The Americanization of Emily (1964)

Director:

Arthur Hiller

Writers:

Paddy Chayefsky (screenplay)
William Bradford Huie (novel)

Release Date:

27 October 1964 (USA)

Genre:

Comedy | Drama | War

Tagline:

Why did Emily call Charlie the most immoral man she'd ever met?

Plot:

An American soldier's talent for living the good life in wartime is challenged when he falls in love and is sent on a dangerous mission.

Plot Keywords:

D Day | Beautiful Woman | Monument | Americanization | Cowardice

Awards:

Nominated for 2 Oscars. Another 2 wins & 2 nominations

US TV Schedule:

Wed. Nov. 18

4:00 PM

TCM

Cast

James Garner	...	Lt. Cmdr. Charles Edward Madison
Julie Andrews	...	Emily Barham
Melvyn Douglas	...	Adm. William Jessup
James Coburn	...	Lt. Cmdr. Paul 'Bus' Cummings
Joyce Grenfell	...	Mrs. Barham
Edward Binns	...	Adm. Thomas Healy
Liz Fraser	...	Sheila
Keenan Wynn	...	Old Sailor
William Windom	...	Capt. Harry Spaulding
John Crawford	...	Chief Petty Officer Paul Adams
Douglas Henderson	...	Capt. Marvin Ellender
Edmon Ryan	...	Adm. Hoyle
Steve Franken	...	Young Sailor
Paul Newlan	...	Gen. William Hallerton
Gary Cockrell	...	Lt. Victor Wade

Also Known As:

Emily (USA) (reissue title)

Runtime:

115 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Westrex Recording System) | Stereo

Certification:

UK:X | Australia:G (TV rating) | USA:Approved (certificate #20611) | Canada:PG (video rating) | Spain:13 | West Germany:16 | Finland:K-7 (new rating: 2001) | Finland:K-8 | Sweden:11 | Australia:PG

Filming Locations:

London, England, UK

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

James Garner says that this is his favorite of his movies.

Goofs:

Factual errors: One of the admirals says that D-Day must be June 5 or 6 because there would be a neap tide, as required. In fact the date was selected for the opposite reason: there would be a spring tide, as required.

Quotes:

Lt. Cmdr. Charles E. Madison: War isn't hell at all. It's man at his best; the highest morality he's capable of. It's not war that's insane, you see. It's the morality of it. It's not greed or ambition that makes war: it's goodness. Wars are always fought for the best of reasons: for liberation or manifest destiny...

Movie Connections:

Referenced in "The Facts of Life: The Americanization of Miko (#3.13)" (1982)

Soundtrack:

Emily

"I'm not interested in the truth, just the momentary fact of things."

For those of today's fans who think Julie Andrews made her film debut in Mary Poppins, they would be wrong. After leaving Camelot on Broadway, The Americanization of Emily was the vehicle with which Julie made her debut. And she sings not a note.

She didn't have to. Beneath all the comedy revolving around the scheming and conniving of James Garner to stay as far away from the hail of bullets as possible are some profound statements about the futility of war and the geopolitics that got the USA in that particular war.

James Garner is in a quintessential James Garner role as set down by Bret Maverick, the part that made Garner a star. He's a "dog robber" a military aide to an admiral who specializes in acquiring certain creature comforts for his boss. Garner became one after serving some combat in Guadalcanal and finding it not to his liking. Fortunately for him, he had the connections to get out of that situation unlike several thousand others. Not a very admirable man.

But despite herself, stiff upper lip Britisher Julie Andrews finds herself falling for him. There's is one rocky romance.

Through a combination of circumstances Garner finds himself going to the front on D-Day to film the Naval Engineers disabling the mines in the water at Normandy Beach. Once again, it's not to his liking.

Garner and Andrews get good support from the supporting cast consisting of James Coburn, William Windom, Joyce Grenfell and Melvyn Douglas as the battle fatigued admiral who's Garner's boss and who got him in the situation described.

One of my favorite scenes involves two sailors, Keenan Wynn and Steve Franken who get assigned to Garner to make the film. The three of them get cockeyed drunk and Garner's immediate superior James Coburn finds them in a state of uselessness. He has them hauled aboard the transport with the cargo.

One of the great things this film had going for it was the Henry Mancini-Johnny Mercer title song of Emily. They were a hot combination of movie song writers then, having one back to back Oscars for Moon River and Days of Wine and Roses. Frank Sinatra, Jack Jones, and Andy Williams are some of the artists who recorded that song back in 1964.

I can't give the ending away, but let's say that Garner through a bit of sophistry winds up doing exactly what he said he never would. But then again as Garner says, he's not interested in some great philosophical truth, just the momentary fact of things. He and Julie Andrews together are what counts most.