Alexis Zorbas (1964)

Director:

Mihalis Kakogiannis

Writers:

Nikos Kazantzakis (novel)
Mihalis Kakogiannis (screenplay)

Release Date:

17 December 1964 (USA)

Genre:

Adventure | Drama

Tagline:

Life. Lust. Love. Zorba.

Plot:

An uptight English writer traveling to Crete on a matter of business finds his life changed forever when he meets the gregarious Alexis Zorba.

Plot Keywords:

Greek | Greece | Sun | Mining | Friendship

Awards:

Won 3 Oscars. Another 2 wins & 16 nominations

Cast

Anthony Quinn	...	Alexis Zorba
Alan Bates	...	Basil
Irene Papas	...	Widow
Lila Kedrova	...	Madame Hortense
Sotiris Moustakas	...	Mimithos
Anna Kyriakou	...	Soul
Eleni Anousaki	...	Lola
Yorgo Voyagis	...	Pavlo (as George Voyadjis)
Takis Emmanuel	...	Manolakas
Giorgos Foundas	...	Mavrandoni (as George Foundas)
rest of cast listed alphabetically:
Pia Lindström	...	Peasant Girl (scenes deleted)

Also Known As:

Zorba the Greek (Philippines: English title) (USA)
Alexis Zorbas (Greece)
Zorbas o Ellinas (Greece) (video title)

Runtime:

142 min

Country:

USA | UK | Greece

Language:

English | Greek

Color:

Black and White

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono

Certification:

Iceland:12 | Canada:PA (Manitoba) | Canada:R (Nova Scotia/Ontario) | Argentina:13 | Australia:M (alternate rating) | Australia:PG | Finland:K-16 | Norway:15 | Spain:18 | Sweden:15 | USA:Unrated | UK:PG (video rating) | UK:X (original rating)

Filming Locations:

Crete, Greece

Company:

Twentieth Century-Fox Film Corporation

Trivia:

The original Broadway production of "Zorba" opened at the Imperial Theater in New York on November 16, 1968, ran for 305 performances and was nominated for the 1969 Tony Award for the Best Musical. Anthony Quinn and Lila Kedrova who starred together in this movie version appeared in the revival of Zorba in 1982-3 with Lila Kedrova winning the 1984 Tony Award for Best Featured Actress in a Musical. "Zorba" was nominated for the 1969 Tony Award (New York City) for the Best Musical.

Quotes:

Alexis Zorba: What kind of man are you, don't you even like dolphins?

Movie Connections:

Referenced in "Full House: Nerd for a Day (#3.4)" (1989)

Alexis and Basil

Nikos Kazantzakis' novels lend themselves to cinematic treatment. Jules Dassin made a great adaptation of "He Who Must Die", and Michael Cacoyannis was equally successful in bringing "Alexis Zorbas" to the screen. Watching this film for a second time puts into perspective a lot of things that escape many a viewer the first time around.

Michael Cacoyannis changed the order of events in the book, as well as Nikos, who he transforms into Basil, the Englishman. The changes are not without merit since all the elements contribute to blend well together in the finished product. The director was fortunate to find such collaborators as Mikis Theodorakis, the genial composer of the music score and Walter Lassally, who photographed the barren area where most of the action takes place. Viewing the film on cable recently, shows Lassally's crisp black and white photography in mint condition.

The film is totally dominated by Zorba, who is a figure larger than life, as he takes Basil under his wing from the start. Anthony Quinn was a perfect choice for playing the title character. Mr. Quinn had worked with other brilliant directors, Federico Fellini, being one of them. It's almost impossible to think of Mr. Quinn as being an American because the magnificent transformation he undergoes here to portray Zorba.

Alan Bates, who is seen as Basil, the Englishman of Greek descent, who is going to Crete to see the family's land and mine. By underplaying Basil, Mr. Bates set the right tone, in sharp contrast with Anthony Quinn's exuberance. Alan Bates, in the end, made perfect sense with the way he played Basil.

Lila Kedrova is another surprise in the film. She is the tragic Madame Hortense, who has lived in the island for quite a while. It's ironic that love always eluded her until she finds in Zorba a reason for keep on living. Irene Papas is equally intense as the widow who is haunted by all the men in town. She has little to say, but just a look from her smolders the screen, be it, for the lust she felt for Basil, or the hatred for the town male population.

Michael Cacoyannis uses these men, as a sort of Greek Chorus, so important in Greek tragedies. The same could be said of the older women of the town who resent the arrivals of strangers. The Greek cast one sees is quite effective in the context of the movie.

"Alexis Zorbas", or "Zorba, the Greek", is a film that will stay with the viewer for quite a while because of what the director accomplished with it.