yanagishita | ... | Prostitute | |
| Toshiko Fukai | ... | Prostitute | |
| Keiko Tomita | ... | Girl on street | |
| Taiko Shoji | ... | Thug | |
| Shoichi Hirose | ... | Thug (as Shoichi 'Solomon' Hirose) | |
| Hiroyoshi Yamaguchi | ... | Thug | |
| Masanobu Ôkubo | ... | Choji's father | |
| Fujio Tokita | ... | Thug | |
| Tatsuo Araki | ... | Thug | |
| Hiroshi Tanaka | ... | Thug | |
| Tôru Ibuki | ... | Thug | |
| Mitsuga Uni | ... | Thug | |
| Hiroto Kimura | ... | Thug | |
| Shu Komuro | ... | Thug | |
| Ryu Kuze | ... | Thug |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Masato Ide | writer | |
| Ryûzô Kikushima | writer | |
| Akira Kurosawa | writer | |
| Hideo Oguni | writer | |
| Shugoro Yamamoto | novel "Akahige shinryotan" | |
Produced by | |||
| Ryûzô Kikushima | .... | executive producer | |
| Akira Kurosawa | .... | associate producer | |
| Tomoyuki Tanaka | .... | executive producer | |
Original Music by | |||
| Masaru Satô | |||
Cinematography by | |||
| Asakazu Nakai | (as Asaichi Nakai) | ||
| Takao Saitô | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Yoshiko Samejima | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Hiroshi Nezu | .... | unit production manager | |
Art Department | |||
| Nozomi Fukusako | .... | assistant art director | |
| Akio Nojima | .... | property master | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Zen Sashida | .... | sound assistant | |
| Hisashi Shimonaga | .... | sound mixer | |
| Shin Watarai | .... | sound recordist | |
Camera and Electrical Department | |||
| Masao Fukuda | .... | still photographer | |
| Fumiyoshi Hara | .... | assistant lighting technician | |
| Kazutami Hara | .... | assistant camera | |
| Hiromitsu Mori | .... | lighting technician | |
Editorial Department | |||
| Reiko Kaneko | .... | assistant editor | |
Transportation Department | |||
| Yoshio Sekine | .... | transportation coordinator | |
Other crew | |||
| Shigeru Kishima | .... | production assistant | |
| Teruyo Nogami | .... | script supervisor | |
| Yuichi Yoshitake | .... | acting office | |
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| Tanin no kao | Shichinin no samurai | Empire of the Sun | The Pillow Book | Rashômon |
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This film is practically never mentioned when Akira Kursawas best films are listed. I think this film should be at least one of the first three of such a list! I do love most of his films very much and my private choice of his best film is always this one. I saw it only once, maybe 20 years ago, but the memory of it is still very strong,. Some scenes burned their image into my mind forever! When I saw it at a small art house cinema here in Vienna, Austria, it was like a lovely dream you want to go on and on. I left the cinema thinking I just saw the best film of my life.
True, it not comparable with the story telling masterpiece Rashomon or the complex Seven Samurai. The film does not feature new ways of telling a story. But I think it is Kurosawas most human legacy in a body of work which is rich of statements on humanity. and human weaknesses and strengths. Looking at any list of current films in the cinemas today one can only wish there would be much more films like Red Beard. Films like that can influence the way we see the world, like the current films packed with violence already do. It would be a much better world for sure!
I don't go so far as to single out any part of the story. I would wish every one would see the film as I did, knowing nothing about it except the title and the director. The film speaks for itself.