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| Audrey Hepburn | ... | Eliza Doolittle | |
| Rex Harrison | ... | Professor Henry Higgins | |
| Stanley Holloway | ... | Alfred P. Doolittle | |
| Wilfrid Hyde-White | ... | Colonel Hugh Pickering | |
| Gladys Cooper | ... | Mrs. Higgins | |
| Jeremy Brett | ... | Freddy Eynsford-Hill | |
| Theodore Bikel | ... | Zoltan Karpathy | |
| Mona Washbourne | ... | Mrs. Pearce | |
| Isobel Elsom | ... | Mrs. Eynsford-Hill | |
| John Holland | ... | Butler | |
| rest of cast listed alphabetically: | |||
| Elizabeth Aimers | ... | Cockney (uncredited) | |
| Helen Albrecht | ... | Ascot Extra (uncredited) | |
| John Alderson | ... | Jamie (uncredited) | |
| Mary Alexander | ... | Cockney (uncredited) | |
| LaWana Backer | ... | Ad Lib at Church (uncredited) | |
| Frank Baker | ... | Elegant Bystander (uncredited) | |
| Lois Battle | ... | Second Maid (uncredited) | |
| Brittania Beatey | ... | Daughter of Elegant Bystander (uncredited) | |
| William Beckley | ... | Footman (uncredited) | |
| Marjorie Bennett | ... | Cockney with Pipe (uncredited) | |
| Oscar Beregi Jr. | ... | Greek Ambassador (uncredited) | |
| Betty Blythe | ... | Lady at Ball (uncredited) | |
| Diana Bourbon | ... | Ascot Extra (uncredited) | |
| Iris Bristol | ... | Flower Girl (uncredited) | |
| Sue Bronson | ... | Toff (uncredited) | |
| Meg Brown | ... | Ad Lib at Church (uncredited) | |
| Buddy Bryant | ... | Prince of Transylvania (uncredited) | |
| Walter Burke | ... | Bystander Who Warns Eliza (uncredited) | |
| Bea Marie Busch | ... | Cockney (uncredited) | |
| Colin Campbell | ... | Ascot Gavotte (uncredited) | |
| Jeannie Carson | ... | Ad Lib at Church (uncredited) | |
| Paulle Clark | ... | Ad Lib at Ascot (uncredited) | |
| Natalie Core | ... | Ascot Extra (uncredited) | |
| Tom Cound | ... | Footman (uncredited) | |
| Jennifer Crier | ... | Mrs. Higgins' Maid (uncredited) | |
| Maurice Dallimore | ... | Selsey Man (uncredited) | |
| Allison Daniell | ... | Ad Lib at Ascot (uncredited) | |
| Henry Daniell | ... | Ambassador (uncredited) | |
| Donna Day | ... | Cockney (uncredited) | |
| Roy Dean | ... | Footman (uncredited) | |
| Thomas Dick | ... | Cockney (uncredited) | |
| Brendan Dillon | ... | Leading Man (uncredited) | |
| Anne Dore | ... | Ad Lib at Church (uncredited) | |
| Pauline Drake | ... | Ad Lib at Church (uncredited) | |
| Harvey B. Dunn | ... | Ascot Extra (uncredited) | |
| Sandy Edmundson | ... | Toff (uncredited) | |
| Joe Evans | ... | Cockney (uncredited) | |
| Kai Farelli | ... | Juggler (uncredited) | |
| Raymond Foster | ... | Cockney (uncredited) | |
| Raymond Foster | ... | Undtermined Role (uncredited) | |
| Stanley Fraser | ... | Ad Lib at Church (uncredited) | |
| Charles E. Fredericks | ... | King George V in Fantasy Sequence (uncredited) | |
| Lea Genovese | ... | Toff (uncredited) | |
| Ayllene Gibbons | ... | Fat Woman at Pub (uncredited) | |
| Jack Goldie | ... | Ad Lib at Church (uncredited) | |
| Jack Greening | ... | George (uncredited) | |
| Beatrice Grenough | ... | Grand Lady (uncredited) | |
| Clive Halliday | ... | Costermonger (uncredited) | |
| Sam Harris | ... | Guest at Ball (uncredited) | |
| Marjory Hawtrey | ... | Ad Lib at Ascot (uncredited) | |
| Eric Heath | ... | Costermonger (uncredited) | |
| Monika Henreid | ... | Ad Lib at Church (uncredited) | |
| Eugene Hoffman | ... | Juggler (uncredited) | |
| Samuel Holmes | ... | Cockney (uncredited) | |
| James W. Horan | ... | (uncredited) | |
| Clyde Howdy | ... | Ad Lib at Church (uncredited) | |
| Kendrick Huxham | ... | Elegant Bystander (uncredited) | |
| Lillian Kemble-Cooper | ... | Lady Ambassador (uncredited) | |
| Phyllis Kennedy | ... | Cockney (uncredited) | |
| Colin Kenny | ... | Ad Lib at Church (uncredited) | |
| Goldie Kleban | ... | Cockney (uncredited) | |
| Peter Ladefoged | ... | Voice of Linguistics Lesson (uncredited) | |
| Alma Lawton | ... | Flower Girl (uncredited) | |
| Queenie Leonard | ... | Cockney Bystander (uncredited) | |
| William Linkie | ... | Cockney (uncredited) | |
| Moyna MacGill | ... | Lady Boxington (uncredited) | |
| Laurie Main | ... | Hoxton Man Not Hoston (uncredited) | |
| Sidney Marion | ... | Ad Lib at Church (uncredited) | |
| Eric Martin | ... | Ad Lib at Church (uncredited) | |
| Owen McGiveney | ... | Man at Coffee Stand (uncredited) | |
| John McLiam | ... | Harry (uncredited) | |
| Shirley Melline | ... | Ad Lib at Church (uncredited) | |
| Carol Merrill | ... | Toff (uncredited) | |
| Gigi Michel | ... | Toff (uncredited) | |
| Lenore Miller | ... | Cockney (uncredited) | |
| John Mitchum | ... | Ad Lib at Church (uncredited) | |
| Barbara Morrison | ... | Ascot Extra (uncredited) | |
| Marlene Morrow | ... | Toff (uncredited) | |
| Alan Napier | ... | Gentleman Escorting Eliza to the Queen (uncredited) | |
| Nick Navarro | ... | Dancer (uncredited) | |
| Marni Nixon | ... | Eliza Doolittle (singing voice) (uncredited) | |
| James O'Hara | ... | Costermonger (uncredited) | |
| Patrick O'Moore | ... | Man (uncredited) | |
| Richard Peel | ... | Costermonger (uncredited) | |
| George Pelling | ... | Ad Lib at Church (uncredited) | |
| Barbara Pepper | ... | Doolittle's Dance Partner (uncredited) | |
| Hilda Plowright | ... | Bystander (uncredited) | |
| Jack Raine | ... | Extra (uncredited) | |
| Olive Reeves-Smith | ... | Mrs. Hopkins (uncredited) | |
| Christopher Riordan | ... | Suitor at Ball (uncredited) | |
| David Robel | ... | Cockney (uncredited) | |
| Dinah Anne Rogers | ... | First Maid (uncredited) | |
| Victor Rogers | ... | Policeman (uncredited) | |
| Corinne Ross | ... | Cockney (uncredited) | |
| Baroness Rothschild | ... | Queen of Transylvania (uncredited) | |
| Wendy Russell | ... | Ad Lib at Church (uncredited) | |
| Kenny Salvatt | ... | Racegoer in 'Ascot Gavotte' Sequence (uncredited) | |
| Miriam Schiller | ... | Landlady (uncredited) | |
| Buddy Shea | ... | Ad Lib at Church (uncredited) | |
| Orville Sherman | ... | Ascot Extra (uncredited) | |
| Bill Shirley | ... | Freddy Eynsford-Hill (singing voice) (uncredited) | |
| Jacqueline Squire | ... | Parlor Maid (uncredited) | |
| Michael St. Clair | ... | Bartender (uncredited) | |
| Geoffrey Steele | ... | Taxi Driver (uncredited) | |
| Sandy Steffens | ... | Toff (uncredited) | |
| Grady Sutton | ... | Ascot Extra / Guest at Ball (uncredited) | |
| Henry Sweetman | ... | Cockney (uncredited) | |
| William Taylor | ... | Cockney (uncredited) | |
| Joy Tierney | ... | Cockney (uncredited) | |
| Gwendolyn Watts | ... | Cook (uncredited) | |
| Ron Whelan | ... | Algernon / Bartender (uncredited) | |
| Elzada Wilson | ... | Ad Lib at Church (uncredited) | |
| Nick Wolcum | ... | Ad Lib at Church (uncredited) | |
| James Wood | ... | Cockney (uncredited) | |
| Ben Wright | ... | Footman at Ball (uncredited) | |
| Ben Wrigley | ... | Costermonger (uncredited) | |
Directed by | |||
| George Cukor | |||
Writing credits | ||
| Alan Jay Lerner | (book of musical play) | |
| George Bernard Shaw | (play) (as Bernard Shaw) | |
| Alan Jay Lerner | (screenplay) | |
Produced by | |||
| James C. Katz | .... | producer (1994 restoration) | |
| Jack L. Warner | .... | producer | |
Original Music by | |||
| André Previn | (uncredited) | ||
Cinematography by | |||
| Harry Stradling Sr. | (director of photography) (as Harry Stradling) | ||
Film Editing by | |||
| William H. Ziegler | (as William Ziegler) | ||
Production Design by | |||
| Cecil Beaton | |||
| Gene Allen | (uncredited) | ||
Art Direction by | |||
| Gene Allen | |||
| Cecil Beaton | (uncredited) | ||
Set Decoration by | |||
| George James Hopkins | |||
Costume Design by | |||
| Cecil Beaton | |||
| Michael Neuwirth | (uncredited) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup supervisor | |
| Jean Burt Reilly | .... | supervising hair stylist | |
| Dean Cole | .... | hair stylist (uncredited) | |
| Frank McCoy | .... | makeup artist (uncredited) | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
| Marvin G. Westmore | .... | makeup artist (uncredited) | |
Production Management | |||
| Sergei Petschnikoff | .... | unit manager | |
| Rudi Fehr | .... | post-production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| David Hall | .... | assistant director | |
Art Department | |||
| Cecil Beaton | .... | scenery designer | |
Sound Department | |||
| David Behle | .... | recordist (1994 restoration) | |
| Douglas Greenfield | .... | stereo sound consultant: Dolby (1994 restoration) | |
| Brian Kane | .... | transfer supervisor (1994 restoration) | |
| Jack Keller | .... | recordist (1994 restoration) | |
| Robert J. Litt | .... | mixer (1994 restoration) (as Robert Litt) | |
| Francis J. Scheid | .... | sound | |
| Murray Spivack | .... | sound | |
| George Groves | .... | sound recordist: studio (uncredited) | |
Visual Effects by | |||
| Jay Cox | .... | optical and title: Imagica USA (1994 restoration) | |
| Tetsuo Kawano | .... | optical and title: Imagica USA (1994 restoration) | |
| Brad Kuehn | .... | digital supervisor: Cinesite (1994 restoration) | |
| Kevin Lingenfelser | .... | digital artist: Cinesite (1994 restoration) | |
| Alan G. Markowitz | .... | optical and title: Imagica USA (1994 restoration) (as Alan Markowitz) | |
| Jerry Pooler | .... | digital artist: Cinesite (1994 restoration) | |
| P. Christopher Reyna | .... | optical and title: Imagica USA (1994 restoration) (as Christopher Reyna) | |
| Thomas J. Smith | .... | digital artist: Cinesite (1994 restoration) | |
Camera and Electrical Department | |||
| Gerald Perry Finnerman | .... | camera operator (uncredited) | |
| Frank Flanagan | .... | gaffer (uncredited) | |
| Michael A. Jones | .... | rigging gaffer (uncredited) | |
| Mel Traxel | .... | still photographer (uncredited) | |
| Robert Willoughby | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Eleanor Abbey | .... | costumer (uncredited) | |
| Dave Berman | .... | assistant costume designer (uncredited) | |
| Geoffrey Brown | .... | costumer (uncredited) | |
| Norma Brown | .... | costumer (uncredited) | |
| Betty Huff | .... | costumer (uncredited) | |
| Anne Laune | .... | costumer (uncredited) | |
| Bob Richards | .... | costumer (uncredited) | |
| Gerda Robinson | .... | costume design coordinator (uncredited) | |
| Joe Wiatt | .... | costumer (uncredited) | |
Editorial Department | |||
| Joe Gonzalez | .... | negative cutter: ICE Negative Cutting (1994 restoration) | |
| William Pine | .... | color timer: Deluxe Laboratories (1994 restoration) (as Bill Pine) | |
| Boyd Steer | .... | negative cutter: ICE Negative Cutting (1994 restoration) | |
| John F. Burnett | .... | assistant film editor (uncredited) | |
Music Department | |||
| Alexander Courage | .... | orchestrations | |
| Robert Franklyn | .... | orchestrations | |
| Alan Jay Lerner | .... | lyrics by | |
| Frederick Loewe | .... | composer: additional music | |
| André Previn | .... | music conducted by (as Andre Previn) | |
| André Previn | .... | music supervisor (as Andre Previn) | |
| Robert Tucker | .... | vocal arrangements | |
| Albert Woodbury | .... | orchestrations (as Al Woodbury) | |
Other crew | |||
| Gil Gagnon | .... | production coordinator (1994 restoration) | |
| Robert A. Harris | .... | restoration (1994 restoration) | |
| Michael Hyatt | .... | restoration (1994 restoration) | |
| Michael Hyatt | .... | technical assistant (1994 restoration) | |
| Joanne Lawson | .... | assistant: Mr. Harris (1994 restoration) | |
| Greg Leigy | .... | technical assistant: Cinesite (1994 restoration) | |
| Herman Levin | .... | stage producer: musical play | |
| Hermes Pan | .... | choreography | |
| Leah Barnes | .... | milliner (uncredited) | |
| Max Bercutt | .... | unit publicist (uncredited) | |
| Carl Combs | .... | unit publicist (uncredited) | |
| Wayne Fitzgerald | .... | title designer (uncredited) | |
| Peter Ladefoged | .... | advisor: phonetics (uncredited) | |
| Mort Lichter | .... | unit publicist (uncredited) | |
| Sergei Petschnikoff | .... | production administrator (uncredited) | |
| Susan Seton | .... | dialogue director (uncredited) | |
Thanks | |||
| Gene Allen | .... | special thanks (1994 restoration) | |
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| Pygmalion | Howards End | Enchanted | Gone with the Wind | Sweet Home Alabama |
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There's a lot of negative things been said about Audrey Hepburn's interpretation of the role of Eliza. Perhaps she's not ideal in the earliest scenes of the movie - her "dirtiness" is never quite believable - but it has to be said that despite this smallish drawback she still glows, and makes an amazing Eliza overall.
The reason for this is simple; Audrey Hepburn brings her "own spark of divine fire", (to quote Higgins) to the role and her vulnerability, mixed with her sweet, naive charm and even her wonderfully juvenile pettishness shown in "Just You Wait" all prove what a talented actress she really is. For an example of this, just watch Eliza's facial expression at Ascot, when she realises her opportunity to demonstrate her new-found mastery of the English tongue - sweetly hilarious.
MFL has been criticized as being too romanticized, too overblown. I disagree; musicals are suposed to be lavish affairs, and none pull it off quite so well as "My Fair Lady" does. It's a momentous film but it has its subtle points: watch the way in which Eliza's eyes are centred on Higgins when she enters at the ball, and the way in which the two of them stare at each other for a few seconds at the top of the stairs a few moments later.
It musn't be overlooked that, thanks to its being based on a Bernard Shaw play, "My Fair Lady" has what the great majority of musicals lack: a deeper meaning and something really quite profound to say.
The actor in the role of Colonel Pickering is a little weak, but it must be said that Rex Harrison IS Henry Higgins. In a lot of ways (in fact, in most ways) Higgins has an objectionable personality: rude, snobbish, impatient and even misogynistic, but somehow Rex Harrison pulls it all off and makes us like Higgins without betraying the character. As to romance, his song "I've Grown Accustomed to Her Face" is an ode to the kind of love which sneaks up on you. Overall, this movie is romantic, but not too sentimental. It has just enough romance to be dramatically fulfilling, but it never becomes soppy or mawkish. The word "love" is never mentioned at all and the two leads never even kiss. The famous end sequence is perfect and does the movie justice; after all, a big happy bow tied around a perfect romance at the end would simply not fit with everything we have learned about the two protagonists.