IMDb > Tengoku to jigoku (1963)
Tengoku to jigoku
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Tengoku to jigoku (1963) More at IMDbPro »

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Overview

User Rating:
8.1/10   6,962 votes
MOVIEmeter: ?
Up 3% in popularity this week. See why on IMDbPro.
Director:
Writers:
Hideo Oguni (screenplay) &
Ryûzô Kikushima (screenplay) ...
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Contact:
View company contact information for High and Low on IMDbPro.
Release Date:
26 November 1963 (USA) more
Genre:
Plot:
An executive mortgages all he owns to stage a coup and gain control of the National Shoe Company, with... more | add synopsis
Awards:
3 wins & 3 nominations more
NewsDesk:
(4 articles)
Holiday Preview: A Repertory Calendar
 (From IFC. 3 November 2009, 1:01 PM, PST)

The blogs of my blog
 (From Roger Ebert's Blog. 5 October 2009, 4:10 AM, PDT)

User Comments:
Kurosawa at his best and most subtle more (53 total)

Cast

  (Cast overview, first billed only)
Toshirô Mifune ... Kingo Gondo
Tatsuya Nakadai ... Chief Detective Tokura
Kyôko Kagawa ... Reiko Gondo
Tatsuya Mihashi ... Kawanishi - Gondo's Secretary
Isao Kimura ... Detective Arai
Kenjiro Ishiyama ... Chief Detective 'Bos'n' Taguchi (as Kenjirô Ishiyama)
Takeshi Katô ... Detective Nakao
Takashi Shimura ... Chief of Investigation Section
Jun Tazaki ... Kamiya, National Shoes Publicity Director
Nobuo Nakamura ... Ishimaru, National Shoes Design Department Director
Yûnosuke Itô ... Baba - National Shoes Executive
Tsutomu Yamazaki ... Ginjirô Takeuchi - Medical Intern
Minoru Chiaki ... First Reporter
Eijirô Tôno ... Factory Worker
Masao Shimizu ... Prison Warden
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Additional Details

Also Known As:
Heaven and Hell (International: English title) (literal title)
High and Low (USA)
The Ransom (UK)
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Runtime:
USA:142 min
Country:
Language:
Color:
Black and White | Color (Eastmancolor) (inserts only)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
4-Track Stereo (Westrex Recording System)
Certification:
Filming Locations:

Fun Stuff

Trivia:
The tenth and last film directed by Akira Kurosawa to feature Minoru Chiaki. more
Quotes:
Kingo Gondo: Why should you and I hate each other?
Ginjirô Takeuchi, medical intern: I don't know. I'm not interested in self-analysis. I do know my room was so cold in winter and so hot in summer I couldn't sleep. Your house looked like heaven, high up there. That's how I began to hate you.
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Movie Connections:
Referenced in Z Channel: A Magnificent Obsession (2004) (TV) more
Soundtrack:
The Magic Begins more

FAQ

This FAQ is empty. Add the first question.
24 out of 25 people found the following comment useful.
Kurosawa at his best and most subtle, 1 August 2004
10/10
Author: jemmytee from Los Angeles, Ca.

This is one of those rare movies I had to watch twice to catch all the meaning and beauty of its construction, that is how sleek and polished this film is. The storyline is deceptively simple -- a businessman named Gondo is about to take control of the company he's worked in for years when he's told his son's been kidnapped. It turns out the kidnappers got his chauffeur's son by mistake, but they still want him to pay the ransom. If he does, he will be financially ruined. If he doesn't, he will be reviled. Which will he choose? This makes up the first half of the movie, culminating in a breathtaking scene on one of Japan's bullet trains. The second half is the police search for the kidnapper/murderer and how a case is built that will take him to the gallows.

Now this sounds like your typical cop thriller, the type Hollywood churns out with one hand tied behind its back, but Kurosawa makes it into a meditation on honor and decency, and on how one's choices can lead one to Heaven or to Hell in little steps that seem to be taking you nowhere. Gondo is an honorable man who worked hard to built himself a life of wealth and power. This is no small feat, considering Japan is not known as a society where one can easily change one's station in life, so this adds to his dilemma; he will not only lose his fortune, he will also lose his hard-gained power and respect in the business community, all for a child that is not even his. And not only will he lose but his own wife and son will, as well. But to NOT pay the ransom means he will lose everything in him that is human and decent, and his wife and son will suffer from that, too.

This is a big deal -- not just in Japanese society but in the world as a whole. It doesn't matter if you live in Nepal or Kenya or Argentina or New York City, when faced with the choice of losing your position in your society or losing your soul, which would you choose? And would you still make that choice knowing that even if the cops catch the bad guy, it will make no difference in your own circumstances? Just a glance at some of the recent stock scandals gives you a good idea of where most people fall in their choices. And even Ed McBain, upon whose novel this movie is based, knew how hard it would be to give up your world for your spirit; his businessman refuses to pay the ransom.

To me, this movie is Kurosawa at his best and most subtle. Every shot is composed and measured and done just right. Not all films have to have bombs exploding and chase scenes and people going "Boo!" to affect you; sometimes just a man riding on a train en route to what he knows will be a catastrophe to him and his world is enough to make you thank the heavens for a story well told.

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Remake in the Works Xuesheng
One thing troubles me Adrian
Inaccurate title? FZ-FX
Three reasons I had a hard time keeping a straight face shaggy61
Are movie execs rating this movie a 1? chamelion7
Has anyone read the original Ed McBain story, 'King's Ransom'? debblyst
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