| Photos (see all 14 | slideshow) |
| Richard Widmark | ... | Capt. Thomas Archer | |
| Carroll Baker | ... | Deborah Wright | |
| Karl Malden | ... | Capt. Wessels | |
| Sal Mineo | ... | Red Shirt | |
| Dolores del Rio | ... | Spanish Woman (as Dolores Del Rio) | |
| Ricardo Montalban | ... | Little Wolf | |
| Gilbert Roland | ... | Dull Knife | |
| Arthur Kennedy | ... | Doc Holliday | |
| Patrick Wayne | ... | Second Lieut. Scott | |
| Elizabeth Allen | ... | Miss Plantagenet | |
| John Carradine | ... | Jeff Blair | |
| Victor Jory | ... | Tall Tree | |
| Mike Mazurki | ... | Sr. First Sergeant | |
| George O'Brien | ... | Major Braden | |
| Sean McClory | ... | Dr. O'Carberry | |
| Judson Pratt | ... | Mayor Dog Kelly | |
| Carmen D'Antonio | ... | Pawnee Woman | |
| Ken Curtis | ... | Joe | |
| James Stewart | ... | Wyatt Earp | |
| Edward G. Robinson | ... | Secretary of the Interior | |
| rest of cast listed alphabetically: | |||
| Walter Baldwin | ... | Jeremy Wright (Deborah's uncle) (uncredited) | |
| Danny Borzage | ... | Trooper (uncredited) | |
| Willis Bouchey | ... | Colonel at Victory Cave (uncredited) | |
| Lee Bradley | ... | Cheyenne (uncredited) | |
| Harry Carey Jr. | ... | Trooper Smith (uncredited) | |
| Dan Carr | ... | Trooper (uncredited) | |
| Jeannie Epper | ... | Entertainer (uncredited) | |
| Stephanie Epper | ... | Entertainer (uncredited) | |
| Shug Fisher | ... | Skinny (Texas cattle drover) (uncredited) | |
| James Flavin | ... | Ft. Robinson sergeant of the guard (uncredited) | |
| William Forrest | ... | Senator (uncredited) | |
| Donna Hall | ... | Entertainer (uncredited) | |
| Sam Harris | ... | Dodge City townsman (uncredited) | |
| Chuck Hayward | ... | Trooper (uncredited) | |
| William Henry | ... | Infantry captain (uncredited) | |
| Harry Hickox | ... | Bartender (uncredited) | |
| Harry Holcombe | ... | Senator (uncredited) | |
| Nancy Hsueh | ... | Little Bird (uncredited) | |
| Ben Johnson | ... | Trooper Plumtree (uncredited) | |
| Steven Manymules | ... | Point man (uncredited) | |
| Ted Mapes | ... | Trooper (uncredited) | |
| Mae Marsh | ... | Woman (uncredited) | |
| Philo McCullough | ... | Man (uncredited) | |
| John McKee | ... | Trooper (uncredited) | |
| David Miller | ... | Trooper (uncredited) | |
| Louise Montana | ... | Woman (uncredited) | |
| Nanomba 'Moonbeam' Morton | ... | Running Deer (uncredited) | |
| Many Muleson | ... | Medicine Man (uncredited) | |
| James O'Hara | ... | Trooper (uncredited) | |
| Denver Pyle | ... | Sen. Henry (uncredited) | |
| Walter Reed | ... | Lt. Peterson (Ft. Robinson) (uncredited) | |
| Chuck Roberson | ... | Jessie (Texas trail boss) (uncredited) | |
| Bing Russell | ... | Braden's Telegraph Operator (uncredited) | |
| Charles Seel | ... | Newspaper publisher (uncredited) | |
| Mary Statler | ... | Entertainer (uncredited) | |
| Carleton Young | ... | Aide to Carl Schurz (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Mari Sandoz | (novel "Cheyenne Autumn") | |
| James R. Webb | (screenplay) | |
| Howard Fast | novel "The Last Frontier" (uncredited) | |
Produced by | |||
| Bernard Smith | .... | producer | |
| John Ford | .... | producer (uncredited) | |
Original Music by | |||
| Alex North | |||
Cinematography by | |||
| William H. Clothier | (director of photography) (as William Clothier) | ||
Film Editing by | |||
| Otho Lovering | |||
| David Hawkins | (uncredited) | ||
Art Direction by | |||
| Richard Day | |||
Set Decoration by | |||
| Darrell Silvera | (as Darryl Silvera) | ||
Costume Design by | |||
| Frank Beetson Jr. | (uncredited) | ||
| Ann Peck | (uncredited) | ||
Makeup Department | |||
| Norman Pringle | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Russell Saunders | .... | assistant director (as Russ Saunders) | |
| Wingate Smith | .... | assistant director | |
Sound Department | |||
| Francis E. Stahl | .... | sound | |
Special Effects by | |||
| Ralph Webb | .... | special effects (uncredited) | |
Stunts | |||
| Eli Bo Jack Blackfeather | .... | stunts (uncredited) | |
| Steven Burnett | .... | stunts (uncredited) | |
| Jeannie Epper | .... | stunts (uncredited) | |
| John Epper | .... | stunts (uncredited) | |
| Stephanie Epper | .... | stunts (uncredited) | |
| Jerry Gatlin | .... | stunts (uncredited) | |
| Donna Hall | .... | stunts (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
| Bryan 'Slim' Hightower | .... | stunts (uncredited) | |
| Loren Janes | .... | stunts (uncredited) | |
| Eddie Juaregui | .... | stunts (uncredited) | |
| Cliff Lyons | .... | stunts (uncredited) | |
| Ted Mapes | .... | stunts (uncredited) | |
| John McKee | .... | stunts (uncredited) | |
| Louise Montana | .... | stunts (uncredited) | |
| Montie Montana | .... | stunts (uncredited) | |
| Rudy Robbins | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Dean Smith | .... | stunts (uncredited) | |
| Neil Summers | .... | stunts (uncredited) | |
| Bill Williams | .... | stunts (uncredited) | |
| Jack Williams | .... | stunts (uncredited) | |
Music Department | |||
| Alex North | .... | conductor | |
| Henry Brant | .... | orchestrator (uncredited) | |
| Gil Grau | .... | orchestrator (uncredited) | |
Other crew | |||
| Ray Kellogg | .... | associate director | |
| David Miller | .... | technical advisor: Indians (as David H. Miller) | |
| Bill Cornford | .... | location manager (uncredited) | |
|
|
|
|
|
| Custer's Last Stand | Dances with Wolves | The Searchers | Unconquered | How the West Was Won |
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
IMDb User Rating:
|
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb History section | IMDb USA section |
| Add this title to MyMovies |
I have recently seen again "Cheyenne Autumn", and, perhaps, I finally got it. In my opinion, this film represents the desperation of an artist, the director John Ford. Forget the usual stunning beauty of the cinematography, the accuracy in filming action scenes, the care for poetic details, and all Ford's trade-mark style. We readily see that "Cheyenne Autumn" is completely different from any other western movie, and not only from the remainder of Ford's work.
Compared with other western movies, the main difference and innovation is that here any killed man is a REAL tragedy, that exhaustion, famine, cold, violence are REAL sufferings for the miserable people on the screen (not just for the Cheyennes, even for the whites). And all that is shown us by Ford ruthlessly, uncompromisingly. The fact that the director stands for the Indians is not as much innovative as it seems. All along his career Ford showed respect and sympathy for them. In the finale, just after an apparent happy ending, we have again violence, again a murder, again a distressed mother: we almost feel the same grief of hers. It is somewhat ironic that in the same year the film was made, 1964, the fashion of Italian western movies invaded the world of cinema, with furious, acrobatic gun-fights and hundreds of shot-dead people, like in a sort of funny game.
The movie is split into two parts by a comic interlude, the episode placed in Dodge City, which is actually a farce. I think that Ford wanted to pay a homage and bid his personal farewell to the old silent western-movies of the 1920s, when his career started. The funny situations are deliberately over the top: see the sensational, licentious joke, when Wyatt Earp (Jimmy Stewart) realizes that he actually had met the girl in Wichita... In any case, a somewhat gloomy mood permeates even this comic part. The main characters are all aged, grey-haired and seemingly life-weary. And the episode is introduced by a particularly brutal, cruel murder.
I think that "Cheyenne Autumn" is a beautiful film, with a good story, great visual beauties, and, in particular, an excellent acting by the whole cast. But it is tough for me to face John Ford's desperate vision. After all, what I most like in the movie is to see, once again, Ben Johnson and Harry Carey Jr on horse-back, in their blue uniforms (by the way: why are they uncredited?). They are both aged and bulkier compared with their look in the great Ford's western-epics of their youth. Never mind: they are almost dearer to me for this very reason...