Fail-Safe (1964)

User Rating:

8.0/10   

Director:

Sidney Lumet

Writers:

Walter Bernstein (screenplay)
Eugene Burdick (novel) ...

Release Date:

7 October 1964 (USA)

Genre:

Drama | Thriller

Tagline:

It will have you sitting on the brink of eternity!

Plot:

American planes are sent to deliver a nuclear attack on Moscow, but it's a mistake due to an electrical malfunction. Can all-out war be averted?

Plot Keywords:

Bomber | General | Control | Strategic Air Command | Colonel

Awards:

3 nominations

Cast

Dan O'Herlihy	...	General Black
Walter Matthau	...	Groeteschele
Frank Overton	...	General Bogan
Edward Binns	...	Colonel Grady
Fritz Weaver	...	Colonel Cascio
Henry Fonda	...	The President
Larry Hagman	...	Buck
William Hansen	...	Secretary Swenson
Russell Hardie	...	General Stark
Russell Collins	...	Knapp
Sorrell Booke	...	Congressman Raskob
Nancy Berg	...	Ilsa Wolfe
John Connell	...	Thomas
Frank Simpson	...	Sullivan
Hildy Parks	...	Betty Black

Runtime:

112 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (RCA Sound Recording)

Certification:

Canada:PG (Ontario) | West Germany:16 | Australia:PG | UK:PG | Finland:K-8 | Sweden:15

Company:

Columbia Pictures Corporation

Trivia:

The film has no music - either score or source music - whatsoever.

Goofs:

Revealing mistakes: When the fighters count down to light off their afterburners to try to catch up with the bombers, the shot where they light off their afterburners is actually a shot of the fighters launching missiles as you can see the missiles streak ahead of the fighters.

Quotes:

Defense Secretary Swenson: The President says he may have to order our fighters to shoot down Group Six. He wants our opinion.
Prof. Groeteschele: I oppose it, sir, on the grounds that it's premature. Our planes have not yet reached Soviet territory, they're still hundreds of miles away.
Brigadier General Warren A. Black: We've got to do it, and fast! Right now before it's too late!
Gen. Stark: It might be too late anyway. Those fighters swung away from the bombers when they got the all-clear signal, they've been flying in opposite directions.

Movie Connections:

Referenced in "The Twilight Zone: Shatterday/A Little Peace and Quiet (#1.1)" (1985)

Brilliant

I saw this movie via two instances of serendipity. First I just happened to be living in an area that offered The Disney Channel in the basic cable package (which is all I ever get) and that as a Bruce Springsteen fan I was excited that the Disney Channel was going to broadcast a special concert short on The Boss. Of course I'm an older Springsteen fan, so instead of staying up late to watch it I just put a tape in and pressed record. The next day I enjoyed the concert, but forgot to hit stop when it ended. What followed next was "Fail Safe". After a few minutes it caught my interest, and now is one of my favorite films.

I'm not sure if this was a precursor to "Strangelove" or vice versa, for they are both listed as 1964 releases. Oddly they both have the same texture about them which leads me to believe that there was more than coincidence in their respective productions. Both are piece de resistances in Cold War studies. The main sundering is that where "Strangelove" excels in parody, "Fail Safe" is rich in tension.

Of course an anxious film about nuclear war on the brink can easily invoke tension (remember "War Games"?), but this film exceeds a good plot. The filmmakers use a backdrop of soceital depravity to create neurasthenia and presentiment; as shown by the strange and erotic scene with Walter Matthau and the woman in the car (kind of a mass-sadisim, lust thing) and the implied domestic violence in the apartment scene. The movie is also deliciously philosophical (the clever "criminals and file clerks will survive" theory) as well as adroit phsycological character development for all the main characters.

The picture is also darkly filmed, remarkedly minimalist and low-budget as if to show the limits of technology, in order to symbolize the sophistry of our trust in it. BTW I love the Matthau character's (the political science professor) line as he explains the faults of missles that have no human intuition. "The rockets have the defect of their virtues" he says in explaining how they cannot make a conscious decision to abort after receiving an order. But the message in this film is clear; even if technology breaks down it is only a symptom of our doom, ultimately it is humans who are responsible.