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| Audrey Hepburn | ... | Eliza Doolittle | |
| Rex Harrison | ... | Professor Henry Higgins | |
| Stanley Holloway | ... | Alfred P. Doolittle | |
| Wilfrid Hyde-White | ... | Colonel Hugh Pickering | |
| Gladys Cooper | ... | Mrs. Higgins | |
| Jeremy Brett | ... | Freddy Eynsford-Hill | |
| Theodore Bikel | ... | Zoltan Karpathy | |
| Mona Washbourne | ... | Mrs. Pearce | |
| Isobel Elsom | ... | Mrs. Eynsford-Hill | |
| John Holland | ... | Butler | |
| rest of cast listed alphabetically: | |||
| Elizabeth Aimers | ... | Cockney (uncredited) | |
| Helen Albrecht | ... | Ascot extra (uncredited) | |
| John Alderson | ... | Jamie (uncredited) | |
| Mary Alexander | ... | Cockney (uncredited) | |
| LaWana Backer | ... | Ad lib at Church (uncredited) | |
| Frank Baker | ... | Elegant bystander (uncredited) | |
| Lois Battle | ... | Second Maid (uncredited) | |
| Brittania Beatey | ... | Daughter of elegant bystander (uncredited) | |
| William Beckley | ... | Footman (uncredited) | |
| Marjorie Bennett | ... | Cockney with Pipe (uncredited) | |
| Oscar Beregi Jr. | ... | Greek Ambassador (uncredited) | |
| Betty Blythe | ... | Lady at Ball (uncredited) | |
| Diana Bourbon | ... | Ascot extra (uncredited) | |
| Iris Bristol | ... | Flower Girl (uncredited) | |
| Sue Bronson | ... | Toff (uncredited) | |
| Meg Brown | ... | Ad lib at Church (uncredited) | |
| Buddy Bryant | ... | Prince of Transylvania (uncredited) | |
| Walter Burke | ... | Bystander who warns Eliza (uncredited) | |
| Bea Marie Busch | ... | Cockney (uncredited) | |
| Colin Campbell | ... | Ascot Gavotte (uncredited) | |
| Jeannie Carson | ... | Ad lib at Church (uncredited) | |
| Paulle Clark | ... | Ad lib at Ascot (uncredited) | |
| Natalie Core | ... | Ascot extra (uncredited) | |
| Tom Cound | ... | Footman (uncredited) | |
| Jennifer Crier | ... | Mrs. Higgins' Maid (uncredited) | |
| Maurice Dallimore | ... | Selsey Man (uncredited) | |
| Allison Daniell | ... | Ad lib at Ascot (uncredited) | |
| Henry Daniell | ... | Ambassador (uncredited) | |
| Donna Day | ... | Cockney (uncredited) | |
| Roy Dean | ... | Footman (uncredited) | |
| Thomas Dick | ... | Cockney (uncredited) | |
| Brendan Dillon | ... | Leading Man (uncredited) | |
| Anne Dore | ... | Ad lib at Church (uncredited) | |
| Pauline Drake | ... | Ad lib at Church (uncredited) | |
| Harvey B. Dunn | ... | Ascot extra (uncredited) | |
| Sandy Edmundson | ... | Toff (uncredited) | |
| Joe Evans | ... | Cockney (uncredited) | |
| Kai Farelli | ... | Juggler (uncredited) | |
| Raymond Foster | ... | Cockney (uncredited) | |
| Raymond Foster | ... | Bit part (uncredited) | |
| Stanley Fraser | ... | Ad lib at Church (uncredited) | |
| Charles E. Fredericks | ... | King George V, in fantasy sequence (uncredited) | |
| Lea Genovese | ... | Toff (uncredited) | |
| Ayllene Gibbons | ... | Fat Woman at Pub (uncredited) | |
| Jack Goldie | ... | Ad lib at Church (uncredited) | |
| Jack Greening | ... | George (uncredited) | |
| Beatrice Grenough | ... | Grans Lady (uncredited) | |
| Clive Halliday | ... | Costermonger (uncredited) | |
| Sam Harris | ... | Guest at Ball (uncredited) | |
| Marjory Hawtrey | ... | Ad lib at Ascot (uncredited) | |
| Eric Heath | ... | Costermonger (uncredited) | |
| Monika Henreid | ... | Ad lib at Church (uncredited) | |
| Eugene Hoffman | ... | Juggler (uncredited) | |
| Samuel Holmes | ... | Cockney (uncredited) | |
| James W. Horan | ... | (uncredited) | |
| Clyde Howdy | ... | Ad lib at Church (uncredited) | |
| Kendrick Huxham | ... | Elegant bystander (uncredited) | |
| Lillian Kemble-Cooper | ... | Lady Ambassador (uncredited) | |
| Phyllis Kennedy | ... | Cockney (uncredited) | |
| Colin Kenny | ... | Ad lib at Church (uncredited) | |
| Goldie Kleban | ... | Cockney (uncredited) | |
| Peter Ladefoged | ... | Voice of linguistics lesson (uncredited) | |
| Alma Lawton | ... | Flower Girl (uncredited) | |
| Queenie Leonard | ... | Cockney Bystander (uncredited) | |
| William Linkie | ... | Cockney (uncredited) | |
| Moyna MacGill | ... | Lady Boxington (uncredited) | |
| Laurie Main | ... | Hoxton Man not Hoston (uncredited) | |
| Sidney Marion | ... | Ad lib at Church (uncredited) | |
| Eric Martin | ... | Ad lib at Church (uncredited) | |
| Owen McGiveney | ... | Man at Coffee Stand (uncredited) | |
| John McLiam | ... | Harry (uncredited) | |
| Shirley Melline | ... | Ad lib at Church (uncredited) | |
| Carol Merrill | ... | Toff (uncredited) | |
| Gigi Michel | ... | Toff (uncredited) | |
| Lenore Miller | ... | Cockney (uncredited) | |
| John Mitchum | ... | Ad lib at Church (uncredited) | |
| Barbara Morrison | ... | Ascot extra (uncredited) | |
| Marlene Morrow | ... | Toff (uncredited) | |
| Alan Napier | ... | Gentleman escorting Eliza to the Queen (uncredited) | |
| Nick Navarro | ... | Dancer (uncredited) | |
| Marni Nixon | ... | Eliza Doolittle (singing voice) (uncredited) | |
| James O'Hara | ... | Costermonger (uncredited) | |
| Patrick O'Moore | ... | Man (uncredited) | |
| Richard Peel | ... | Costermonger (uncredited) | |
| George Pelling | ... | Ad lib at Church (uncredited) | |
| Barbara Pepper | ... | Doolittle's Dance Partner (uncredited) | |
| Hilda Plowright | ... | Bystander (uncredited) | |
| Jack Raine | ... | Extra (uncredited) | |
| Olive Reeves-Smith | ... | Mrs. Hopkins (uncredited) | |
| Christopher Riordan | ... | Suitor at Ball (uncredited) | |
| David Robel | ... | Cockney (uncredited) | |
| Dinah Anne Rogers | ... | First Maid (uncredited) | |
| Victor Rogers | ... | Policeman (uncredited) | |
| Corinne Ross | ... | Cockney (uncredited) | |
| Baroness Rothschild | ... | Queen of Transylvania (uncredited) | |
| Wendy Russell | ... | Ad lib at Church (uncredited) | |
| Kenny Salvatt | ... | Racegoer in 'Ascot Gavotte' Sequence (uncredited) | |
| Miriam Schiller | ... | Landlady (uncredited) | |
| Buddy Shea | ... | Ad lib at Church (uncredited) | |
| Orville Sherman | ... | Ascot extra (uncredited) | |
| Bill Shirley | ... | Freddy Eynsford-Hill (singing voice) (uncredited) | |
| Jacqueline Squire | ... | Parlor Maid (uncredited) | |
| Michael St. Clair | ... | Bartender (uncredited) | |
| Geoffrey Steele | ... | Taxi Driver (uncredited) | |
| Sandy Steffens | ... | Toff (uncredited) | |
| Grady Sutton | ... | Ascot Extra / Guest at Ball (uncredited) | |
| Henry Sweetman | ... | Cockney (uncredited) | |
| William Taylor | ... | Cockney (uncredited) | |
| Joy Tierney | ... | Cockney (uncredited) | |
| Gwendolyn Watts | ... | Cook (uncredited) | |
| Ron Whelan | ... | Algernon / Bartender (uncredited) | |
| Elzada Wilson | ... | Ad lib at Church (uncredited) | |
| Nick Wolcum | ... | Ad lib at Church (uncredited) | |
| James Wood | ... | Cockney (uncredited) | |
| Ben Wright | ... | Footman at Ball (uncredited) | |
| Ben Wrigley | ... | Costermonger (uncredited) | |
Directed by | |||
| George Cukor | |||
Writing credits | ||
| Alan Jay Lerner | (book of musical play) | |
| George Bernard Shaw | (play) (as Bernard Shaw) | |
| Alan Jay Lerner | (screenplay) | |
Produced by | |||
| James C. Katz | .... | producer (1994 restoration) | |
| Jack L. Warner | .... | producer | |
Original Music by | |||
| Frederick Loewe | |||
Cinematography by | |||
| Harry Stradling Sr. | (director of photography) (as Harry Stradling) | ||
Film Editing by | |||
| William H. Ziegler | (as William Ziegler) | ||
Production Design by | |||
| Cecil Beaton | |||
| Gene Allen | (uncredited) | ||
Art Direction by | |||
| Gene Allen | |||
| Cecil Beaton | (uncredited) | ||
Set Decoration by | |||
| George James Hopkins | |||
Costume Design by | |||
| Cecil Beaton | |||
| Michael Neuwirth | (uncredited) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
| Jean Burt Reilly | .... | supervising hair stylist | |
| Dean Cole | .... | hair stylist (uncredited) | |
| Frank McCoy | .... | makeup artist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
| Marvin G. Westmore | .... | makeup artist (uncredited) | |
Production Management | |||
| Sergei Petschnikoff | .... | unit manager | |
| Rudi Fehr | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| David Hall | .... | assistant director | |
Art Department | |||
| Cecil Beaton | .... | scenery designer | |
Sound Department | |||
| David Behle | .... | sound recordist: restoration | |
| Douglas Greenfield | .... | stereo sound consultant: Dolby (restoration) | |
| Brian Kane | .... | transfer supervisor (restoration) | |
| Jack Keller | .... | sound recordist: restoration | |
| Robert J. Litt | .... | sound mixer (restoration) (as Robert Litt) | |
| Francis J. Scheid | .... | sound | |
| Murray Spivack | .... | sound | |
| George Groves | .... | sound recordist: studio (uncredited) | |
Visual Effects by | |||
| Jay Cox | .... | optical and title (1994 restoration) | |
| Tetsuo Kawano | .... | optical and title (1994 restoration) | |
| Brad Kuehn | .... | digital supervisor (1994 restoration) | |
| Kevin Lingenfelser | .... | digital artist: Cinesite (1994 restoration) | |
| Alan G. Markowitz | .... | optical and title (1994 restoration) (as Alan Markowitz) | |
| Jerry Pooler | .... | digital artist (1994 restoration) | |
| P. Christopher Reyna | .... | optical and title (1994 restoration) (as Christopher Reyna) | |
| Thomas J. Smith | .... | digital artist (1994 restoration) | |
Camera and Electrical Department | |||
| Gerald Perry Finnerman | .... | camera operator (uncredited) | |
| Frank Flanagan | .... | gaffer (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
| Mel Traxel | .... | still photographer (uncredited) | |
| Robert Willoughby | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Eleanor Abbey | .... | costumer (uncredited) | |
| Dave Berman | .... | assistant costume designer (uncredited) | |
| Geoffrey Brown | .... | costumer (uncredited) | |
| Norma Brown | .... | costumer (uncredited) | |
| Betty Huff | .... | costumer (uncredited) | |
| Anne Laune | .... | costumer (uncredited) | |
| Bob Richards | .... | costumer (uncredited) | |
| Gerda Robinson | .... | costume design coordinator (uncredited) | |
| Joe Wiatt | .... | costumer (uncredited) | |
Editorial Department | |||
| Joe Gonzalez | .... | negative cutter (restoration) | |
| William Pine | .... | color timer (restoration) (as Bill Pine) | |
| Boyd Steer | .... | negative cutter (restoration) | |
| John F. Burnett | .... | assistant film editor (uncredited) | |
Music Department | |||
| Alexander Courage | .... | orchestrator | |
| Robert Franklyn | .... | orchestrator | |
| Frederick Loewe | .... | composer: additional music | |
| André Previn | .... | conductor (as Andre Previn) | |
| André Previn | .... | music supervisor (as Andre Previn) | |
| Robert Tucker | .... | vocal arranger | |
| Albert Woodbury | .... | orchestrator (as Al Woodbury) | |
| Bill Shirley | .... | singing voice: Jeremy Brett (uncredited) | |
Other crew | |||
| Gil Gagnon | .... | production coordinator (restoration) | |
| Robert A. Harris | .... | restoration | |
| Michael Hyatt | .... | technical assistant | |
| Joanne Lawson | .... | assistant: Mr. Harris (restoration) | |
| Greg Leigy | .... | technical assistant (restoration) | |
| Herman Levin | .... | stage producer: musical play | |
| Hermes Pan | .... | choreographer | |
| Leah Barnes | .... | milliner (uncredited) | |
| Max Bercutt | .... | unit publicist (uncredited) | |
| Carl Combs | .... | unit publicist (uncredited) | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| Peter Ladefoged | .... | advisor: phonetics (uncredited) | |
| Mort Lichter | .... | unit publicist (uncredited) | |
| Sergei Petschnikoff | .... | production administrator (uncredited) | |
| Susan Seton | .... | dialogue director (uncredited) | |
Thanks | |||
| Gene Allen | .... | special thanks (restored version) | |
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I have read in a great many places (including the IMDb) that Henry Higgins is a misogynist. It has also been said that the film is a misogynist's fairy tale. Anyone saying this has clearly not watched this film too closely.
First, Higgins is not a misogynist. A misogynist hates women. What Higgins is, in reality, is a misanthrope. A misanthrope basically dislikes and distrusts everyone! Watch the film and you'll notice that Higgins treats everyone with the same disregard-Col. Pickering, Eliza's father, his own mother-everyone receives his rather cynical disdain. Some of the minor characters come off being treated worse than the principals do. It's simply more noticeable with Eliza because it's more frequent, it's newer with Eliza because the other principal characters have known Higgins longer and thus take it in stride. The myth that Higgins is a misogynist is perpetuated by the song, "Why Can't A Woman Be More Like a Man?".
Second, it can hardly be called a misogynist's fairy tale. If that were the case, I doubt Alfred Doolittle would have cause to sing, "Get Me To the Church On Time", as he'd hardly be getting married. His life is just as "ruined" as Eliza's by his encounters with Higgins, just as altered as her life has been.
This is a great musical, a good movie and it was even better as the original play by Shaw. Well worth seeing. Recommended.