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Nikutai no mon (1964)
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Overview
User Rating:
Release Date:
11 December 1964 (USA) morePlot:
After World War II, some Tokyo prostitutes band together with a strict code: no pimps, attack any street walker who comes into our territory... more | add synopsisUser Comments:
Far doors moreCast
(Credited cast) | Yumiko Nogawa | ... | Maya |
| Jo Shishido | ... | Shintaro Ibuki |
| Kayo Matsuo | ... | Omino |
| Satoko Kasai | ... | Sen |
| Tamiko Ishii | ... | Oroku |
| Misako Tominaga | ... | Machiko |
| Isao Tamagawa | ... | Horidome |
| Koji Wada | ... | Abe |
| Keisuke Noro | ... | Ishii |
| rest of cast listed alphabetically: | |||
| Kuniko Kawanishi | ||
| Chico Roland | ... | Black Pastor |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
90 minCountry:
JapanColor:
ColorAspect Ratio:
2.35 : 1 moreSound Mix:
MonoFun Stuff
Goofs:
Crew or equipment visible: A downward shot pans across a crowd following a stretcher. When straight down, you see the shadow of the camera, crane and the camera operator. moreFAQ
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Discuss this movie with other users on IMDb message board for Nikutai no mon (1964)| Recent Posts (updated daily) | User |
|---|---|
| Wood alcohol? | Sivey |
| Help with the final lines | franssilbubber |
| Suzuki is a true artist and film craftsman | frequency-2 |
| Underated | discotrashmassacre |
| Directing | 65chevynova |
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A jump and you meeting like in a film of Oshima or Mizogouchi. Nikutai Mon (1964) can not be seen like a scandal or like a true masterpiece. The personage, nearly a samurai bankrupt, played by the hounded man is exemplar in order to understand like Japan same changing, in the forecasts of Mishima, worse. For being more clear I will say Japan in free fall. An example is the here impotent police while in group the young people kill and stole. Under this optical the worlds formed from this man and these three women is parallel, peculiar, sadist. Turned always holding the cinema camera to level of the human eye: Nikutai not Mon (1964) a little reassuring neorealism, the land rendered fertile from the tragedy of Seppuku, directed from Kobayashi time before. Now Japanese cinema has nothing more to say while collects the fragments of its tradition.