| Photos (see all 11 | slideshow) |
| Richard Harris | ... | Frank Machin | |
| Rachel Roberts | ... | Mrs. Margaret Hammond | |
| Alan Badel | ... | Gerald Weaver | |
| William Hartnell | ... | 'Dad' Johnson | |
| Colin Blakely | ... | Maurice Braithwaite | |
| Vanda Godsell | ... | Mrs. Anne Weaver | |
| Anne Cunningham | ... | Judith | |
| Jack Watson | ... | Len Miller | |
| Arthur Lowe | ... | Charles Slomer | |
| Harry Markham | ... | Wade | |
| George Sewell | ... | Jeff | |
| Leonard Rossiter | ... | Phillips, Sports writer | |
| Katherine Parr | ... | Mrs. Farrer | |
| Bernadette Benson | ... | Lynda Hammond | |
| Andrew Nolan | ... | Ian Hammond | |
| Peter Duguid | ... | Doctor | |
| Wallas Eaton | ... | Waiter | |
| Anthony Woodruff | ... | Tom, Headwaiter | |
| Michael Logan | ... | Riley | |
| Murray Evans | ... | Hooker | |
| Tom Clegg | ... | Gower | |
| Ken Traill | ... | Trainer | |
| Frank Windsor | ... | Dentist | |
| John Gill | ... | Cameron | |
| rest of cast listed alphabetically: | |||
| Edward Fox | ... | Restaurant Barman (uncredited) | |
| Glenda Jackson | ... | Singer At Party (uncredited) | |
| Graham Roberts | ... | Bit Part (uncredited) | |
| David Storey | ... | Rugby Player (uncredited) | |
Directed by | |||
| Lindsay Anderson | |||
Writing credits(in alphabetical order) | ||
| David Storey | novel | |
| David Storey | screenplay | |
Produced by | |||
| Karel Reisz | .... | producer | |
Original Music by | |||
| Roberto Gerhard | |||
Cinematography by | |||
| Denys N. Coop | (photographed by) (as Denys Coop) | ||
Film Editing by | |||
| Peter Taylor | |||
Art Direction by | |||
| Alan Withy | |||
Costume Design by | |||
| Sophie Devine | (dresses) | ||
Makeup Department | |||
| Ivy Emmerton | .... | hairdresser | |
| Bob Lawrance | .... | makeup artist (as Bob Lawrence) | |
Production Management | |||
| Albert Fennell | .... | in charge of production | |
| Geoffrey Haine | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Ted Sturgis | .... | assistant director | |
| Ken Softley | .... | third assistant director (uncredited) | |
| Claude Watson | .... | second assistant director (uncredited) | |
Art Department | |||
| Peter Lamont | .... | set dresser | |
| Ernie Quick | .... | propertyman | |
Sound Department | |||
| Chris Greenham | .... | sound editor | |
| Gordon K. McCallum | .... | sound recordist | |
| John W. Mitchell | .... | sound recordist | |
| Ken Cameron | .... | dubbing crew (uncredited) | |
Camera and Electrical Department | |||
| John Harris | .... | camera operator | |
| Neil Binney | .... | focus puller (uncredited) | |
| George Courtney Ward | .... | still photographer (uncredited) | |
Casting Department | |||
| Miriam Brickman | .... | casting | |
Editorial Department | |||
| Tom Priestley | .... | assistant editor | |
Music Department | |||
| Jacques-Louis Monod | .... | conductor | |
| Gary Hughes | .... | composer: additional music (uncredited) | |
Other crew | |||
| Pamela Mann | .... | continuity | |
| Recent Posts (updated daily) | User |
|---|---|
| Anybody read the book? | mwilli95 |
| The spider | grahamchris |
| SPOILER WARNING | mtkane209 |
| Rugby League | Phil_Gwilliam |
| Flashback Structure Flawed? | davidarnold |
| Kitchen Sink Realism? | mwilli95 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
Set in the working class environs of Northern England (Yorkshire), this is a stark and uncompromising film. Richard Harris gives a performance of a lifetime as a rugby player who, both on and off the field of play, seems able to express himself only through violence.
Lindsay Anderson directs wonderfully, insisting on gritty realism, and stripping everything of any hint of cinematic glamour. Unlike the French "nouvelle vague", Anderson wasn't interested in technique for its own sake: he was more concerned with actual substance. Here, he explores the depths of the characters, and their relationships with each other; and, in particular, their emotions, which are volcanic. Never have such naked passions been portrayed on screen with such power. One feels somewhat drained by the end.
Something was happening in the British cinema in the 60s. Where did it all disappear?