Marnie (1964)

Director:

Alfred Hitchcock

Writers:

Winston Graham (novel)
Jay Presson Allen (screenplay)

Release Date:

22 July 1964 (USA)

Genre:

Mystery | Romance | Thriller

Tagline:

"You don't love me. I'm just some kind of wild animal you've trapped!"

Plot:

Mark marries Marnie although she is a habitual thief and has serious psychological problems, and tries to help her confront and resolve them.

Plot Keywords:

Thief | Money | Past | Robbery | Horse

Awards:

1 nomination

Cast

Tippi Hedren	...	Marnie Edgar (as 'Tippi' Hedren)
Sean Connery	...	Mark Rutland
Diane Baker	...	Lil Mainwaring
Martin Gabel	...	Sidney Strutt
Louise Latham	...	Bernice Edgar
Bob Sweeney	...	Cousin Bob
Milton Selzer	...	Man at Track
Mariette Hartley	...	Susan Clabon
Alan Napier	...	Mr. Rutland
Bruce Dern	...	Sailor
Henry Beckman	...	First Detective
S. John Launer	...	Sam Ward
Edith Evanson	...	Rita, Cleaning Woman
Meg Wyllie	...	Mrs. Turpin

Runtime:

130 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Spain:18 | Canada:13+ (Quebec) | USA:PG (1984) | Canada:PG (Manitoba/Ontario) | USA:Approved | Portugal:M/12 | Brazil:12 | Norway:15 (TV rating) | Argentina:13 | Australia:M | Finland:K-16 | Italy:VM14 | Norway:16 (1964) | Peru:14 | Sweden:15 | UK:15 (re-rating) (1993) | UK:X (original rating) | West Germany:16 | Singapore:PG

Filming Locations:

30th Street Station - 3001 Market Street, Philadelphia, Pennsylvania, USA

Company:

Universal Pictures

Trivia:

The company created for copyright purposes for the film, "Geoffrey Stanley," was named after Hitchcock's pet dogs.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): In the beginning of the movie when Marnie visits her mom, she tells her mom that her boss, Mr. Pemperton, gave her another raise. At the end of the movie, when Marnie and Mark go to the mom's house to confront her with the past, the mom says to Mark, "You're not Mr. Pendleton."

Quotes:

[first lines]
Sidney Strutt: Robbed! Cleaned out! $9,967! Precisely as I told you over the telephone. And that girl did it. Marion Holland. That's the girl. Marion Holland.
First Detective: Can you describe her Mr. Strutt?
Sidney Strutt: Certainly I can describe her: five-five, 110 pounds, size 8 dress, blue eyes, black wavy hair, even features, good teeth.
Sidney Strutt: [detectives unable to restrain laughter] Well what's so damn funny? There's been a grand larceny committed on these premises.

Movie Connections:

Featured in Hitchcocked! (2006) (TV)

Unusual Hitchcock—where marriage is preferred over jail by a strong-willed woman

This is not the stuff that director Hitchcock is usually attracted to. Hitchcock was scared of jails. In this film, the lead female character prefers to be bridled by marriage rather than jail. It is an intriguing choice for a character who had earlier stated to her husband "You don't love me. I am something you have caught. Some kind of wild animal you have trapped." Aware of this, the young lady who has so far fooled a lot of rich men and escaped the law, prefers marriage to jail. She is smart, a woman who embezzles her employers to buy rich gifts for her mother, aware of modesty in dress (keeps pulling her skirt over her knees) and a convincing liar. Like "Notorious," the marriage is one of convenience, or so it appears—the end of the film is open-ended.

For those who are not aware of it, Hitchcock fired the initial scriptwriter (a male), who honestly felt the rape of the wife by the husband was out character with male lead played by Sean Connery. The replaced scriptwriter (a lady) wrote the sequence which was used, in a suggestive way rather than a graphic way. Hitchcock loved to slip in sex even if it was out of character. Lesbianism is suggested by the husband's sister-in-law's remark "What a dish!" a remark one would associate from the opposite sex. (Hitchcock similarly played with homosexuality in "Rope"). A critical scene that could be mistaken for child molestation was probably an innocent gesture mistaken by the mother.

Hitchcock usually was attentive to visuals and sound. This is an unusual film where the director swings from one extreme of high sophistication to absolute stupidity. The opening shots of the woman walking away with the yellow handbag are stunning. The silent "cleaning" of the office safe, while a deaf woman cleans the office is simply outstanding. Yet the crass painting of a dock near Marnie's mother's house would make a school kid laugh out loud. Why would a woman who is scared of red wear red lipstick or not react when her husband's sister-in-law wears red at a party? Similarly, the shot of Marnie's hand not being able to pick up the money in the safe is an unconvincing shot, if ever there was one.

The film can be appreciated and be equally dismissed. The acting by all the main characters was good but Louise Latham performance (and make up!) needs to be singled out for praise. Kubrick seems to have copied Hitchcock's Marie's voice differentiation in the young child's voice in "The Shining." I am not surprised if people swing from liking the film to dismissing it and back again. It has great elements and bad elements as well—yet the bottom line is, it entertains!