| Photos (see all 12 | slideshow) |
| Jeanne Moreau | ... | Céléstine | |
| Georges Géret | ... | Joseph | |
| Daniel Ivernel | ... | Captain Mauger | |
| Françoise Lugagne | ... | Madame Monteil | |
| Muni | ... | Marianne | |
| Jean Ozenne | ... | Monsieur Rabour | |
| Michel Piccoli | ... | Monsieur Monteil | |
| Joëlle Bernard | |||
| Françoise Bertin | |||
| Aline Bertrand | |||
| Pierre Collet | |||
| Michel Dacquid | |||
| Madeleine Damien | |||
| Marc Eyraud | ... | Le secrétaire du commissaire | |
| Jean Franval | |||
| Gilberte Géniat | ... | Rose | |
| Gabriel Gobin | |||
| Bernard Musson | ... | The sacristan | |
| Jeanne Pérez | |||
| Marcel Rouzé | |||
| Dominique Sauvage | ... | Claire | |
| Andrée Tainsy | |||
| Geymond Vital | |||
| Jean-Claude Carrière | ... | The Priest | |
| Claude Jaeger | ... | The judge | |
| rest of cast listed alphabetically: | |||
| Marcel Le Floch | |||
| Dominique Zardi | ... | Police Officer (uncredited) | |
Directed by | |||
| Luis Buñuel | |||
Writing credits(in alphabetical order) | ||
| Luis Buñuel | writer | |
| Jean-Claude Carrière | writer | |
| Octave Mirbeau | novel | |
Produced by | |||
| Michel Safra | .... | producer | |
| Serge Silberman | .... | producer | |
| Paulette Goddard | .... | executive producer (uncredited) | |
| Burgess Meredith | .... | executive producer (uncredited) | |
Cinematography by | |||
| Roger Fellous | |||
Film Editing by | |||
| Luis Buñuel | |||
| Louisette Hautecoeur | |||
Production Design by | |||
| Georges Wakhévitch | |||
Costume Design by | |||
| Georges Wakhévitch | |||
Makeup Department | |||
| Simone Knapp | .... | hair stylist | |
| Maguy Vernadet | .... | makeup artist | |
Production Management | |||
| Henri Baum | .... | production manager | |
| Jacqueline Dudilleux | .... | assistant production manager | |
| Ulrich Picard | .... | production manager (as U. Picard) | |
| André Retbi | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Juan Luis Buñuel | .... | assistant director | |
| Pierre Lary | .... | assistant director | |
Art Department | |||
| René Calviera | .... | assistant art director | |
| Charles Merangel | .... | set dresser | |
Sound Department | |||
| Robert Cambourakis | .... | sound assistant | |
| Antoine Petitjean | .... | sound | |
Costume and Wardrobe Department | |||
| Jacqueline Moreau | .... | wardrober | |
Editorial Department | |||
| Arlette Lalande | .... | assistant editor | |
Other crew | |||
| Robert Demollière | .... | administrator | |
| Suzanne Durrenberger | .... | script supervisor (as Suzanne Duremberg) | |
| Odette Laeupplée | .... | production secretary | |
| Maurice Otte | .... | production accountant | |
| Jean Van Praag | .... | administrator | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb France section | Add this title to MyMovies |
In the 30's, the witty, literate and quite sophisticated chambermaid Céléstine (Jeanne Moreau) comes from Paris to work for the dysfunctional Monteil family in the country, more specifically for the fetishist on shoes and maniac for cleaning Monsieur Rabour (Jean Ozenne). His daughter and mistress of the house Madame Monteil (Françoise Lugagne) is a frigid and arrogant woman, and her husband, Monsieur Monteil (Michel Piccoli), is a hunter and also a wolf with their maids. Their fascist and rude worker Joseph (Georges Géret) feels a sexual attraction for Céléstine, but she repels him. Their neighbor, Captain Mauger (Daniel Ivernel), has a problem with the Monteils and dumps his garbage in their yard, but Céléstine talks to him and is motive of gossips. When Monsieur Rabour unexpectedly dies, Céléstine quits her job but while in the train station, she finds that the girl Claire was found raped and murdered by the police. Céléstine returns to her job convinced that Joseph killed the little girl and trying to find evidences against him.
"Le Journal d'une Femme de Chambre" is a delightful movie of undefined genre drama, black comedy, adventure? where Luis Buñuel again exposes fight of classes, hypocrisy of both the bourgeois and the working class, a historical moment in France with the fascism growing, the ridiculous role of the clerical and an unsolved murder case. The story is centered in Céléstine, but the motives why a woman with her profile accepts a job in a rural area is never clear. The identity of the rapist and killer of Claire is also not disclosed, there is only a strong insinuation that Joseph killed the girl. The story is very ironic, like for example when Monsieur Monteil is informed that Céléstine and Joseph will marry and requires the sexual favors from Marianne; or the weird fetishism of Monsieur Rabour; or the priest asking for a new roof for the church to Madame Monteil; or the conclusion with Captain Mauger changing his will and serving the mistress and smart Céléstine on their bed. My vote is seven.
Title (Brazil): "O Diário de uma Camareira" ("The Diary of a Chambermaid")