| Anthony Perkins | ... | Josef K. | |
| Jeanne Moreau | ... | Marika Burstner | |
| Romy Schneider | ... | Leni | |
| Elsa Martinelli | ... | Hilda | |
| Suzanne Flon | ... | Miss Pittl | |
| Orson Welles | ... | Albert Hastler (The Advocate) | |
| Akim Tamiroff | ... | Bloch | |
| Madeleine Robinson | ... | Mrs. Grubach | |
| Arnoldo Foà | ... | Inspector A | |
| Fernand Ledoux | ... | Chief Clerk of the Law Court | |
| Michael Lonsdale | ... | Priest | |
| Max Buchsbaum | ... | Examining Magistrate | |
| Max Haufler | ... | Uncle Max | |
| Maurice Teynac | ... | Deputy Manager | |
| Wolfgang Reichmann | ... | Courtroom Guard | |
| Thomas Holtzmann | ... | Bert the law student | |
| Billy Kearns | ... | First Assistant Inspector | |
| Jess Hahn | ... | Second Assistant Inspector | |
| Naydra Shore | ... | Irmie, Joseph K.'s cousin | |
| Carl Studer | ... | Man in Leather | |
| Jean-Claude Rémoleux | ... | Policeman | |
| Raoul Delfosse | ... | Policeman | |
| William Chappell | ... | Titorelli | |
| rest of cast listed alphabetically: | |||
| Guy Grosso | ... | K's colleague (uncredited) | |
| Paola Mori | ... | Court archivist (uncredited) | |
Directed by | |||
| Orson Welles | |||
Writing credits | ||
| Franz Kafka | (novel) | |
| Orson Welles | (screenplay) | |
| Pierre Cholot | (French dialogue adaptation) uncredited | |
Produced by | |||
| Michael Salkind | .... | executive producer | |
| Alexander Salkind | .... | producer (uncredited) | |
Original Music by | |||
| Jean Ledrut | |||
Cinematography by | |||
| Edmond Richard | |||
Film Editing by | |||
| Yvonne Martin | |||
| Frederick Muller | (as Fritz H. Muller) | ||
| Orson Welles | (uncredited) | ||
Art Direction by | |||
| Jean Mandaroux | |||
Costume Design by | |||
| Helen Thibault | (uncredited) | ||
Makeup Department | |||
| Louis Dor | .... | makeup artist | |
Production Management | |||
| Robert Florat | .... | production manager | |
| Emile Blondé | .... | unit manager (uncredited) | |
| Philippe Dubail | .... | unit manager (uncredited) | |
| Jacques Pignier | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Marc Maurette | .... | assistant director | |
| Sophie Becker | .... | assistant director (uncredited) | |
| Paul Seban | .... | assistant director (uncredited) | |
Art Department | |||
| Jean Bourlier | .... | assistant art director (uncredited) | |
| Jacques Brizzio | .... | assistant art director (uncredited) | |
| Madame Brunet | .... | dresser (uncredited) | |
| Jean Charpentier | .... | upholsterer (uncredited) | |
| Francine Coureau | .... | upholsterer (uncredited) | |
| Jacques D'Ovidio | .... | assistant art director (uncredited) | |
| André Labussière | .... | set dresser (uncredited) | |
| Claudie Thary | .... | dresser (uncredited) | |
| Pierre Tyberghein | .... | assistant art director (uncredited) | |
Sound Department | |||
| Jacques Lebreton | .... | sound mixer | |
| Guy Villette | .... | sound | |
| Julien Coutelier | .... | sound (uncredited) | |
| Urbain Loiseau | .... | assistant sound (uncredited) | |
| Guy Maillet | .... | assistant sound (uncredited) | |
Special Effects by | |||
| Denise Baby | .... | special effects editor (uncredited) | |
Camera and Electrical Department | |||
| Adolphe Charlet | .... | camera operator | |
| Roger Corbeau | .... | still photographer | |
| Max Dulac | .... | assistant camera | |
| Robert Fraisse | .... | assistant camera (uncredited) | |
Editorial Department | |||
| Gargano Andrea | .... | final colorist (uncredited) | |
| Gérard Pollicand | .... | associate editor (uncredited) | |
Music Department | |||
| Jean Ledrut | .... | music arranger | |
Other crew | |||
| Alexander Alexeieff | .... | prologue scenes | |
| Paul Laffargue | .... | assistant to director of production | |
| Yves Laplanche | .... | promoter | |
| Claire Parker | .... | prologue scenes | |
| Jacques Pignier | .... | administrator | |
| Pierre Bénichou | .... | press attache (uncredited) | |
| Jacques Brua | .... | accountant (uncredited) | |
| Sonia Bunodiere | .... | production secretary (uncredited) | |
| Henry Dutrannoy | .... | production administrator (uncredited) | |
| Marie-José Kling | .... | script supervisor (uncredited) | |
| Florence Malraux | .... | press attache (uncredited) | |
| Guy Maugin | .... | location manager (uncredited) | |
| André Nicard | .... | publicist (uncredited) | |
| Gisèle Pellet-Collet | .... | production secretary (uncredited) | |
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| Sullivan's Travels | The Trial | Brazil | The Manchurian Candidate | Boy A |
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THE TRIAL is Orson Welles's version of a typical European film with all the surrealistic trappings one might expect from a work by a Fellini. The feel is very true to Kafka's works. The sets are stunning.
Anthony Perkins is perfectly cast. Welles does his usual quality acting. But it is Romy Schneider's face that lights up the screen whenever she is on. A sad reminder that she left us way too early.