Viva Las Vegas (1964)

User Rating:

6.0/10   

Director:

George Sidney

Writer:

Sally Benson (written by)

Release Date:

20 May 1964 (USA)

Genre:

Comedy | Musical | Romance

Tagline:

Elvis is at the wheel but Ann-Margret drives him wild!

Plot:

Lucky Jackson arrives in town with his car literally in tow ready for the first Las Vegas Grand Prix - once he has the money to buy an engine...

Plot Keywords:

Elvis Presley | Hot Pants | Automobile Racing | Las Vegas Nevada | City Name In Title

Awards:

3 wins

Cast

Elvis Presley	...	Lucky Jackson
Ann-Margret	...	Rusty Martin
Cesare Danova	...	Count Elmo Mancini
William Demarest	...	Mr. Martin
Nicky Blair	...	Shorty Fansworth
rest of cast listed alphabetically:
The Jubilee Four	...	Themselves

Also Known As:

Love in Las Vegas (International: English title) (UK)
Only Girl in Town (USA) (working title)

Runtime:

85 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Singapore:PG | Iceland:L | Australia:G | Canada:PG | Finland:S | South Korea:12 | Sweden:Btl | UK:U | USA:Approved (PCA #20549) | West Germany:12

Filming Locations:

Henderson, Nevada, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Was double billed with Tamahine (1963) in most theaters when first released.

Goofs:

Continuity: In the "What I Say" dance number white tape or something similar appears and disappears from Elvis' right hand fingers.

Quotes:

Count Elmo Mancini: What difference does it make? Unfortunately you are on your way to Los Angeles and I have to work on my car, therefore we have no time for a beautiful girl.
Lucky Jackson: I guess you're right.

Movie Connections:

Featured in Elvis in the Movies (1990)

Soundtrack:

You're The Boss

Elvis and Ann-Margret (Out)do Vegas!

Although my own personal favorite Elvis film is "Tickle Me" (1965), "Viva Las Vegas" is the last remotely classy film he made and his best musical in years. The Las Vegas locale enabled M-G-M to put in some rock songs--and Ann-Margret (a cross between Marilyn and Madonna) whose image is similar to Elvis's, was a definite plus. The film was even more successful than "Blue Hawaii" (1961)--Presley's biggest hit to date. They took their time shooting it, the songs are well showcased and Elvis and the sexy Ann-Margret form the most attractive twosome in years. It's even quite possible that the challenging Miss Margret briefly lifts him from the doldrums he's been in; most certainly when they double (as in the very catchy "C'mon Everybody" sequence) the fireworks explode loud and bright. Both performers are sinuous and sensual and assured, and between them they manage to lift a routine movie far above what it would otherwise be. But it also has the bonus of director George Sidney ("Bye Bye Birdie")--and it's the last Elvis film that will be so blessed.