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IMDb > Comizi d'amore (1965)

Comizi d'amore (1965) More at IMDbPro »


Overview

User Rating:
7.5/10   280 votes
MOVIEmeter: ?
Down 2% in popularity this week. See why on IMDbPro.
Writer:
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View company contact information for Comizi d'amore on IMDbPro.
Release Date:
5 May 1965 (Italy) more
Genre:
Plot:
Microphone in hand, Pier Paolo Pasolini asks Italians to talk about sex: he asks children where babies come from... more | add synopsis
User Reviews:
A Disappointing Pasolini Feature more (6 total)

Cast

  (Credited cast)
Pier Paolo Pasolini ... Himself - Interviewer
Lello Bersani ... Speaker (voice)
rest of cast listed alphabetically:
Io Apolloni
Ignazio Buttita ... Himself
Adele Cambria ... Herself
Camilla Cederna ... Herself
Graziella Chiarcossi ... The Bride
Peppino Di Capri ... Himself
Oriana Fallaci ... Herself
Graziella Granata ... Herself
Antonella Lualdi ... Herself
Alberto Moravia ... Himself
Cesare Musatti ... Himself
Giuseppe Ungaretti ... Himself
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Additional Details

Also Known As:
Assembly of Love
Love Meetings
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Runtime:
90 min
Country:
Language:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Certification:
Italy:VM18 (cinema release) (1965)
Filming Locations:
Company:

Fun Stuff

Movie Connections:
Followed by Comizi d'amore 2000 (2000) more

FAQ

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1 out of 3 people found the following review useful.
A Disappointing Pasolini Feature, 10 January 2001
6/10

I must admit, my anticipation for Love Meetings was exceedingly great. Being familiar with Pasolini's other works, his use of prostitution, sexual situations and perversities as a drive in his filmmaking and writing, I eagerly awaited the viewing of this documentary on the Italian view of sex in the 1960s. However, the film turned out to be fairly disappointing. Rather than focus on the underside of Italian life that Pasolini is so accustomed to, he rather relies upon asking tiresome questions concerning unwed couples and love's purpose in a relationship, spending little time dealing with homosexuality and prostitution. Although Pasolini does present a wide-ranging view of Italy's attitudes towards sex, from the poor Southern farmer to the Northern elitist to the intellectual, his lack of material and interviews on the truly interesting aspects of Italian sexual life presents a somewhat interesting, albeit dated and flawed, picture.

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